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Thread: Mark Grant XLR Canare L4E6S Star Quad Balanced Cable

  1. #1
    MartinT Guest

    Default Mark Grant XLR Canare L4E6S Star Quad Balanced Cable

    I bought a pair of these to try out in place of my no-name OFC balanced cables between phono preamp and main preamp. My system is all-balanced XLR connected and uses mostly Kimber Select hybrid silver cables. However, several price hikes have made them eye-wateringly expensive so I decided to see how a good copper cable sounded.

    The Canare cable that Mark Grant uses is well known in studio circles and features extremely good shielding with its star quad construction using eight cores. Connectors are Neutrik - the best.

    Replacing my existing cables and not allowing for much burn-in, I heard an extra sparkle in the sound. Soundstage was decidedly wider and a little deeper and I could hear 'into' it more clearly. Midrange and vocals are transparent and very neutral. Dynamics are superb. The noise floor is vanishingly low. These cables give every impression of just letting the signal pass through unmolested.

    For the price, I am impressed. It is harder to hear differences between balanced cables as this connection method gives so much clarity in the first place (provided your equipment uses true balanced circuitry) and yet I heard the differences quite clearly. Highly recommended.

  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Nice one, Martin

    Should I bring down some G1000HDs on Saturday to test against your Kimber Selects?

    Remember what happened to my ludicrously expensive Transparents, which the Mark Grants duly retired....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #3
    MartinT Guest

    Default

    No good - all my cables are balanced XLR and I believe the G1000HDs are single-ended. Don't even try to compare the two, balanced sounds far superior in my system.

    Anyway, aren't we playing with turntables? <rubs hands with glee>

  4. #4
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    No good - all my cables are balanced XLR and I believe the G1000HDs are single-ended. Don't even try to compare the two, balanced sounds far superior in my system.
    Yes, good point! Might be worth a laugh though asking Mark to make up some balanced G1000HDs to compare them with the Kimbers

    Turntables? Oh yes indeedy! Steve W visited today and, erm, how shall I put it, 'quite liked' the Techy compared with his LP12...

    Btw, as an aside, how efficient are your Ushers and are they liable to be a tricky load for a valve amp?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #5
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    how efficient are your Ushers and are they liable to be a tricky load for a valve amp?
    Quite efficient, but they may be a bastard load especially as they have two bass drivers per side. Of course, the Chord doesn't even blink

  6. #6
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    My Heco Celan 700 speakers have two drivers aside. My Copper amp (same as Marco's) doesn't blink. If they are ~89dB + and 6 to 8 ohm-ish the Copper amp shouldn't have a problem.

    They are in a different league to my Hecos though.

    The specs are as follows:

    Usher Dancer Be-20 speakers

    Technical Specification

    3-way Floor standing 1.25" BeO dome tweeter and 5" BeO inverted dome mid, and 2x11" low woofer
    Sensitivity 90dB @ 1watt/1m
    nominal impedance 8 ohms
    frequency response 22Hz - 40Khz (+/- 3dB)
    power handling range60 - 300 watts
    crossover frequencies 544Hz and 3.84 Khz
    weight 123Kgs (inc base) (foookin' elll!)
    dimensions (wxdxh) 36.5 cm x 89.5 cm x 140 cm

    http://www.hiaudio.co.uk/UA/Be20.htm

  7. #7
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Wink

    In my personal experience the Ushers will work fine with a valve amp. I have used 2A3 to PP 300B no problem. But they are designed for high power amplifiers to get the dynamic range in a big USA rooms.

    Dave

  8. #8
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    That's good enough for me, chaps... Then I may as well bring the Croft and copper amp down for a giggle

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #9
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    You'll need the G1000HDs then as you can't plug XLRs into your amps.

  10. #10
    leo's Avatar
    leo is offline Circuit Junkie & DIY Room Forum Leader
    Join Date: Jan 2008

    Location: Notts UK

    Posts: 1,805

    Default

    Keep us updated, be quite an interesting comparison copper valve amp against the Chord
    Cheers,
    Leo

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