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Thread: Munich High End show 2018

  1. #71
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

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    I guess I think life should be fun. not drab.

    You want drab? Fine, fillyer boots!

    I think those D'Aggie amps look fun.
    If they were £2k I'd be having a listen.
    .

  2. #72
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by jandl100 View Post
    Do you wear a lab coat when you settle down to listen?
    Doncha believe it - and nothing else either - and he looks HOT!

    [Only kidding...maybe]

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #73
    montesquieu Guest

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    From my experience last year it was clear that Munich is no place for the faint of heart or those attached to Audio Note badger-bashed approaches to visual styling.

    One of its the show's main functions is as a forum for relieving Europe's nouveau riche of dollops of their not very hard-earned ... I'm sure some people who buy this stuff don't particularly care what it sounds like so long as it's flash enough to match the rest of their designer decor and has a price tag with suitable bragging rights. Dan probably only needs to sell or two of these systems for every few dozen boring old Krells and that's another Ferrari in the garage.

  4. #74
    Join Date: Mar 2011

    Location: Reading

    Posts: 110
    I'm George.

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    Quote Originally Posted by walpurgis View Post
    I llke Martin's point of view. We could do with more "inverse snobbery" in Hi-Fi, I'm in favour of that. That's why I avoid buying silver or 'champagne' coloured equipment, black or grey is the way to go, matt finish even better. Makers like Line Magnetic lead the way. Good Hi-Fi should not look out of place in a boiler room!! So there!!!

    More Power Igor!!!

  5. #75
    Join Date: Jun 2009

    Location: Guildford

    Posts: 228

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    I like aspirational items. Munich is the finest Hifi Show and I enjoy the coverage.

    Am especially drooling over the new K-tell spartacus turntable (the one with triple counter rotational platters made from pure californium coated rubber)..and the new Gilson GLAMM.....oh! and the that cartridge made from tooth enamel with a (rocking) horse hair cantilever (dual mono)...only $69

    BigMooG (Jonathan Stanley)
    He says: Decca is Better

    Vinyl System: Superficial Engineering hell/p12 turntable (British Leyland suspension upgrade), Jack-a-nori semi mono Cartridge (tooth pick cantilever), STI Klynik XXX tonearm (rewired with Klimacs Kable ), intelligence quotient 161 (mensa) preamplifier with 224 NOS Ssangyong ECC88s and NOS North Korean kim-jong-ill GZ34s, barelyaudible research V.P.L. dual quad mono amplifiers with modified circuit boards (MDF), Gilson W.A.L.L.O.P Ultimate Final V2 loudspeakers, uranium cable loom (mercury vapour upgrade), hysterical research and Dr Mike Amera room treatments-flock wallpaper, yergota bee-joking cryofrozen fuses throughout
    .

    Digital system: cd player

  6. #76
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by jandl100 View Post
    I guess I think life should be fun. not drab.
    We're bang on the same page there [fun, for me, is what life's all about], *BUT*, in terms of hi-fi equipment, the "fun" should derive from how it sounds, and by the HUGE GRIN it puts on your chops, when listening to your favourite music; not how it looks!

    Some might say my modified Mercedes looks somewhat 'drab' (it's all-black 'n' mean, and totally devoid of bling), but when you drive it, 'drab' it ain't... And so it should be with hi-fi: the fun factor should come from the listening experience, when you 'take it for a spin' with your fav choons!!



    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #77
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

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    I like it when it looks fun as well as sounds fun.
    .

  8. #78
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    Quote Originally Posted by jandl100 View Post
    I like it when it looks fun as well.
    I know a girl like that!

  9. #79
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Tom,

    Quote Originally Posted by montesquieu View Post
    One of its the show's main functions is as a forum for relieving Europe's nouveau riche of dollops of their not very hard-earned ... I'm sure some people who buy this stuff don't particularly care what it sounds like so long as it's flash enough to match the rest of their designer decor and has a price tag with suitable bragging rights.
    Now if some crass idiot, with more money than sense, wants to spunk his 'hard-earned' on blingy badge-fi, which looks much better than it sounds, then that's entirely up to him (or her), but surely what you've written above defeats the whole point of what HIGH FIDELITY is supposed to be about, i.e. reproducing the closest thing to the original sound...??

    And therefore, by definition, SOUND QUALITY should *always* matter more than looks??

    Whilst no doubt going to Munich, with a few of the lads, is a veritable jolly jape, and tons of fun [guzzling gallons of beer, 'exploring' skanky fräuleins, whatever], but what you've just written is *precisely* why I've stopped going to hi-fi shows, as most of them are full of the kit you describe, aimed at the sort of materialistic tossers I'd take great steps to avoid in real life!!

    The day when hi-fi shows return to catering for the genuine enthusiast, who cares more about what's under the hood of the equipment he uses, than what it's 'dressed in', is that day when I might go back.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #80
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by jandl100 View Post
    I like it when it looks fun as well as sounds fun.
    Well, your idea of "fun", in that respect, is rather different from mine

    "Fun" to me, in that respect, is when it looks a bit NUTS/BONKERS, as in the kit MEANS BUSINESS, in a rather naughty way - not when hi-fi is prettified to fuck.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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