+ Reply to Thread
Page 9 of 11 FirstFirst ... 7891011 LastLast
Results 81 to 90 of 102

Thread: I'd like to try valve

  1. #81
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

    Posts: 4,779
    I'm Shaun.

    Default

    Talking from personal experience of course I once heard a tranny amp that kicked me in the nuts with it's sound quality. That was back around 1983 and was a Musical Fidelity 'The Preamp' and a 'Dr Thomas' power amp. Since then I have heard all bloody sorts of stuff but nothing comes close to a good valve midrange and treble and even then you can swap it all around by changing power valves. I'm sure there are really good tranny amps out there, maybe.


  2. #82
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,925
    I'm Martin.

    Default

    Quote Originally Posted by Haselsh1 View Post
    Talking from personal experience of course I once heard a tranny amp that kicked me in the nuts with it's sound quality. That was back around 1983 and was a Musical Fidelity 'The Preamp' and a 'Dr Thomas' power amp. Since then I have heard all bloody sorts of stuff but nothing comes close to a good valve midrange and treble and even then you can swap it all around by changing power valves. I'm sure there are really good tranny amps out there, maybe.

    There's only 3 valve power amps I have heard that I would use myself. Radford, Marco's Tube Distinctions and Alan Firebottle's OTL (the bigger of the 2 he had/has).

    Those three are the only ones that have sounded 'right' to me. Of them the only one you can buy nowadays either used or new is Radford.

    All the others either sounded poor ( getting hard/harsh sounding with complex programme) or sounded glorious but a little soft and not quite real. Certainly not the way playback in a studio sounds like.

    Of course there are a lot of valve power amps I have not heard.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  3. #83
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,382
    I'm Chris.

    Default

    I do like a good Triode amplifier, one of the best I've heard or to personal taste anyway is the Border Patrol 300b se or the PP version with the accompanying choke input filter psu, it sounds surprisingly strong with good clean bass, along with the lovely mids and highs.
    Chris

    We've gone on holiday by mistake !

  4. #84
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Macca View Post
    There's only 3 valve power amps I have heard that I would use myself. Radford, Marco's Tube Distinctions and Alan Firebottle's OTL (the bigger of the 2 he had/has).

    Those three are the only ones that have sounded 'right' to me. Of them the only one you can buy nowadays either used or new is Radford.
    Au contraire, mon ami... If someone were to thrust £5k into Anthony's hands today, then in the fullness of time they're be the proud owner of a Copper amp!

    Marco.

    P.S Don't underestimate the significant influence of the Croft on what you heard...... It's a pairing, after all, and trust me, the Croft has been voiced (very carefully by me) to bring out the best out in the Copper amp.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #85
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,925
    I'm Martin.

    Default

    Quote Originally Posted by Marco View Post
    Au contraire, mon ami... If someone were to thrust £5k into Anthony's hands today, then in the fullness of time they're be the proud owner of a Copper amp!

    Marco.

    .
    Oh right, I thought he had packed it in. Well that's good if you've got the five grand, well worth considering.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  6. #86
    Bigman80 Guest

    Default

    Quote Originally Posted by Macca View Post
    Oh right, I thought he had packed it in. Well that's good if you've got the five grand, well worth considering.
    Pretty sure an OTL could be prised from Alan's hands too, Although, the Monoblocks carry more of a passing sonic resemblance. Some might say "uncanny" similarity

  7. #87
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Macca View Post
    Oh right, I thought he had packed it in. Well that's good if you've got the five grand, well worth considering.
    Niento... It's just not something he does much of now, simply because there's so much work involved in producing them, as (properly laid out) point-to-point wired circuits are, which in my view is the best way to built a valve amp.

    PCBs are fine, but they add their own 'sonic signature' to proceedings, which I can usually hear. Anthony's amps start out with a pencil and paper - so everything is built by him from scratch to his spec.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #88
    Join Date: Oct 2008

    Location: Glasgowshire

    Posts: 9,663
    I'm Gary.

    Default

    Alternative valve topologies are available..
    AC POWER
    Hardwired 10kVA balanced mains powering entire system
    AMPS
    Meridian 557 power Amp (Modded) / PS Audio BHK Preamp (Modded)
    SPEAKERS
    Wharfedale Evo 4.4
    DAC
    PS Audio Directstream (Modded)
    TURNTABLE
    Pro-Ject X8 balanced output via XLR / Ortofon Quintet Blue cartridge
    PHONOSTAGE
    Pro-Ject DS3 B balanced Input (TT and Phonostage powered by Pro-Ject Power box RS2 linear psu)
    DIGITAL
    OPPO 203 (Modded: Linear PSU, i2s output to Dac) - Roon Endpoint, HDMI input used for all things Streaming/ PS5 /AppleTV ... also good for movies apparently?
    MUSIC PLAYBACK
    Tweaked AP-Linux based Roon Server into Oppo 203 as Roon endpoint
    Ipad Roon Remote.
    Apple Music/ YouTube via AppleTV, fed to Dac via Oppo HDMI input/i2s output to Dac.
    SPEAKER CABLES
    Biwired: Duelund DCA10GA (Bass) Duelund DCA16GA (mid & treble) Duelund 12DCA used as jumpers (On
    "Blackcat Cable" Chris Sommivigo's advice - yup, even with biwire it sounds better - and it does)
    INTERCONNECTS
    All Balanced: Ghost+ recording studio XLR cables

  9. #89
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Indeed - and I'd certainly put Nick's designs into the same category.

    Have you fitted that mains lead yet?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #90
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

    Posts: 4,779
    I'm Shaun.

    Default

    Back in the days of the Ramada Hi-Fi show I had countless opportunities to listen to all kinds of equipment at my local dealer and all of the then hi-fi shows. Later in the mid nineties I became a dealer myself selling valve amps, turntables and high sensitivity speakers. It was so easy in those days to get to listen to endless gear and do some direct comparisons but that was of course twenty years or more back in the past. Recently I had the opportunity to listen to lots of valve gear and for me and Sue the clear winner was Prima Luna. I really didn't want that old 60's style of warm, woolly sound that for me belongs way back in the past. What I was looking for was a more modern approach but still with that classic valve purity and liquid midrange. I certainly have that in bucket loads. We have now lived with our pre and power combo for around a year and a half and I have no intention of changing for anything else. To the OP, I can only suggest that if it is at all possible, get out there and listen. You really cannot make a true decision until you do. And, try and do a direct comparison between valves and tranny amps. There are valve amps out there that can do so much more than eight Watts per channel. Again, I wish you success in your search. Enjoy the journey.

+ Reply to Thread
Page 9 of 11 FirstFirst ... 7891011 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •