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Thread: Electrostatic/Planar Speakers

  1. #241
    Join Date: Aug 2012

    Location: Sunny Portsmouth

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    Quote Originally Posted by Barry View Post
    The poll is only a bit of 'fun' to Members; not something that would be of interest to the Office of National Statistics.
    Absolutely Barry just a bit of fun

    And I also don't understand how planar speakers work to be honest, but that doesn't stop me enjoying them
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  2. #242
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    However I am sure if I read all there is to know on the net I could learn exactly how these things work... which I might do actually as it fascinates me how sound can come out of the strangest looking things

    When I owned 57's I didn't understand those either but they were plugged into the mains and that kind of made some sense but the Maggies are not, very strange indeed...
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  3. #243
    Join Date: May 2016

    Location: Notts

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    I'm Geoff.

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    Quote Originally Posted by Ninanina View Post
    However I am sure if I read all there is to know on the net I could learn exactly how these things work... which I might do actually as it fascinates me how sound can come out of the strangest looking things

    When I owned 57's I didn't understand those either but they were plugged into the mains and that kind of made some sense but the Maggies are not, very strange indeed...
    In a nutshell! http://www.magnepan.com/magneplanar_technology

    Geoff

  4. #244
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    Thanks for the link Geoff...
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  5. #245
    Join Date: Aug 2012

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    That kind of might explain why so many people love the sound of Tannoy and similar speakers as the driver is generally of low mass. When I owned Lowthers I did experience this 'fast' response as they are probably one of the lowest mass cones available, however they did have their limitations, but I loved their sound driven by just 1.5w of SET amp at the time
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  6. #246
    Join Date: Mar 2017

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    I'm Sandro.

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    WP_20180403_05_29_34_Pro.jpgWP_20180403_05_29_09_Pro.jpg
    Quote Originally Posted by Ninanina View Post
    Thanks for the posts




    Sandro I don't have a bridge for the tweeters on my Maggies, just lots of bridges for various amp inputs, like this:



    Thanks for the offer Sandro of the Fucushima Futaba 0.47 but to be honest I have no idea what it/they are... sorry to sound so thick

    As far as speaker cable is concerned I am using Naim NACA5 which is probably not the greatest cable available but it suits the Naim amp & Naim setup so well

    I've not had any toons on for a few days but tonight they are on again and I am still so impressed with the Maggies and definitely one of my better purchases
    On the 1.7 there is just one jumper and is marked as tweeter attenuator the speakers came supplied whit same ceramic resistors.

    No need to say as Magnepan give one the possibility to tweak one must and will tweak I tried the Fucushima Futaba MPC 74 0.47 R and they did make same improvement and to me better than the supplied stock that dulled things a bit to much
    Things may be different for other room's or positions / taste

  7. #247
    Join Date: Oct 2012

    Location: The Black Country

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    I'm Alan.

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    Quote Originally Posted by Sherwood View Post
    I'm moving to Heteroscedasti City!
    But will you always know where you live?

  8. #248
    Join Date: May 2016

    Location: Notts

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    I'm Geoff.

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    Quote Originally Posted by Firebottle View Post
    But will you always know where you live?
    On the edge of town: an outlier as always!

  9. #249
    Join Date: May 2016

    Location: Notts

    Posts: 2,746
    I'm Geoff.

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    Quote Originally Posted by Bksabath View Post
    WP_20180403_05_29_34_Pro.jpgWP_20180403_05_29_09_Pro.jpg

    On the 1.7 there is just one jumper and is marked as tweeter attenuator the speakers came supplied whit same ceramic resistors.

    No need to say as Magnepan give one the possibility to tweak one must and will tweak I tried the Fucushima Futaba MPC 74 0.47 R and they did make same improvement and to me better than the supplied stock that dulled things a bit to much
    Things may be different for other room's or positions / taste
    Sandro,

    I also have Maggie 1.7s and have never felt the need to use any attenuation on the treble. I suspect that this is only required in the case of a very bright system or a room with highly reflective hard surfaces. However, I did replace the cheap metal bridge with a short length of speaker cable (same type as used for the speaker to amp connection). I can't say that it made a huge difference, but I think it improves clarity a "smidgeon"!

    Not played around with fuses, probably because I am sceptical of any benefits.

    Geoff

  10. #250
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    Whilst I acknowledge what statics/panel speakers do well (and in some areas outperform box speakers), they're not really my thing, mainly because, to my ears, none I've heard so far get the bass right, which is massively important for how I listen to music - and what makes the type of music I listen to most, sound real.

    It's a trade-off with statics/panels (present in ALL speakers), in order to excel in certain areas, mainly the midrange. If I listened differently and didn't have such wide tastes in music, which I seek to accurately reproduce as far as possible, and I could put up with their looks, it would be a different kettle of fish

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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