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Thread: Broken stylus!

  1. #11
    Join Date: Feb 2013

    Location: W Lothian

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    I'm Grant.

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    start with180 degrees, subtract the first measured angle , add the second measured angle and divide by two.

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  2. #12
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 14,862
    I'm Steve.

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    Quote Originally Posted by struth View Post
    start with180 degrees, subtract the first measured angle , add the second measured angle and divide by two.

    Like when fitting skirting boards round corners
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Amptastic Mini One,Arcam A75 integrated, Celestion 5's, BK XLS-200 DF

    A/V:
    LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL Storm sub

    Forget the past, it's gone. And don't worry about the future, it doesn't exist. There is only NOW.

    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  3. #13
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,265
    I'm openingabottleofwine.

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    Quote Originally Posted by Wakefield Turntables View Post
    Don’t mention SRA it sends some folks into apocalyptic rages!!
    Why not? It is exactly the parameter Richard is trying to adjust.

    VTA is a theoretical concept, which cannot be measured in practice. Whereas SRA can be measured directly; admittedly with difficulty and not without some risk of damage if care is not taken.
    Barry

  4. #14
    Join Date: Jun 2015

    Location: London/Durham

    Posts: 6,900
    I'm Lawrence.

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    Quote Originally Posted by Bonky View Post
    Our cleaner has just left and I noticed that the Roksan Nima arm was halfway over the turntable and that the stylus on my AT33PTG/11 MC was broken. Trying to get hold of her...but can't at present. Perhaps a mishap with a duster?


    Any suggestions for a compatible cartridge for the Nima?

    I barely listen to LPs any more so would find it hard to justify an expensive replacement. Perhaps 'moving down' to a MM?

    Eclectic music tastes (for a 76yr old!).

    Thanks,

    R
    Did you ever get hold of your cleaner? I've always made it clear to ours not to touch the hifi I'd rather avoid any risk even if I have to dust it once a year myself when the wife says something.

  5. #15
    Join Date: Nov 2010

    Location: Sheffield/Peak District. UK

    Posts: 574
    I'm Richard.

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    Quote Originally Posted by Lawrence001 View Post
    Did you ever get hold of your cleaner? I've always made it clear to ours not to touch the hifi I'd rather avoid any risk even if I have to dust it once a year myself when the wife says something.
    Yes, very apologetic, but not sure if she was to blame (after all, without CTVC there's no evidence). (She uses a micro-duster on her hand - apparently). I will tell her not to go anywhere near the Hi-G again (!)

    I am SO grateful to Steve for letting me use his Ortofon 2m Black... a revelation! I've still to play with the SRA (92 degrees) and VTA ( approx. 20-21 degrees), but so hard to measure. I think (as Barry and others have suggested), to do it by ear.

    I have a plan (I have some good cameras (but not macro), to take pictures, print them and then using a protractor, to measure the angles. Mmm...we'll see...

    Thanks everyone - an interesting journey, especially as I was thinking that CDs+ RME DAC, and/or AppleMusic+ RME+ Volumoi+ Wiim streamers, was/were the place to go.

    Listening to a Tracey Chapman LP has convinced me/us otherwise.

    Yet to use the combo with Classical Music.

    Thanks,

    R
    My Gear:
    Source component/s:
    Cambridge CXC Cd player; Inspire Apollo deck + Roksan Nima arm + Ortofon 2M Black; Denon TU-580RD tuner; Logitech Squeezebox Touch. Rpi with Volumio. RME DAC.

    Amplification: WD KEL84+ valve amp; Rega Brio, Quad 306 (DADA modded, - in reserve)). Trichord Dino2 & Dino+ PS;

    Wiim mini, Wiim Pro, Wiim ProPlus streamers

    Loudspeakers:
    Living Voice Auditorium IBX-R2.
    Q Acoustics 2010 in the 'study'.

    Cables/stands: Chords; Van Dammes 4mm

    Any other hi-fi bits:
    Apple MacMini Pro; Senn HD598, 467,
    Linear PSs for Rpi and DAC. Pure mains conditioning.

  6. #16
    Join Date: Feb 2008

    Location: Canaries

    Posts: 193

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    Being an MM, wasn´t the secret of great sound from a 2m Black more to do with achieving a very low capacitance figure presented at the phono input ? Whereas my MM cartridge (A&RP77) looks for 450 pF which is apparently a highish figure and therefore easy to adjust to, usually by adding, with an Ortofon you usually need to find a way of reducing load capacitance to around 100pF.

  7. #17
    Join Date: Nov 2011

    Location: Seaton, Devon, UK

    Posts: 13,318
    I'm Adrian.

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    Quote Originally Posted by Bonky View Post
    Update: I'd like to publicly thank Steve (AKA Pigmy Pony) for his very kind offer of giving me an Ortofon 2M Black to replace my damaged AT 33PTG/2/MC. I had thought that the AT and the Roksan Nima arm were an extremely good match, but both my wife and I were very, very impressed with the sound of the 2M Black - and I think we prefer it. (Whether the AT was past its best -I don't know -perhaps!). I wonder if the arm (a unipivot) is better suited to MM rather than MC cartridges.

