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Thread: Biggest bang for the buck/pound/euro, top to bottom

  1. #21
    Join Date: Mar 2017

    Location: Seaford UK

    Posts: 1,861
    I'm Dennis.

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    Thanks for the reassurance Martin, it is MC24 I now think.

  2. #22
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,882
    I'm Martin.

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    Quote Originally Posted by Pharos View Post
    Thanks for the reassurance Martin, it is MC24 I now think.
    Well don't take my word for it But once you are beyond a certain level of quality in the process of reading the file (whatever medium the file is stored on) and translating that into electrical current there's better things to worry about further down the chain.

    Vinyl is a whole different ballgame.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  3. #23
    montesquieu Guest

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    My take

    1) Amp & Speakers - they operate as a unit and have to work together. Regardless of how good one or other is, if they aren't right for each other you are wasting your time and nothing will sound good, regardless of what you feed them. The foundation of any system, it's where you need to focus your biggest attention, at least until you know you've cracked it. Cheap sources can always be improved over time but the foundation needs to be there or you just end up going round in circles. Pick speakers you like and buy an amp to suit. Or buy an amp and pick the perfect speakers for it. This bit is not necessarily about spending a shed load of money and is where the biggest bang for the buck is. (It is of course possible to make an expensive amp or set of speakers sound rubbish with the wrong pairing).

    2) Sources. I'm a vinyl guy but others may differ of course. In my view this is where it gets seriously spendy especially in the vinyl area, but also with digital if you want to attempt to get it sounding anywhere near as good as a top vinyl setup. But you can get reasonable sounding digital for not much. If short of cash, focus on amp and speakers and improve sources when funds allow.

    3) Ancillary bits (cables, supports, mains treatment etc etc). Worth fiddling with once you fix the other stuff, but beyond 'quality' budget level, probably a bit pointless until 1 and 2 are fully sorted out. Spending fortunes here will not permanently fix issues of synergy between amp and speakers for example, though it might temporarily improve things a bit, until the underlying problem starts to annoy you again. In my view a lot of purchases in this area serve mainly to alleviate anxiety (sort of hygiene factor) rather than achieve any significant sound improvement (though big improvements are nevertheless possible for example with mains where there is a specific local issue). Yes cables can sometimes make things sound different but if I have a system issue my efforts will always focus primarily on the root cause, not on wire swapping.

    Having said all that one of the best value purchases I've made has been a Loricraft PRC6.

  4. #24
    Join Date: Apr 2008

    Location: Warrington

    Posts: 3,451
    I'm Neil.

    Default Biggest bang for the buck/pound/euro, top to bottom

    ^^ Yep I too group amps and speakers together. A world class amp into some speakers can be rubbish into others, and vice versa.
    Mana Acoustics Racks / Bright Star IsoNodes Decoupling >> Allo DigiOne Player >> Pedja Rogic's Audial Model S DAC + Pioneer PL-71 turntable / Vista Audio phono-1 mk II / Denon PCL-5 headshell / Reson Reca >> LFD DLS >> LFD PA2M (SE) >> Royd RR3s.

  5. #25
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by montesquieu View Post
    Regardless of how good one or other is, if they aren't right for each other you are wasting your time and nothing will sound good, regardless of what you feed them. The foundation of any system, it's where you need to focus your biggest attention, at least until you know you've cracked it. Cheap sources can always be improved over time but the foundation needs to be there or you just end up going round in circles. Pick speakers you like and buy an amp to suit. Or buy an amp and pick the perfect speakers for it.
    All of the above is good advice, especially regarding the "foundation", and such an approach should work, *providing* [and I can't stress this enough] that once you've done the latter (one or the other above, highlighted in bold), there's still sufficient budget left to spend on a source that's *just as good as the amp or speakers*, and that does them justice.

    Otherwise, I'm afraid I still sign up to the mantra of: 'mediocre in, mediocre out' (I prefer that to the more commonly used 'garbage', as I consider it more accurate in reality), and you'll simply end up with an uninspiring sound, albeit 'well controlled' by the amp and speakers - but if both of those are genuinely high quality, then they'll also be ably capable of revealing the shortcomings of the source, and that state of affairs will remain only for as long as you can stand it

    Personally, I've never been able to live longterm with a budget (commercially produced) digital, or especially, vinyl source, in front of a highly capable amp and speakers, as I'm usually all too aware of the former's deficiencies.

    That's why when these types of threads arise, I always advocate the building of a 'balanced' system, with the available budget spread as evenly as possible across the main system components [keeping a sensible percentage back for ancillaries], with perhaps just a little more spent on speakers, as all else being as equal as possible, they (in conjunction with the room) will always exert most influence on the final sound.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #26
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

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    Quote Originally Posted by Marco View Post
    All of the above is good advice, especially regarding the "foundation", and such an approach should work, *providing* [and I can't stress this enough] that once you've done the latter (one or the other above, highlighted in bold), there's still sufficient budget left to spend on a source that's *just as good as the amp or speakers*, and that does them justice.
    Nah, you are equating cost with quality. I don't agree that there is such a relationship.

    Speakers - yeah, spend a bundle.

    Then play around with amps and sources at any price level to find synergies that you enjoy.

    (I'm ignoring vinyl playback here)
    .

  7. #27
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by jandl100 View Post
    Nah, you are equating cost with quality. I don't agree that there is such a relationship.

    Speakers - yeah, spend a bundle.
    Yes, because very often that's the case. Not always, of course, but I can hear a thin, bright, tinny-sounding budget CDP or DAC (powered by a cheap, grainy sounding SMPS or plastic DVD-ROM transport mech), as clear as day, and it bugs my ears big time - and gives digital a bad name.

    Now I agree that chucking money at it isn't an automatic cure, but the simple fact is good engineering costs money - and good engineering is vital to the sound of good digital replay, especially with CD players!

    As for your last bit, well that's just typical from a speakers-first fanboy

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #28
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

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    And as soon as I saw your "source first" first post I thought Flat Earth Flat Earth*.

    * now there is a hifi religion that belongs in the dustbin of history.
    .

  9. #29
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Oh I fully agree! But 'source first' doesn't have to mean flat earth... And more importantly, I'm not advocating a 'source first' approach, but rather a sensibly balanced one!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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