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Thread: Calling All Mullard Experts

  1. #1
    Join Date: Sep 2009

    Location: Houston, Texas, USA.

    Posts: 181

    Default Calling All Mullard Experts

    I have a nice little ProJect Tube Box II phono preamp and have been using some NOS Phillip/Amperex 12AX7 valves which have a very detailed, forward sound.

    I was wanting to get opinions of the various Mullard valves, particularly the difference between the long plates and short plates.

    What experience do you guys have with these tubes and what are the main sonic differences?

    These tube sell for a premium on ebay and the like. I would like to pick up a pair but need some feedback before I buy.

    Any advice or input would be greatly appreciated.
    Phillip.

    Records... the Vinyl Frontier. These are the voyages of the turntable Perspective. Its five-year mission: to explore strange new records, to seek out new artists and new sounds, to boldly go where no hyper elliptical diamond stylus has gone before!

    Polk Audio SDA 1C + Yamaha C4 / M2 + Custom Made DIY Phono Stage + Pro-Ject Perspective + Pro-Ject Speed Box II + Benz Micro Ace = Magic.

  2. #2
    Join Date: Jan 2009

    Location: Nottingham UK

    Posts: 550
    I'm ThinkingOfHorns.

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    Hi Phil,

    Firstly I'm no Mullard or tube expert but I have had a play with a few tubes over the last few months. My P10 phono stage uses one 12ax7/Ecc83 along with one 6922/Ecc88 & I've tried an hand full of each.

    The Philips Miniwatt 12ax7 I tried was a fairly balanced sound, good detail, with good bass & nice sweet treble but just a little forward in the mids.

    I've tried 2 Mullards a CV4004 & a 12ax7 'long plate' both similar sounding, a warmer, smoother sounding tube. The CV4004 the smoother of the 2 & just a little more detailed but 12ax7 is slightly richer in the mids with slight better vocal, both have good bass.

    I've got a Ecc83 Telefunken 'Smooth Plate' in the p10 atm. It's not as rich sounding as the Mullards & a little more detailed but still has a good midrange but more extended highs & sounds more open with more air.

    A cheaper option & well worth a try would be a pair of 5751 's I picked up a single Sylvania 5751 for just a few quid from ebay & to my ears sounded as good as any of the above warm but lively & detailed with lovely smooth treble, lovely mids with the vocal pushed well into the room, perhaps a little forward though! the only problem with the 5751 is that it has less gain than the 12ax7 & not quite enough in my P10 in my present set up.

    Hope this helps a little.
    alfie
    Main System: Denon DP-6000 VPI Base/Fidelity Research FR64s/Ortofon SPU Royal GM MKII/Shelter 901/Auditorium 23 SUT/Pure Sound P10/SB Touch or Audio Note CDT & M2Tech Young Dac/BL Audio LP-1/New Audio Frontiers KT66 Legend/Living Voice OBX.
    2nd System: PC/Foobar/E-MU 0404 pci (Modded)/AVI ADM9/Rel Strata II subs.

  3. #3
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Quote Originally Posted by Hypnotoad View Post
    I have a nice little ProJect Tube Box II phono preamp and have been using some NOS Phillip/Amperex 12AX7 valves which have a very detailed, forward sound.

    I was wanting to get opinions of the various Mullard valves, particularly the difference between the long plates and short plates.

    What experience do you guys have with these tubes and what are the main sonic differences?

    These tube sell for a premium on ebay and the like. I would like to pick up a pair but need some feedback before I buy.

    Any advice or input would be greatly appreciated.
    Try get some old Telefunken 12AX7 with blue tips, they are medical grade

  4. #4
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

    Default

    I bought some tested & matched Mullard long-plate ECC82's for the Croft and didn't care for them overmuch, finding them too old fashioned "valvey." However, the mil spec versions are fine and thanks to a certain Mr Shiels, I now have CV4003's and 4004's in the Croft and the sound is fine, being open enough without any obvious bass bloat or treble softness. I also have some JAN5814a's for the line stage, which sharpen the sound up a bit too much, but are incredibly clear.
    Tear down these walls; Cut the ties that held me
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  5. #5
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    Be worth speaking to Anthony TD his knowledge around tubes is very good and is a great person to buy in confidence from
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

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  6. #6
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

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    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  7. #7
    Join Date: Feb 2008

    Location: South Wales

    Posts: 9,151
    I'm NotTakingLifeTooSeriouslyTheseDays.

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    hi all,
    most of the traits you guys have commented on here i would agree with, however i will add one from my own prefrence,,, if you want a real good all-rounder, then i would take the CV4004/M8137 [box plate] in most applications.
    their not cheap now but they have a long life [typicaly 10,000 hours] so probably the last ECC83 some of you will ever need!!!
    A...
    "Today scientists have substituted mathematics for experiments, and they wander off through equation after equation, and eventually build a structure which has no relation to reality"
    Nikola Tesla



    Its now a conspiracy theory to believe that the Immune system is capable of doing the job it was designed to do.
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  8. #8
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    That one's not mine - but I've got one of the Tech-Tube E813CCs for sale (near) brand new and boxed for sale at a bargain price if anyone is interested

    As for Phil's question, I'd agree with the comments made so far. Most Mullard ECC83/32/35 types I've heard are somewhat boom 'n' tizz and exhibit quite a pronounced sonic signature. If you like this, that's fine, but personally I prefer valves which impart as little of their own 'sound' on the music as possible....

    In that respect, the best I've encountered is the Telefunken ECC803S:





    Truly the king of ECC83/12AX7s - at a price!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #9
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

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    Quote Originally Posted by Marco View Post
    That one's not mine.
    Coz it's mine yer numpty!
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  10. #10
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hahahahahahaha......

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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