    Has anyone any views?

    Richard
    Hi Richard, this might explain it, I think I have it right, if you take the Effective Mass of your arm and the weight of the AT 33PTG II and its Compliance you will find the resonant frequency to be a bit low at 5.28hz , whereas for the Ortofon is good at just over 7hz. Also the 20 degree tracking angle for the Ortofon may be easier to achieve than the 23 for the AT. Calculator http://mh-audio.nl/Calculators/RF.html

    As long as it sounds good that is what matters.
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

    Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive

    Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp

    Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones

    Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links


    I think I am nearing audio nirvana, but don’t tell anyone.

  8. #18
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 14,862
    I'm Steve.

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    Quote Originally Posted by AJSki2fly View Post
    Hi Richard, this might explain it, I think I have it right, if you take the Effective Mass of your arm and the weight of the AT 33PTG II and its Compliance you will find the resonant frequency to be a bit low at 5.28hz , whereas for the Ortofon is good at just over 7hz. Also the 20 degree tracking angle for the Ortofon may be easier to achieve than the 23 for the AT. Calculator http://mh-audio.nl/Calculators/RF.html

    As long as it sounds good that is what matters.
    There you go Richard, you are now on Adrian's radar, and that's a good thing Has a lot of experience with cartridge set up, and really knows his stuff.
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Amptastic Mini One,Arcam A75 integrated, Celestion 5's, BK XLS-200 DF

    A/V:
    LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL Storm sub

    Forget the past, it's gone. And don't worry about the future, it doesn't exist. There is only NOW.

    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  9. #19
    Join Date: Nov 2011

    Location: Seaton, Devon, UK

    Posts: 13,318
    I'm Adrian.

    Default

    Quote Originally Posted by Pigmy Pony View Post
    There you go Richard, you are now on Adrian's radar, and that's a good thing Has a lot of experience with cartridge set up, and really knows his stuff.
    Well I would not say that, just made a lot of ,mistakes along the way, talked to a few who know better and read a bit.

    On another note Richard the AT 33PTG II spec has two Compliance figures a static compliance of :-

    Static Compliance 40 x 10-6 cm/dyne
    Dynamic Compliance 10 x 10-6 cm/dyne (100 Hz)

    The dynamic compliance is the deflection of the cantilever under a sine wave signal of a given frequency (100hz), however from what I have read this can be misleading, and purely using static is not the best. a good explanation if anyone is interested is here https://nirvanasound.com/wp-content/...arm%20Mark.pdf

    Using the Static Compliance gives the 5.28hz, the dynamic one gives as below so may be fine.

    Eff. Tonearm Mass : 15.3 g
    Cartridge Mass : 6.9g
    Fastener Mass : 0.5g (a guesstimate)
    Compliance : 10 x 10-6 cm/Dyne

    Tonearm Resonant Frequency = 10.56 Hz

    But and it is a big BUT, as the cartridge ages and depending on how much it is used the compliance figure will change. I suppose for some cartridges the suspension may harden and thus stiffen and become less compliant, and for others the suspending will weaken becoming more compliant, I think that is correct. If the cartridge is new, is not that old and not used that much then it is likely safe to rely on the manufacturers figure, if not then as the article mentions using a good test record with frequency sweep tests and measuring the output on a computer or scope is probably the only way to be sure.

    This is meant to be good - https://www.analogueseduction.net/te...st-record.html I use this one https://www.analogueseduction.net/te...st-record.html
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

    Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive

    Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp

    Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones

    Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links


    I think I am nearing audio nirvana, but don’t tell anyone.

  10. #20
    Join Date: Nov 2010

    Location: Sheffield/Peak District. UK

    Posts: 574
    I'm Richard.

    Default

    Thanks everyone. I do have an old (very old) HiFiNews test LP -but yet to use it with this combination; will do so later. I did raise the tail end of the arm 5mm or so and didn't like the sound and reverted to approx.8mm down. It rather enhance the bass so a little more experimentation is in order.
    My Gear:
    Source component/s:
    Cambridge CXC Cd player; Inspire Apollo deck + Roksan Nima arm + Ortofon 2M Black; Denon TU-580RD tuner; Logitech Squeezebox Touch. Rpi with Volumio. RME DAC.

    Amplification: WD KEL84+ valve amp; Rega Brio, Quad 306 (DADA modded, - in reserve)). Trichord Dino2 & Dino+ PS;

    Wiim mini, Wiim Pro, Wiim ProPlus streamers

    Loudspeakers:
    Living Voice Auditorium IBX-R2.
    Q Acoustics 2010 in the 'study'.

    Cables/stands: Chords; Van Dammes 4mm

    Any other hi-fi bits:
    Apple MacMini Pro; Senn HD598, 467,
    Linear PSs for Rpi and DAC. Pure mains conditioning.

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