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Thread: Your most loved three vinyl grinders owned throughout the years!

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  1. #1
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

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    No I don't although it wouldn't surprise me given the age of the design. I think the XSD15 is just the above, but in an EMT shell with a bottom cover fitted.

    However it would seem that converting an XSD15 to be universally usable is not quite straightforward.

    Here's an interesting write-up on ZG

    http://www.zerogain.com/forum/showthread.php?t=17016

  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Thanks - I've have a good read through that later!

    I suspect that the EMT does use Alnicos, because I can hear their trademark 'musicality'. What's obvious to me is that something must be causing the difference between this:

    It was certainly powerful sounding but the HF was hard & ultimately fatiguing. I couldn't have lived with it in the long term.
    And this:

    What I heard (effects of misalignment and incorrect VTA aside) was that similar 'magic' and tonal richness in presentation, with bass to die for, I get with the DL-103SA - the effect of which I love, (does the EMT also use Alnicos?), but with a much wider repertoire throughout the frequency range in terms of its musical abilities. It also acted as a wider open window onto recordings, due to its superior detail retrieval, and it possessed a filigree of silkiness in the upper frequencies that evades the (already talented in this area through the A23) 103SA.
    ...when referring to the EMT, because neither of us are imagining what we hear!

    A valid explanation must exist to explain the diametrically opposed results obtained, and I'm certain it's not simply just down to our different preferences, because generally you and I have similar tastes in audio.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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