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Thread: Nick G modified Lentek Head Amp

  1. #201
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Paul,

    Quote Originally Posted by Paul Hynes View Post
    I have to side with Jez on this.

    The Lentek circuit is simple and elegant in its concept.
    So do you rate the design?

    The resistors used in Alan’s photos are thick film and metal oxide types which were available from RS components back when the Lentek was manufactured.
    Ok, so when modding the unit do you recommend that these resistors are retained? I'm only saying that if you think they are in some way key to how it sounds, or if they'd be better replaced with something better from currently produced options?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  2. #202
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Arkless Electronics View Post
    Some respect due to Lentek over their choice of transistors (of those available then).
    Interesting, Jez, so what are they exactly and why is respect due? Are these transistors still available now, or if not what would you suggest betters them?

    The transistors were actually the last thing I was thinking of changing anyway, as I suspected that they were a big part of why the unit sounds like it does.

    Tis' a pity that for reasons of battery life, size and price the collector current is so low as to make it so hissy...
    So could that issue be successfully addressed?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #203
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Paul Hynes View Post
    Incidentally, for anyone considering building a Lentek head amp for themselves, the 2SA1085 and 2SC2547 with a source impedance of 100R both have a noise factor (NF) of around 0.5 dB and they are effectively operating in parallel for noise purposes, so the averaged noise contribution would be less than 0.5 dB without a cartridge connected. The noise level would rise slightly with a low impedance cartridge connected but would still be acceptable. These transistors are not current production items but they can still be sourced from surplus outlets.
    So, just to clarify, for us numpties, the 2SA1085 and 2SC2547, of which you speak, are the transistors used in the Lentek?

    Do any of you guys have some spare ones, then? Would be useful to know in case any currently being used go tits up. One other thing I'd like to do is house the whole thing in a non-magnetic case. The stock one is ferrous and creates a significant magnetic field around the components, which in my experience is sonically suboptimal.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #204
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 99,005
    I'm Grant.

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    think they are available here
    Regards,
    Grant .... ؠ ......Don't be such a big girl's blouse

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  5. #205
    Join Date: Oct 2012

    Location: NE England

    Posts: 4,173
    I'm Jez.

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    Quote Originally Posted by Marco View Post
    Interesting, Jez, so what are they exactly and why is respect due? Are these transistors still available now, or if not what would you suggest betters them?

    The transistors were actually the last thing I was thinking of changing anyway, as I suspected that they were a big part of why the unit sounds like it does.



    So could that issue be successfully addressed?

    Marco.
    They are no doubt available still with a bit of a search. To expound on my earlier post, transistors come in opposite polarities (and all audio EE's wish valves did!) and ideally in a push pull circuit we want them to be perfect mirror images of each other. This is normally done by using two transistors of the same series or family, which are intended to be complementary to each other. In the case of the Lentek they have gone above and beyond the call of duty and experimented with all sorts of transistors , but only those with at least some pretence of not hissing, to find ones that are more perfectly mirror images of each other than could be expected from choosing them from even those intended to be mirror imaged....

    The 2SA1085 and 2SC2547 complementary pair (not even available when this was made and "obsolete", as in still fantastic but they don't make them any more, not as in that there are better more modern parts available. see my earlier post on this matter!), which Paul mentions are an interesting choice which, whilst I haven't done any analysis of it, I think see what he's probably getting at here...

    They are not a fantastic choice for a MC head amp, not that bad either, (very good for a MM one though) but, bearing in mind how current starved the devices are in this application , they may well be a better compromise under these battery saving conditions than something ostensibly far more suitable for low noise with a source impedance as low as that of an MC cart. So probably a good shout but would need some measurements etc to confirm

    To get to Marco's other point in the next post (i think) and take it further ().. the ultimate Lentek? would put the PCB in a much bigger box and powered by a lantern battery (or similar capacity of rechargeable's), this would allow the current to be upped to reduce the hiss by probably at least half, and I would hope down to about 1/4 of original.. the extra class a, whilst technically pretty irrelevant, may smooth and refine it in practice....the tantalum capacitors would be replaced by polypropylenes FAR too big to go in the original box (similar to but bigger than the ones you used in the 15XR rebuild Marco). Not cheap to do other than as a labour of love of course!

    As to, whilst probably making it a much better unit overall, would it keep whatever "je ne sais quoi" it's reputed to have....? Anyone's guess I'm afraid.. not predictable by any theory or measurement..( calm down Marco ) it would need to be tried to find out but the above is about as far as one can go in taking a Lentek to the limit but not really changing that much of the original design.
    Arkless Electronics-Engineered to be better. Tel. 01670 530674 (after 1pm)

    Modded Thorens TD150, Audio Technica AT-1005 MkII, Technics EPC-300MC, Arkless Hybrid MC phono stage, Arkless passive pre, Arkless 50WPC Class A SS power amp, (or) Arkless modded Leak Stereo 20, Modded Kef Reference 105/3's
    ReVox PR99, Studer B62, Ferrograph Series 7, Tandberg TCD440, Hitachi FT-5500MkI, also FT-5500MkII
    Digital: Yamaha CDR-HD1500 (Digital Swiss army knife-CD recorder, player, hard drive, DAC and ADC in one), PC files via 24/96 sound card and SPDIF, modded Philips CD850, modded Philips CD104, modded DPA Little Bit DAC. Sennheiser HD580 cans with Arkless Headphone amp.
    Cables- free interconnects that come with CD players, mains leads from B&Q, dead kettles etc, extension leads from Tesco

  6. #206
    Join Date: Oct 2008

    Location: Scotland

    Posts: 366
    I'm Paul.

