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Thread: Phonostage Bake-Off - 08/07/18 - Penkridge *NOW CONFIRMED*

  1. #191
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 99,005
    I'm Grant.

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    glad u all enjoyed it. just as well i didnt come with mine
    Regards,
    Grant .... ؠ ......Don't be such a big girl's blouse

    I've said it before and I'll say it again: democracy simply-doesn't-work
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    “Nothing discloses real character like the use of power. It is easy for the weak to be gentle. Most people can bear adversity. But if you wish to know what a man really is, give him power. This is the supreme test. It is the glory of Lincoln that, having almost absolute power, he never abused it, except on the side of mercy".

    “You see these dictators on their pedestals, surrounded by the bayonets of their soldiers and the truncheons of their police ... yet in their hearts there is unspoken fear. They are afraid of words and thoughts: words spoken abroad, thoughts stirring at home -- all the more powerful because forbidden -- terrify them. A little mouse of thought appears in the room, and even the mightiest potentates are thrown into panic.”

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  2. #192
    Join Date: Aug 2008

    Location: Suffolk, UK

    Posts: 1,473
    I'm Paul.

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    Glad to hear that the day went well and a great summary of the day Oli.
    ~Paul~

  3. #193
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,089
    I'm Alan.

    Default The votes and some of the combinations after the 'bake off'.

    A brilliant day. I was expecting a larger turn out but 14 were in attendance, with plenty of kit.
    Ali Tait sent apologies for not being able to make it which was a shame as I was looking forward to hearing a Modwright phono stage.

    Many thanks to Martin for the power amp and speaker loan and to Oli for the front end. The kit line up was:

    SP10 TT >Kontrapunkt B cart > PHONO on test > Firebottle KIN as line preamp > Krell KSA50S power amp > JMlabs 926 speakers.

    It was quite a big hall but the Krell had no problem giving volume a plenty.

    The vibe was extremely relaxed and friendly, with a palpable excitement from some at least for what was to come.
    The bake off proper was conducted on a knock out approach as there were a lot to get through.
    Oli has listed correctly with 5 SS stages and 7 valve stages, the valve category included hybrid stages.
    Cartridge loading was scrupulously followed at 100 ohms for every stage, via switches or loading plugs.

    Voting results.
    A vote was cast when a preference was felt, so the nuber of votes per showdown vary.

    Clones PA1 v Russel Technologies Unanimous vote to Russel Technologies.

    Trilogy 907 v Russel Technologies 12 votes to Russel Technologies.

    Aqvox 2Ci v Russel Technologies 7 votes to Aqvox 2Ci

    Trichord Dino v Aqvox 2Ci 1 vote to the Trichord Dino.
    __________

    Ear 834 v Wizard DIY (hybrid) 10 votes to the Wizard.

    Digna by Mr Nixie (hybrid) v Wizard 2 votes to Digna, 8 votes to Wizard.

    Vincent PHO-700ps (hybrid) v Wizard 5 votes to Vincent, 7 votes to Wizard.

    Firebottle Vivant (hybrid) v Wizard 5 votes to Vivant, 2 votes to Wizard.

    Croft 25R (K&K SUT) v Vivant 4 votes each.

    Croft 25R (K&K SUT) v VAS (K&K SUT) 2 votes to the Croft, 11 votes to the VAS.


    A little later with dwindled numbers of attendees:

    Vivant v Wizard No votes cast, too close to call.


    The testing was performed with a common track - Paul Simon 'Under African Skies' from Graceland, followed by an owners choice of track. The volume level did seem to creep up on some of the owners choices, but all to good effect.
    I agree that the voting was probably swayed a little by choice of track, also there was a little bit of phono stage symmetry with choice of track.
    __________________

    Later combinations tried but without any voting included:

    Vincent 700ps with the Audio Innovations series 1000 SUT. This was exceedingly good given the cost of the Vincent.

    VAS with Denon HA500 head amp.

