The Axis had an ingenious motor/PSU arrangement IIRC which lifted its performance compared to earlier LP12s, but it was swings and roundabouts as fell short compared to the LP12 in the suspension and bearing department.
I ran both at one point in different rooms. In those days you could pick them up with an Akito arm for less than £100. (Having said that a Garrard 301 would have been even less than that, if you could persuade someone to take it off your hands). My LP12 at the time was a classic pre-circus, tiktok, valhalla job with an AT OC9 ... in a direct comparison using my even then rather cheesey 80s Denon amp and smallish Tannoys it was clearly a cut above the Axis/Akito/K18, just more detailed and refined, a proper hifi turntable.
Though in another room with an old silver Pioneer amp for £20 out of a Weston Super Mare junk shop and some Gale 2is from Richer Sounds in Bristol, the Axis sounded pretty good!.
Main: Speakers 'RFC' Tannoy Canterburys / custom crossovers; Amp - Radford STA100; Pre EAR 912; Vinyl: Thorens TD124 MkII + Ikeda IT345-CR1 / Ortofon 309 Limited tonearms; Cartridges Stereo - Miyajima Madake, Ortofon SPU Royal N + Shure M3D Jico stylus; Mono - Miyajimas - Zero 0.7, Premium 1.0 retipped by Ana Mighty Sound bamboo cantilever, Spirit '78' 3.0 conical from Ana, also vintage GE VRII, Shure M44 strapped for mono with several Expert Stylus conicals for different eras of 78s; Phono stage and SUT from EAR 912; Esoteric Sound Re-Equalizer for equalisation of early mono and 78, switchable in from tape loop; Digital: Audio Note CDT2/II transport, heavily modded AN Kit DAC + Mutec MC3+USB.
Study: Speakers - Tannoy DC6; Amp: Duncan 'Tuberhunter' 200w class D; preamp - Pass DCB1; Vinyl: Garrard 401 with AT1503 tonearm and vintage SPU-GE; SUTs - Ortofon 2-15k & Bob's Devices; Phono Stage: Schiit Mani; Digital - Trichord Genesis III CDP + Arcam rBlink; Schiit Multibit DAC.