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Thread: L'Atelier de l'Audiophile, Montpellier, France

  1. #1
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default L'Atelier de l'Audiophile, Montpellier, France

    Dimitri took me to a hi-fi shop (The audiophile Workshop) owned by friends of his.

    http://www.hifi-atelier-audiophile.c...g/?page_id=194

    This place certainly deserves a mention not least for their approach to system building - source-first, use of top-notch ancilliaries and home-grown valve amplification into a pair of Tannoy Prestige speakers.

    I've now learnt that there is only one thing better than 15-inch Tannoys....















    12 inch Tannoys

    Apparently they had some 15-inch models in, I don't know which ones mind and rejected them. When I heard these 12 inch babies I could appreciate why.... They seemed much more agile, tactile and capable of more insight and subtlety than their bigger brothers whilst still being big enough to do the requisite scale and deliver deep bass.

    The system:

    DcS Puccini/Word Clock

    Home-grown Audiophile Technologie pre into 25W push-pull integrated used as a power amp

    Tannoy Prestige loudspeakers

    Siltech speaker cables

    Home grown interconnects and mains block/leads fitted with Furutech plugs.

    The system was amazingly detailed and coherent delivering the musical presentation that me likes!

    It was interesting that in direct comparison the home grown integrated used as a power amp wiped the floor with a rather capable nevertheless Air Tight ATM 300 a single-ended 7 Watt 300B affair. The 25W push-pull amp not only did (deeper) bass but it actually sounded sweeter in the mid too.

    They are a viable alternative to Anthony's amps and are zero negative feedback designs too which probably explains the sweetness. They do lose out a little to Anthony's Copper amps in terms of bass drive though but only slightly so.

    Anyway, many thanks to Alain Bavoux for letting me listen to his top-notch system knowing I wasn't going to be buying anything.

  2. #2
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,051
    I'm openingabottleofwine.

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    How long have they been going Steve?

    I remember visiting a very good hi-fi shop in Montpellier in 1982. I don't remember the name but it was unusual, something like: l'Atelier de la Research du Haute Fidelité. It was quite a small place and they were agents for a few select but uncommon items: Lavardin amplifiers, EMT cartridges etc.

    Regards

    PS Those Air Tight amps are excellent, not only for sound quality but for their superb build quality.
    Barry

  3. #3
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    I've now learnt that there is only one thing better than 15-inch Tannoys....















    12 inch Tannoys
    The only problem is they were in fact 10" Tannoys!!

    Dimitri mentioned that you listened to Kensingtons, from the Prestige range, which have 10" drivers

    I've heard these too at a hi-fi show and was impressed, but there's no way I'd swap my Lockwoods for them. I doubt that Ian would swap his 15" Canterburys for them either... Each to their own, I guess. Oh, and you know what I think of DCS up-sampling pish!

    No doubt though it was a very good system, where all the components synergised together really well.

    Hey, at least if you come into some money you now know what to replace the Hecos with!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #4
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

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    Barry, you'll have to ask Dimitri. I imagine that hi-fi shops in Montpellier were ten-a-penny back in 1982. It's that kind of city

    Marco, the Puccini sounded nothing like the Scarlatti you heard at the Manchester show in Manchester at the launch of this forum. If you remember the system was poorly set up, used rather syrupy valve amps and the speakers weren't the most suitable either.

    The Puccini actually had texture, detail and timed properly. On my return I'm hearing the same level of performance from the EIKOS which although lacks the off-board clock, makes up for it with off-board PSUs and a dedicated filter. The EIKOS perhaps is lacking ever so slightly in detail but has a bit more texture and it sync-locks different music strands a little better too.

  5. #5
    Join Date: Jun 2008

    Location: N. Ireland

    Posts: 2,475
    I'm Steve.

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    10" Tannoys you say? hmmm..

    A LOT cheaper than the 15's! I can feel a quick look see on evilpay approaching.
    They swim... the mark of Satan is upon them. They must hang.


    FLAC / WDTV Live / Cambridge Audio / Tannoy VX12

  6. #6
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

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    They were still 10 grand

  7. #7
    Join Date: Jun 2008

    Location: N. Ireland

    Posts: 2,475
    I'm Steve.

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    Quote Originally Posted by Steve Toy View Post
    They were still 10 grand
    Solid gold baffles? platinum wire? diamond encrusted grilles? Jeez that is a lot of dosh.
    They swim... the mark of Satan is upon them. They must hang.


    FLAC / WDTV Live / Cambridge Audio / Tannoy VX12

  8. #8
    Join Date: Mar 2009

    Location: Glastonbury, UK

    Posts: 1,118
    I'm Chris.

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    Quote Originally Posted by aquapiranha View Post
    Solid gold baffles? platinum wire? diamond encrusted grilles? Jeez that is a lot of dosh.
    AlNiCo magnets
    iFi ZEN Stream/TV/CXC >> RME ADI2 DAC >> XTZ Edge A2-300 >> Rogers LS8a

    PC >> Hugo 2 >> iFi Pro iCAN Sig >> Raal-Requisite CA-1a

  9. #9
    Join Date: Jun 2008

    Location: N. Ireland

    Posts: 2,475
    I'm Steve.

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    Quote Originally Posted by technobear View Post
    AlNiCo magnets
    I would still expect to come home and find them on the bed wearing suzzies waiting for me for that kind of dough!

    They swim... the mark of Satan is upon them. They must hang.


    FLAC / WDTV Live / Cambridge Audio / Tannoy VX12

  10. #10
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

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    I had a lovely day with Turnberry's and I think it was Kensingtons I heard on the following visit.

    If you think they're good, you haven't heard Harbeth yet, have you? Similar balance, not that much less sensitive and SO much more expressive and less coloured in the midrange.

    You know, I get this sneaking feeling that Tannoy don't really care any more, prefering to make boxes of different styles for their far eastern markets and pricing them as high as they can get away with (like the phono stage that could easily sell retail for under a grand but which carries a £2,500 tag just to make it even worth listening to in Hong Kong, where it competes with a £12,000 model and at least equals it.......)

    Anyone going to try some DMT's at some point, as I reckon they may just have the best of both worlds and look reasonably modern as well.
    Tear down these walls; Cut the ties that held me
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