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Thread: They're back!!!!!!!!!

  1. #1
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

    Default They're back!!!!!!!!!

    Sorry for the thread title, but after many months sitting upstairs collecting dust, I've brought the "Crofted" Quad II's down and plumbed them in..



    The bridged Crown D-60's do have a sense of "rightness" to them and they'll stay as a reference for a considerable time, but there was a feeling of "charm" with the updated 303 I bought recently. The 303 does have a certain anonimity in my setup though - perhaps that's a compliment, I don't know.

    The II's though are something else. I can see the guys on HDD forum curling up imagining the distortion, high output impedance and all sorts of other things where these amps from 1962 are concerned, but do you know, I don't give a flying fig what they think. The sound is so inviting, yes, lush too without much bass "weight," and even with the Spendors, there's this ability to put a huge grin on ones face, despite the amps not being anything the last word in clarity. CD's sound lovely with no nasties at all and as for the Decca...

    I played SEAL II just now and although the slam and sheer physicality of the mixes when played through my old ATC100A's was missing, there was texture and "air" from the BC2's I didn't think them capable of.

    Perhaps this is one thing about old and inexpensive systems that can work so well. We don't expect much from them and are pleasantly surprised when they transcend out pre-conceived ideas.

    "Strokes of Genius?" Too bloomin' right IMO...
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  2. #2
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Must get some Net 303.3 boards, been going to for a year now..
    Last edited by Rare Bird; 22-09-2010 at 13:14. Reason: Grammar correction..lol

  3. #3
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Nice one, Dave. I'm glad to hear that the old Quad IIs are hitting the spot

    I see they have the original GEC valves, too. Those alone are worth a fortune! Apparently the John Howes modified Quad IIs are something else - have you heard those?

    Even without taking things to that extreme, I bet there is some judicious 'tweakage' that could be done to yours in terms of updating/upgrading key components, like caps, etc.

    Have you done any mods to them or are they totally original?

    I can see the guys on HDD forum curling up imagining the distortion, high output impedance and all sorts of other things where these amps from 1962 are concerned, but do you know, I don't give a flying fig what they think.
    Good on you....

    I care much less than that about what they 'think' - idiots, the lot of them!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #4
    Join Date: Feb 2008

    Location: Middlesex, UK

    Posts: 4,482
    I'm Alex.

    Default

    I always liked the sound of Quad IIs. What impedance tapping on the output transformers are you using?

    http://farm5.static.flickr.com/4151/...fcba48fd_z.jpg
    Last edited by spendorman; 22-09-2010 at 16:16.
    Spendorman

  5. #5
    Join Date: Feb 2010

    Location: Sussex UK

    Posts: 92
    I'm Gino.

    Default

    Good to see your Quad IIs and happy to hear that you like them. I bought a pair 2nd hand in 1969 and have used them almost continuously ever since, and they always sounded good (at least on straight ahead Jazz and classical). About 10 years ago I replaced ‘the usual suspects’ and installed phono sockets and binding posts etc. Bass can be improved I recall by increasing the value of the cathode bypass cap (which often dries up anyway), they are also on (mostly) original valves.

    I use them with a pair of ELS57s (naturally).
    Marantz CD/DA12, HHB 'burnit', Yamaha CT7000, Magnum Dynalab FT101A, Garrard 401, SME 3009, Dynavector 100R and 30C, AT F7, Trichord Dino, Audio Research LS7, Quad 303 or Leak Stereo 20, Harbeth P3ESR, BK sub, DIY passive with PG faders, Quad II's, Quad ELS57's, Townsend Ribbons, Crown IC150, HH AM8/12, Tannoy Monitor Gold in Lancaster, Stellavox SU8, Nagra T-Audio, Dolby 361's, Sony D50, Pro Walkman, Dat Walkman, Slee Solo, Sennheiser HD650 + Equinox, Lambda Sig. Pro., SRM-T1, Sr001

  6. #6
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,090
    I'm Dave.

    Default

    Fat, dull, sluggish, flabby no balls.....


    The Quad 11's are none of the above and partnered with the 'right' speaker, they can sound stunning.

    Those Quad's sounded pretty fine into my Harbeth M40.1's as I recall...

  7. #7
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

    Default

    He's back too

    Marco, you have a lot going on in your life, so probably have forgotten this pic which I'm sure is on here somewhere...



    What's been done by Glenn here may well de-value these to purists, but the valve power supply actually reduces the output to 12W or so, while supposedly increasing stability. All the resistors were replaced with 1% types and I believe that film caps of various types were used in the business end, a standard electrolytic being used in the supply side.

    These mods were done nearly twenty years ago now (yikes!!!!!) and I should add that these amps would have been on the scrap heap had they not gone to Glenn for a fettling. I know there's more that can be done, but these are far enough removed from the Quad original as it is.
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  8. #8
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Ah, nice one, Dave - I haven't seen that pic before... Oi loikes!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #9
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

    Default

    Quote Originally Posted by spendorman View Post
    I always liked the sound of Quad IIs. What impedance tapping on the output transformers are you using?

    http://farm5.static.flickr.com/4151/...fcba48fd_z.jpg
    Sorry, missed this one. is that lot yours?

    To the best of my knowledge, the tappings are set to 8 Ohms. The taps are set underneath the caps and power supply and I only glanced in that direction. To be honest, I don't feel like fiddling and as the Spendors tend to have a high impedance apart from very high frequencies, I'm not sure i should change things. I can't for the life of me remember what tappings I used for the Radford STA25 and BC1's I owned thirty odd years ago, but I believe I worked on the assumption that valve amps didn't like being open circuit but could tolerate a short (better than a solid state amp) so may have stayed with the 8 Ohm taps...
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  10. #10
    Join Date: Feb 2008

    Location: Middlesex, UK

    Posts: 4,482
    I'm Alex.

    Default

    That pic is very old. Stupidly, I sold two sets of the II/22 many years ago, leaving me with one very good set. Most the other stuff that one can see (plus a lot more) is still here.

    I can't remember properly, but I think that it is said that one of the output tappings is compromised on the Quad II.
    Spendorman

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