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Thread: Good analog and good digital converge?

  1. #131
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    Quote Originally Posted by magiccarpetride View Post
    Yes, all bets would be that such tiny rock glued onto some dinky metal tube whose posterior end is wiggling inside the body of a cartridge cannot possibly produce anything other than some maddening screeching noise. And yet, it can somehow generate the most liquid, smooth and elegant musical sound. How's that possible? I don't think anyone really knows. If someone knew, they would be able to design a sophisticated robotic hand that would manipulate the cantilever, yanking it at various frequencies left, right, up, down, and generate all those amazing reproductions of an orchestra playing in a concert hall. So you wouldn't need vinyl grooves spinning at 33 rpm... Can such robotic hand be designed? I doubt it.

    Mysteries of the universe...
    Yes it can and it has been - it's called digital audio.

    But people tend to prefer the rock in the groove.

    Mysteries of the universe....
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  2. #132
    Join Date: Feb 2008

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    A Microphone does a pretty good job too!
    Quote Originally Posted by magiccarpetride View Post
    Yes, all bets would be that such tiny rock glued onto some dinky metal tube whose posterior end is wiggling inside the body of a cartridge cannot possibly produce anything other than some maddening screeching noise. And yet, it can somehow generate the most liquid, smooth and elegant musical sound. How's that possible? I don't think anyone really knows. If someone knew, they would be able to design a sophisticated robotic hand that would manipulate the cantilever, yanking it at various frequencies left, right, up, down, and generate all those amazing reproductions of an orchestra playing in a concert hall. So you wouldn't need vinyl grooves spinning at 33 rpm... Can such robotic hand be designed? I doubt it.

    Mysteries of the universe...
    "Today scientists have substituted mathematics for experiments, and they wander off through equation after equation, and eventually build a structure which has no relation to reality"
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  3. #133
    Join Date: May 2010

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    Quote Originally Posted by Macca View Post
    Yes it can and it has been - it's called digital audio.

    But people tend to prefer the rock in the groove.

    Mysteries of the universe....
    Different cartridges/tonearms will produce different signal by reading the same microgroove. Different CD players will produce different signal by reading the same digitally stored information. Some people pay a lot of money hoping that the resulting sound will be to their liking.

    Mysterious...
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  4. #134
    Join Date: Aug 2009

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    Quote Originally Posted by magiccarpetride View Post
    Different cartridges/tonearms will produce different signal by reading the same microgroove. Different CD players will produce different signal by reading the same digitally stored information. Some people pay a lot of money hoping that the resulting sound will be to their liking.

    Mysterious...
    But it isn't. Well, I agree about the 'liking' bit is as that's psychological and a very complex system with lots of variables and unknowns; but the reasons why cd players and cartridges don't sound alike are completely quantifiable. I suppose if you get down to one type of capacitor sounding different to another, maybe that is not known why. Or maybe it is? I don't know about that.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  5. #135
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    Quote Originally Posted by Macca View Post
    But it isn't. Well, I agree about the 'liking' bit is as that's psychological and a very complex system with lots of variables and unknowns; but the reasons why cd players and cartridges don't sound alike are completely quantifiable. I suppose if you get down to one type of capacitor sounding different to another, maybe that is not known why. Or maybe it is? I don't know about that.
    And yet things are super simple. I shudder to think what would happen if things weren't that simple...
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  6. #136
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    Quote Originally Posted by magiccarpetride View Post
    And yet things are super simple. I shudder to think what would happen if things weren't that simple...
    I said the signal was simple. I didn't say any of the rest of it was. But if you start out thinking the signal is complex then you are not in the best spot for travelling to Dublin.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  7. #137
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    Quote Originally Posted by Macca View Post
    I said the signal was simple. I didn't say any of the rest of it was. But if you start out thinking the signal is complex then you are not in the best spot for travelling to Dublin.
    Yeah, that's where I get mighty confused. To my way of thinking (layman's way), to capture so many sounds and their higher order harmonics plus their relative position in space etc. must result in a phenomenally complex signal.
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  8. #138
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    Quote Originally Posted by magiccarpetride View Post
    Yeah, that's where I get mighty confused. To my way of thinking (layman's way), to capture so many sounds and their higher order harmonics plus their relative position in space etc. must result in a phenomenally complex signal.
    Well look at reel to reel. It is just metal magnetized to varying degrees. Vinyl is just a continuous groove cut into plastic. A CD is just pits and lands, a music file just noughts and ones. Whatever the medium it is just a simple instruction to vary voltage with time. The difficulties come when you transfer the signal it carries from point a to point b in order to listen to it, lots of nasties hitch a ride along the way and dealing with them all effectively is non-trivial, as they say.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  9. #139
    Join Date: May 2010

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    Quote Originally Posted by Macca View Post
    Well look at reel to reel. It is just metal magnetized to varying degrees. Vinyl is just a continuous groove cut into plastic. A CD is just pits and lands, a music file just noughts and ones. Whatever the medium it is just a simple instruction to vary voltage with time. The difficulties come when you transfer the signal it carries from point a to point b in order to listen to it, lots of nasties hitch a ride along the way and dealing with them all effectively is non-trivial, as they say.
    To me, a simple signal is text stored on either magnetic, or optical medium. If I type a few paragraphs, and then store them on USB drive, then take that USB to a friend and he plugs it into his computer and loads it, we'd expect all the words I typed to appear intact, in the same order I typed them. The reader should not remove any characters, nor add any characters, nor jumble any characters.

    That's simplicity, the way I see it. A simple signal gets stored and then gets simply restored with 100% accuracy. It never fails (unless the medium gets corrupted along the way, of course).

    How come we cannot achieve the same accuracy with musical signal? If, as you say, it is equally brain dead easy to capture and store sound, why is it so devilishly hard to restore it to its original shape without adding or subtracting or jumbling things along the way?
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  10. #140
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    Temporal reasons which the example of text does not require for fidelity.
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