Location: Halifax, UK
Posts: 1,399
I'm Nick.
Agreed. I like Lowthers, but the last thing I'd call them is "smooth"! And I certainly wouldn't be using them with anything other than a valve amp (and an S.E.T one at that).
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: Well below the Mason-Dixon line
Posts: 370
Evidently the Fostex have an upper-mid peak as well. Most designers use a filter to flatten it out. I probably won't be using the Lowthers unless I run across a builder somewhere building a large desktop-size speaker utilizing them. The Tektons, which use various Fostex drivers, get great reports, and he builds a couple of them good nearfield sizes. The ones I'm most interested in use a 4.5 inch driver in a deep, narrow front-ported cab about 17" high. Perfect for my purposes.
Tim
Location: Halifax, UK
Posts: 1,399
I'm Nick.
The upper mid peak is hard to avoid with any high efficiency driver.
Location: Well below the Mason-Dixon line
Posts: 370
Does that not, at least to some extent, negate the point of using a full range driver?
Shian7
--------------------------------------------------------
Kudakutemo
kudakutemo
ari mizu-no tsuki
Though it be be broken -
broken again - still it's there:
the moon on the water.
- Choshu.
Not really, Mike. If you like what they do well (and it is substantial) then the small downside is well worth it. It also depends what music you mostly listen to. Furthermore, not all high efficiency drivers exhibit the sonic characteristics of Lowthers, as I'm sure Nick will tell you.
I guess like anything else in hi-fi it's a compromise. Once you hear well-implemented examples of high efficiency full-range loudspeakers and become attuned to the way they present music (with a good SET amp) you can hear all too easily the colorations present in multi-driver box speakers - particularly the effect of the crossovers.
I'm not saying though it's necessarily what I would use in my own system. We all have different priorities
Tim - keep up the good work. I must say you've become an excellent contributor since you've joined! So have Baja and the others guys, too, from the AK and SH forums
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
I would agree with that statement to a degree, though i really would not know if a filter would introduce the same phase issues normally found with conventional crossovers. FWIW I find after using the fostex's that I do not bother listening for anomalies and instead I just enjoy the music.
Location: Chester
Posts: 429
Correction filters do work to some extent, but some of us prefer the sound without filtering. There is an arguement, for and against.
I suppose if i hadn't heard the drivers before correction then i would have been happy enough.
Its difficult to describe the effect they have but its clearly audible.