    VAS with AI series 1000 SUT.

    A change of amplification and speakers was then undertaken thanks to kit brought along by Nial (ff1d1l).

    Same TT > 3 phonos as below > ff1d1l home brew preamp > Luxman Z504 power > Urei 809 speakers.

    Phonos tested were Vivant, Russel technologies and Aqvox 2Ci.

    To round off kit swapping my GL75 TT fitted with a Lyra Clavis cart was plumbed in, followed finally by substituting my little 6W OTL power amp, to very good responses.


    A big thank you to Nial from me for lugging his kit along and to everyone else for attending.

    Personal feelings were the Croft and Trichord were a bit heavy sounding, almost certainly due to differences in EQ that isn't to my choice. I think Oli has also quoted the Croft price somewhat low.

    My best in show? The Russel technologies was very impressive with the Aqvox nudging it into 2nd. I'm convinced the Aqvox using its balanced current input would be superb.
    Valves: I am completely biased but the detail and spacious image of my Vivant came out top for me.
    The VAS was really really good, with premium parts included to make it that way, however I feel the use of ECC83 valves (in any stage) robs some of the drive to the music. I much prefer more current flow in stages.

    Conclusions.
    What a great crowd!

    There is some seriously good kit out there, with some bargains to be had if you watch and wait.

    You have to have a valve in the stage ...............
    I love Hendrix for so many reasons. He was so much more than just a blues guitarist - he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar - he played music. - Stevie Ray Vaughan

  4. #194
    Join Date: May 2017

    Location: West Sussex, UK

    Posts: 775
    I'm Steve.

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    Hi Alan

    Having been given the chance to listen to SS and Valve together i would definitely agree that having Valve in the stage is a must!!!!

    Not sure how Ill do that just yet but I'm sure you will guide me in the right direction. Plus 1 For VALVE

    Steve...
    Turntable; Rega p8
    Cartridge; Alpheta mc
    Phono Stage; Rega Aria, Bigbottle 3 mm/mc
    Amplifier; Rega Elicit
    Speakers; Rega Rx3

  5. #195
    Join Date: May 2015

    Location: Greece

    Posts: 249
    I'm Panos.

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    Please, allow me to provide the following information with respect to Croft's phono stages. There are three individual models, namely:

    1) Croft RIAA --> 500£
    2) Croft RIAA R (with regulated power supply) --> 1000£
    3) Croft RIAA RS (with regulated power supply in an external box and better components) --> 2000£

    It would be great if someone could clarify whether the Croft phono stage, that participated in the bake-off, was the RIAA or RIAA R.

    Cheers,
    Panos
    System1: Lenco L75 with custom plinth, SLAT, sph bearing, SG4 external power supply + Alfred Bokrand AB-309 tonearm + Denon DL103R (aluminum body) + Well Tempered 12" tonearm clone + Denon DL103R (wooden body), ASR Mini Basis Exclusive HV, Marantz CD6005, LAB12 DAC1 SE+, Hattor BIG passive + active pre, Lab12 Suono power amp, Falcon LS3/5a Gold Badge, LAB12 Gordian, Belden 8428, Black Cat Red Level Triode, LAB12 Knack MkII

    System 2: Roksan Xerxes original (HiFi Inspire plinth) with Maxon ReMax motor + Audiomods Series6 + Ortofon Cadenza Black microridge retipped, ASR Mini Basis Exclusive, Marantz CD6003, Croft Micro25R + Series7R monoblocks (110W/ea), Harbeth SHL5 Plus 40th Anniv.

    System 3: Marantz CD6003, Croft SuperMicroII ('R' spec by Croft, Tesla E83CC in phono)+ Series7, Snell Type EII (with bypass caps, new internal wiring, WBT nextgen 0703Cu), Mark Grant HDX1, Atlas Hyper 3.0

  6. #196
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,089
    I'm Alan.

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    Thanks Panos, it was the 25R.