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    Hi Marco,

    Undoubtedly each of the components used in the Lentek circuit will have a sonic signature, but as Jez points out, changing components may upset the sonic balance and the only way to find out is to try changing components. Very time consuming, as some burn-in time should be allowed for each component for conclusive results.

    I used the brown thick film resistors in many designs in the 1980s with good sonic results. I initially chose them because they were manufactured using non-magnetic materials and I preferred their sonic signature over the slightly grittier signature of the grey resistors, which, incidentally, had magnetic material in the end caps on the resistor body.

    I also used the 2SC2547 and 2SA1085 in many designs. The 2SC2547 was used in an MC input phono stage and 8 were wired in parallel on each side of the input differential pair to reduce their overall noise contribution. This MC phono stage was astonishingly quiet and the low level information retrieval was exceptional. Unfortunately I have no idea how these transistors would compare sonically with the ones used in the Lentek.
    Paul Hynes Design
    paulhynesdesign.com
    High Performance Power Supply upgrades
    http://theartofsound.net/forum/showthread.php?t=16655

  7. #207
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Thanks for that, guys. It's all very useful info that I'll be bearing in mind for the future

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #208
    Join Date: Oct 2008

    Location: Scotland

    Posts: 366
    I'm Paul.

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    I have been playing around with the circuit using ZTX651 and ZTX751 in my plug-in breadboard. With circuit values readjusted to work with an Aerospace 6v spiral wound lead acid gel battery that I use on my test bench, the circuit shows good linearity and low noise with a voltage gain of 24 with the readjusted circuit values. There were no stability problems shown on the oscilloscope and I would expect decent performance from the waveforms present during testing.

    The 6v battery has way more charge available than a PP3 battery so I also set the circuit up for 2.5ma quiescent current in the transistors and the circuit works well providing a voltage gain of 33 due to lower resistor values from the transistor emitters to the battery terminals.

    I would be interested to hear what the circuit can do in my system and may, if time allows, prepare a circuit board layout for inclusion on my next circuit board order, probably in Feb/March. This will allow me to experiment with different components without repeated modification of one board, which can eventually lead to board damage.
    Paul Hynes Design
    paulhynesdesign.com
    High Performance Power Supply upgrades
    http://theartofsound.net/forum/showthread.php?t=16655

  9. #209
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Sounds very interesting, Paul. Please keep us posted!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #210
    Join Date: Oct 2012

    Location: NE England

    Posts: 4,173
    I'm Jez.

    Default

    Quote Originally Posted by Paul Hynes View Post
    I have been playing around with the circuit using ZTX651 and ZTX751 in my plug-in breadboard. With circuit values readjusted to work with an Aerospace 6v spiral wound lead acid gel battery that I use on my test bench, the circuit shows good linearity and low noise with a voltage gain of 24 with the readjusted circuit values. There were no stability problems shown on the oscilloscope and I would expect decent performance from the waveforms present during testing.

    The 6v battery has way more charge available than a PP3 battery so I also set the circuit up for 2.5ma quiescent current in the transistors and the circuit works well providing a voltage gain of 33 due to lower resistor values from the transistor emitters to the battery terminals.

    I would be interested to hear what the circuit can do in my system and may, if time allows, prepare a circuit board layout for inclusion on my next circuit board order, probably in Feb/March. This will allow me to experiment with different components without repeated modification of one board, which can eventually lead to board damage.
    I thought those ZTX's would do the trick

    I'll not be bothering with PCB's here.... If folks want a clone of it from me it will be on glass fibre veroboard or point to point wired on tag strip.
    Arkless Electronics-Engineered to be better. Tel. 01670 530674 (after 1pm)

    Modded Thorens TD150, Audio Technica AT-1005 MkII, Technics EPC-300MC, Arkless Hybrid MC phono stage, Arkless passive pre, Arkless 50WPC Class A SS power amp, (or) Arkless modded Leak Stereo 20, Modded Kef Reference 105/3's
    ReVox PR99, Studer B62, Ferrograph Series 7, Tandberg TCD440, Hitachi FT-5500MkI, also FT-5500MkII
    Digital: Yamaha CDR-HD1500 (Digital Swiss army knife-CD recorder, player, hard drive, DAC and ADC in one), PC files via 24/96 sound card and SPDIF, modded Philips CD850, modded Philips CD104, modded DPA Little Bit DAC. Sennheiser HD580 cans with Arkless Headphone amp.
    Cables- free interconnects that come with CD players, mains leads from B&Q, dead kettles etc, extension leads from Tesco

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