Dont know if it helps any Mike but i have a Technics deck and Arcam cd
Amplification is Icon Audio phono stage running through a Rotel integrated.
Speakers are AVI neutrons
Dont know if it helps any Mike but i have a Technics deck and Arcam cd
Amplification is Icon Audio phono stage running through a Rotel integrated.
Speakers are AVI neutrons
I would have thought the humax box doesn't have the definition in the sound to place what is going through it out into the room in the same way the hifi sources do. Also when you watching the tele your stronger senced eyes are helping your brain compensate for what's missing out o the sound.
I would ignor the humax sound situation - if both hifi sources are causing similar issue then it's most likely the room! Try what Dave said with the douvet on the wall etc ...
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
Colin
One of the best things I ever did to allow my system to focus and create a tangible soundstage with depth of image and proper balance was to experiment with and install room tuning devices. My current system layout utilizes Acustica Applicata DaaD' (very expensive!) and GIK panels (cheap as chips!) to compensate for first and second relections and focus stereo image. Hre is a view from the listening seat.
Steve.
My System:- dCS Vivaldi Transport + dCS Vivaldi Apex DAC + dCS Vivaldi Master Word Clock + dCS Vivaldi Upsampler Plus, Aurender N20 Music Server/Streamer, TW Raven One tt/Graham Phantom II/Transfiguration Orpheus L & Audio Technica ART20 mc's, Whest Titan Pro, D'Agostino Momentum HD pre/S250 MxV power amp, TAD CR-1 MKII loudspeakers, REL Gibraltar G2 subs, Coherent Systems BD Mains, interconnects & speaker cables, Sablon Audo EVO USB cable, Tellurium Q Ultra Silver power cords, Ziro Disclosure & Vertex Roraima Hi-Rez power cords + Furutech FI connectors, Stillpoints ESS racks/component stands, Vertex Aletheia PSU2 balanced power supply, Coherent Systems RTZ3 ground box + CR/BD cables, Acoustica Applicata DaaD room treatment, Mutec Ref10 SE-120.
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Do you find that placing your speaker cable boxes on little acrylic stands makes much difference?
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In the case of MIT network boxes which contain active circuitry, I have found a benefit to raising them on the MusicWorks ReJig acrylic supports, which were designed for the purpose of providing resonance control to such components as power supplies, netwrok boxes etc.
Many will scoff, but when these network boxes are placed necessarily close to loudspeakers which produce alot of energy in all planes, then they can use all the help they can get.
The effect of these supports can be clearly demonstrated and manifests itself as a tighter, more tangible focus to the soundstage.
Steve.
My System:- dCS Vivaldi Transport + dCS Vivaldi Apex DAC + dCS Vivaldi Master Word Clock + dCS Vivaldi Upsampler Plus, Aurender N20 Music Server/Streamer, TW Raven One tt/Graham Phantom II/Transfiguration Orpheus L & Audio Technica ART20 mc's, Whest Titan Pro, D'Agostino Momentum HD pre/S250 MxV power amp, TAD CR-1 MKII loudspeakers, REL Gibraltar G2 subs, Coherent Systems BD Mains, interconnects & speaker cables, Sablon Audo EVO USB cable, Tellurium Q Ultra Silver power cords, Ziro Disclosure & Vertex Roraima Hi-Rez power cords + Furutech FI connectors, Stillpoints ESS racks/component stands, Vertex Aletheia PSU2 balanced power supply, Coherent Systems RTZ3 ground box + CR/BD cables, Acoustica Applicata DaaD room treatment, Mutec Ref10 SE-120.
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When you say they contain 'active' circuitry - do you actually mean that they are powered? If you mean that the speaker signal 'actively' goes through the electronics, then they are actually passive (not active).
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Steve.
My System:- dCS Vivaldi Transport + dCS Vivaldi Apex DAC + dCS Vivaldi Master Word Clock + dCS Vivaldi Upsampler Plus, Aurender N20 Music Server/Streamer, TW Raven One tt/Graham Phantom II/Transfiguration Orpheus L & Audio Technica ART20 mc's, Whest Titan Pro, D'Agostino Momentum HD pre/S250 MxV power amp, TAD CR-1 MKII loudspeakers, REL Gibraltar G2 subs, Coherent Systems BD Mains, interconnects & speaker cables, Sablon Audo EVO USB cable, Tellurium Q Ultra Silver power cords, Ziro Disclosure & Vertex Roraima Hi-Rez power cords + Furutech FI connectors, Stillpoints ESS racks/component stands, Vertex Aletheia PSU2 balanced power supply, Coherent Systems RTZ3 ground box + CR/BD cables, Acoustica Applicata DaaD room treatment, Mutec Ref10 SE-120.
Use of the word active in this context usually means "powered by an external supply" but I can understand what you mean in your statement....let's face it there are cables with boxes on them that do nothing, it seems you were trying to differentiate your MITs from these?
Im going to try the duvet tonight.
Steve , are those GIK panels in the window, and are they absorbers?
Did they contribute to the image focus or is that effect more from first reflection correction?
Is that a mirror on the left at the first reflection point?
TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Bridge + Gustard R26 with LB external clock
Pre and Power Amp EWA M40P + M40A
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti Tower