  7. #197
    Join Date: May 2015

    Location: Greece

    Posts: 249
    I'm Panos.

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    Quote Originally Posted by Firebottle View Post
    Thanks Panos, it was the 25R.
    Alan,

    Sorry to come back on this issue, but was it the Croft Micro 25R (i.e. pre-amp with built-in phono stage) or the RIAA R (i.e. standalone phono stage)?

    Thanks
    Panos
    System1: Lenco L75 with custom plinth, SLAT, sph bearing, SG4 external power supply + Alfred Bokrand AB-309 tonearm + Denon DL103R (aluminum body) + Well Tempered 12" tonearm clone + Denon DL103R (wooden body), ASR Mini Basis Exclusive HV, Marantz CD6005, LAB12 DAC1 SE+, Hattor BIG passive + active pre, Lab12 Suono power amp, Falcon LS3/5a Gold Badge, LAB12 Gordian, Belden 8428, Black Cat Red Level Triode, LAB12 Knack MkII

    System 2: Roksan Xerxes original (HiFi Inspire plinth) with Maxon ReMax motor + Audiomods Series6 + Ortofon Cadenza Black microridge retipped, ASR Mini Basis Exclusive, Marantz CD6003, Croft Micro25R + Series7R monoblocks (110W/ea), Harbeth SHL5 Plus 40th Anniv.

    System 3: Marantz CD6003, Croft SuperMicroII ('R' spec by Croft, Tesla E83CC in phono)+ Series7, Snell Type EII (with bypass caps, new internal wiring, WBT nextgen 0703Cu), Mark Grant HDX1, Atlas Hyper 3.0

  8. #198
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,089
    I'm Alan.

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    25R preamp, but output from the line out not the main output.

  9. #199
    Bigman80 Guest

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    Jimbo said the phonostage in his Croft was the same as the standard RIAA that Glenn sells for £500.
    Quote Originally Posted by pankon View Post
    Alan,

    Sorry to come back on this issue, but was it the Croft Micro 25R (i.e. pre-amp with built-in phono stage) or the RIAA R (i.e. standalone phono stage)?

    Thanks
    Panos

  10. #200
    Join Date: May 2015

    Location: Greece

    Posts: 249
    I'm Panos.

    Default

    Quote Originally Posted by Firebottle View Post
    25R preamp, but output from the line out not the main output.

    Perhaps you are aware, but Croft components are phase-inverting, which means that ideally you should switch the line-out cables (red --> black and black -->red) as inputs to the power amp (in case that is not a Croft power amp, or not a phase-inverting as well). It does not change the sound dramatically, but it may give you deeper and more defined bass. Just my two cents.

    Cheers,
    Panos
    Last edited by pankon; 09-07-2018 at 10:28.
    System1: Lenco L75 with custom plinth, SLAT, sph bearing, SG4 external power supply + Alfred Bokrand AB-309 tonearm + Denon DL103R (aluminum body) + Well Tempered 12" tonearm clone + Denon DL103R (wooden body), ASR Mini Basis Exclusive HV, Marantz CD6005, LAB12 DAC1 SE+, Hattor BIG passive + active pre, Lab12 Suono power amp, Falcon LS3/5a Gold Badge, LAB12 Gordian, Belden 8428, Black Cat Red Level Triode, LAB12 Knack MkII

    System 2: Roksan Xerxes original (HiFi Inspire plinth) with Maxon ReMax motor + Audiomods Series6 + Ortofon Cadenza Black microridge retipped, ASR Mini Basis Exclusive, Marantz CD6003, Croft Micro25R + Series7R monoblocks (110W/ea), Harbeth SHL5 Plus 40th Anniv.

    System 3: Marantz CD6003, Croft SuperMicroII ('R' spec by Croft, Tesla E83CC in phono)+ Series7, Snell Type EII (with bypass caps, new internal wiring, WBT nextgen 0703Cu), Mark Grant HDX1, Atlas Hyper 3.0

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