All you zombies - tweet, tweet, tweet.
All you zombies - tweet, tweet, tweet.
Excuse the abstract nature of my previous post...
Anyway, anti-bling Nain and Focal. There was a whole group of Naim appreciatives inspecting the anti-bling boxes in a section next to these pics. But no music above about 50 DB when this was taken.
The Cary setup made a bit more real...
Lol - no 'retro chic' is cool (as is understated, but purposeful looking hi-fi), and true bling is boxes adorned with shiny gold knobs, etc... That shit just makes me feel ill.
I've not had the opportunity of listening to any Thoeress equipment. I simply admire the looks and (some) of its design principles. If it ticked the right boxes, in terms of its musical abilities, I'd happily use it at home.
I'm with you on the MM/SUT (or head amp) combo, over active MC, and the EAR is great. The other phono stages I really rate are those from Allnic Audio. Have you seen and/or heard any?
A friend of mine has one. If you weren't aware, Allnic Audio phono stages feature the use of built-in SUTs, which with the removal of any interconnecting cables (hardwired directly to the circuit) is surely the ideal way of implementing such devices - and they sound stunning!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
I've never been to a Hifi show, what's the point if manufacturers arn't playing music through their gear?
novafidelity x40 music server/pre/dac, Arcam A39, roksan k3 power amp,Monitor Audio Monitor 50, Dali spektor 1, van damme interconnects and speaker cable, roskan k3 CD player
I very nearly ordered a $20,000 Allnic preamp going for $7,500 the other day - brand new unused but an old model. Lotus have (or had haven't checked) a nice Allnic DAC on ebay. Pretty tempted to just buy it, keep it for a bit and pass it on... but went for some of Jerry's cheapo recommendations instead
There are some caveats with Allnic kit - the DAC got the worst ever Stereophile tech report for a DAC, and the preamp I was looking at uses some microphonic STC valves (but you can subs a KR which apparently is OK).
Here is that preamp. Nice hunk of metal. Note you can make an offer on the $7500 but you'd have to blag him into UK shipping.
Can't remember the model number of the Allnic phono stage I heard, but I thought it was very good and comparable at the time to the Aurorasound Vida I was using - which for all that it doesn't use tubes is still a very good phono stage (I think I had mine for three years which was something of a record). That is actually quite a recommendation as I liked the Vida a lot - not sure the Allnic was any better despite being more expensive - I didn't feel the need to rush out and buy one.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
As ever, context is everything, so much depends on how well it suits the partnering system, and also which cartridge(s) you hear it with, but from your description you didn't seem to find it too shabby
I also rate the Vida, and indeed had an opportunity to buy one (as Guy sent me a unit to home demo). I was suitably impressed to recommend it to Martin T (of TAS), who after hearing it for himself subsequently bought one.
However, ultimately for me, I found it lacked the beguiling midrange lucidity, vocal texture and 'airiness', I get in spades, from my (heavily modified) Croft and Paul Hynes MC head amp.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!