Shian7
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Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Not in my book.
I'm quite sure I'm in the minority,but I'd go for sound every time.After all,I've been round to Nick's place and heard his sublime creations,made on bits of MDF sprawled across the floor,such that you have to watch your footing when you get up.I'd quite happily substitute convenience for the kind of sound quality that Mr Gorham is capable of.But then he's lucky enough to have his own shed!
Well, yes.... But I was working on the assumption that two pieces (or more) of equipment were equal in term of performance/price/features/etc...
If you can't make a distinction on any worthwhile criteria, why not got for the one you, well, just like the look of??? ....
I guess I was just trying to 'second' Shane's point.
Shian7
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Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
1 and 2 are fine, but 3 is for me somewhat unusual.
Shane, no offence, but I couldn't think of anything that would be further from my mind when selecting hi-fi equipment. As long is it sounds great and 1 and 2 have been reasonably catered for (particularly 2) I couldn't give a shit about by whom and where it was made
The only exception would be if it had been constructed by child labour in a Third World country.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
For me a new brand would have to offer better value for money and construction at a lesser cost than the established brand and offer a better guarantee.
I personally don't see the reasoning in buying an unknown new on the block brand that is directly competing in the same price bracket as an established brand, even if performance is identical. I am wary of any new brand out to make profit before good reputation.
The established brand may well have earned my cash by getting 'established' before setting it's retail price, and may also hold it's value better.
But again one does have to take into acount the products their weight and construcion, what interconnects are being used, what are these state of the art ancillaries, and do these players STILL offer a cohesive musical performance with lesser and varied ancillaries in a standard UK home with standard mains and such?
Quite simply CD players A and B may offer identical performance through some state of the art electronics, which themselves may be contributing some aspect to this nature. Whereas we may find one of these players may be equally as happy in a variety of lesser systems.
Basic line is if both players sound identical at home, then go for the established brand unless as I said the new brand is offering an exceptional build quality and guarantee to make up for the lack of competetive pricing.
I think
I must admit that I'm not in the slightest bit bothered about where something is made, aesthetics however do matter a little to me, but nowhere near as much as performance. You only have to look at my DAC to see that - the faceplate looks like it was arranged by a pizza chef.
Ben Duncan mains conditioner
2022 MacBook Pro 14" M1 Pro 10/16/16/16
Samsung QE75Q90T 75" QLED TV
XMOS DSD Async USB to Coax converter
RME Audio ADI-2 FS (AK4493) DAC
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Edifier S3000 Pro active speakers
Atacama SE24 stands
I am in agreement with Sastu.
All sonics and facilities being either indistinguishable or of similar merit, I would choose
THE ESTABLISHED MANUFACTURER with a good track record, and
PROXIMITY to my home of said (British) manufacturer (or reliable importer, if foreign)
BLING (!?*!?) would be of only minor importance.
Probably why I have a Meridian CDP, and Naim stuff now HAS to go through a dealer, I believe, who is bound to be fairly local.
Location: gone
Posts: 11,519
I'm gone.
Nope - I have to disagree with you on that. I don't really care what kit looks like.
My criteria would be sound quality. I Box Swap as I enjoy playing with different kit - and not being a dealer like HP, I don't have any other way to do it. Given my propensity to move kit on, I should take more heed of re-sale value and ease of selling, but I don't - I often lose out on re-selling interesting but unusual kit .
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