+ Reply to Thread
Page 2 of 2 FirstFirst 12
Results 11 to 19 of 19

Thread: Chameleon 1400S power amplifier

  1. #11
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

    Default

    Repairing them seems to be the biggest issue, which is a shame as they are really good
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  2. #12
    Join Date: Nov 2008

    Location: Heaven

    Posts: 291

    Default

    Quote Originally Posted by Lodgesound View Post
    I own 3 Chameleons and they are some of the finest sounding amplifiers I have ever heard.

    I came across them quite by accident as I needed a low profile power amplifier to fit into an equipment rack - the sound that eminated from the amplifier when I first used it was a complete revelation!

    They are extremely difficult to work on and finding service data is a nightmare - the link above is the first one I've ever seen on the web with any kind of diagrams.

    The most powerful Chameleon I own is rated at 1.5Kw per channel into 4 ohms - when I was using it it made a NOTICEABLE difference to my household electricity bill but the sound from it was so effortless - I've honestly never heard the like of these units.
    I paid 150 gbp for electric for one of them, I left it on all the time.
    JJ

    My Audio Design
    Website: www.madengland.com
    E-mail: sales@madengland.com
    Tel: 07782 137 868

  3. #13
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

    Default

    Perhaps the biggest issue is the electric bill!!!
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  4. #14
    Join Date: Jun 2010

    Location: Scotland

    Posts: 1,940
    I'm Tom.

    Default

    I had a Chameleon Ruby power amp a few years ago. I didn't find it all that exciting to be honest, even though it didn't offend me in any way, so I suppose you could label it as a "neutral" amp. As I recall I replaced it with an Aaron Millenium power amp and that really did get my juices flowing. Dumbest thing I ever did was then selling that amp to buy a Musical Fidelity Trivista 300 integrated.

  5. #15
    Join Date: Jul 2010

    Location: Antwerp, Belgium

    Posts: 1

    Default Chameleon 1400 S

    Hey guys,
    I stumbled on this forum while looking for the Chameleon 1400 S. Recently, I've come into a pair of these, them being discarded by a studio in which I have friends.
    I considered myself lucky until I heard them: both of them produce massive broadband hum, though one more than the other. Not being familiar with the brand, I suspected faulty design, something along the lines of magnetic leakage from the toroidal transformer or such. Happens to great brands too, years ago I had to outrig a mains transformer from a Harrison graphic EQ for that reason.
    But tonight I've read this thread, and it seems these beasts have some renown at least. Also, I was suspicious, because sounding like they do now, I was wondering why they had ever been installed in a professional studio in the first place.
    So my question is: can anyone of you confirm they can sound great, and have not been designed carelessly, so it will be worth my while to try and restore them.
    My oscilloscope today showed an enormous ripple of 1 to 2 Volts on the +/- 24.5 V preamp and ancillaries (fan and relais) power supply, whereas the +/- 84.5 V main stage PSU ripple stays nicely on or below 200 mV. Can anyone of you fall in with my opinion this is not normal?
    Thanks in advance!

  6. #16
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi 'hexdiy',

    Welcome to AOS!

    Before you go any further could you please pop into the Welcome area and introduce yourself to our community by supplying your first name, basic geographical location, system details and music tastes, as this is a requirement for all new members joining AOS.

    Cheers!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #17
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,090
    I'm Dave.

    Default

    We had a couple of these amps some years ago when the company was looking for Hi-Fi dealers. They really didn't float our or our customer's boats and we were completely under-whelmed. Powerful yes but uninvolving.

    I don't recall them being all that expensive, though we thought them over priced for the performance. Potential buyers should listen before they buy unless the price is low.

  8. #18
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

    Default

    Quote Originally Posted by hexdiy View Post
    Hey guys,
    I stumbled on this forum while looking for the Chameleon 1400 S. Recently, I've come into a pair of these, them being discarded by a studio in which I have friends.
    I considered myself lucky until I heard them: both of them produce massive broadband hum, though one more than the other. Not being familiar with the brand, I suspected faulty design, something along the lines of magnetic leakage from the toroidal transformer or such. Happens to great brands too, years ago I had to outrig a mains transformer from a Harrison graphic EQ for that reason.
    But tonight I've read this thread, and it seems these beasts have some renown at least. Also, I was suspicious, because sounding like they do now, I was wondering why they had ever been installed in a professional studio in the first place.
    So my question is: can anyone of you confirm they can sound great, and have not been designed carelessly, so it will be worth my while to try and restore them.
    My oscilloscope today showed an enormous ripple of 1 to 2 Volts on the +/- 24.5 V preamp and ancillaries (fan and relais) power supply, whereas the +/- 84.5 V main stage PSU ripple stays nicely on or below 200 mV. Can anyone of you fall in with my opinion this is not normal?
    Thanks in advance!
    I have only heard Tim (MAD) 1400s and they been very clean and Transparent
    they gone up against Brystons Audio Note and NuForce with good results I have not heard in my own system which is always the ultimate test Tim uses balanced mains and high quality silver cables and uses these to not only listen to music but to test as well Getting these repaired is not easy but did see a link on a DIY site
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  9. #19
    Join Date: Apr 2010

    Location: The Sultanate of Brunei Darussalam

    Posts: 121
    I'm CaughtBetweenTheDevilAndTheDeepBlueSea.

    Default

    Quote Originally Posted by hexdiy View Post
    So my question is: can anyone of you confirm they can sound great, and have not been designed carelessly, so it will be worth my while to try and restore them
    YES, I do believe they're worth the effort of restoration... if you can do so without too much financial expenditure. You'll also be keeping a piece of recording history alive

    I was also in attendance at Tim's place when we were auditioning MyClapton Grand MM loudspeakers. I preferred the speakers being driven by the Chameleon as opposed to the other two amps which were on hand i.e. Audio Note and NuForce.

    Even though it lacked the beguiling warmth and subtlety of the Audio Note on some recordings, it did a lot to improve the immediacy/timing and impact of recordings that require those qualities for better appreciation. Perhaps matching with a more sympathetic speaker (slightly warmer-sounding) would be highly beneficial

    Overall, I believe it's a better all-rounder (as in the Jack of All, Master of None sense though) as it's neutrality doesn't overly favour any one musical genre at the expense of another; great as well if you like your music loud without any obvious sense of strain

    Regards,

    Malek
    MALEK
    There is no way to happiness... Happiness is The Way...

+ Reply to Thread
Page 2 of 2 FirstFirst 12

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •