Location: Torquay, Devon.
Posts: 5,684
I'm Shane.
I haven't really heard too many systems but working in people's home's, i occasionally get to see and hear the customers HiFi. One customer had some Avantgarde big horn jobbies along with some valve amps i forget the name of and a cd player i also forget the name of. In total it cost about 25k. I asked him if i could listen to it and he obliged. It had a very 3D soundstage, which you could almost walk around which was very impressive! It was very sweet and liquidy in that euphonic valvey way! So whilst i was impressed with the scale and sounstaging and also the detailing i heard, i did find it extremely coloured! It was probably the second thing i noticed about it!.
The best system i have actually heard outside of domestic use, was at the Q club Birmingham to see Eat Static! The sheer power,clarity,detail,scale,tone was gobsmacking!!! All this was totally distortion free! I will never forget that sound for as long as i live!
Darren
KORUS CUSTOM SERVER
TECHNICS 1200 MKII_JELCO 750D_SHURE SC35C (with NOS and NEO SAS styli)
CAIMAN SEG + DORADO PSU
CROFT MEGA MICRO
PARADIGM REFERENCE ACTIVE/40'S
PARADIGM SERVO 15 SUBWOOFER X 2
''The theory of relativity is a mass of error and deceptive ideas violently opposed to the teachings of great men of science of the past and even to common sense''
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Lol - but when you've demonstrated either your full system or key parts of it in public, at places like Scalford and NEBO, over the years, and almost everyone present (who wouldn't be afraid to tell you if they didn't like it) concludes that it sounds as good to them, as it does to you, then you *know* that you've done something right
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: Northampton
Posts: 177
I'm Chris.
Still going? Wow. It was about 1983 when I went I think. He did this trick with an SME arm where he put a pencil under the record when it was playing - creating a massive up and down movement for the arm - which of course worked without any problems. His favorite TT at the time was a glass/ perspex thing - can't remember the name. I had all my records cleaned there - he had a Keith Monks Machine. And it bloody worked too!
May have been Raynors Lane actually. Long time ago
Technics SP10 mk2
Jan Allaerts MC 1 Boron mk1 cart
Miyajima Shilabe cart
Hashimoto HM-X SUT
Siggwan (gimballed not unipivot) Cocobola 12"
Aurorasound Vida LCR Phonostage
The Truth linestage
Dave Slagle Autoformer Volume Controller
Cary 805c SET amps
Audio Note ANe-SPX speakers
Townshend Isolda speaker cables
Cardas Golden Presence interconnects
Location: Northampton
Posts: 177
I'm Chris.
That's it! I remember thinking that the disk did not having much support - just in 3 places. So, the best thing I ever heard was this with a black SME arm, probably QUAD amplification. He let me play my own LPs. It was a quiet day and he indulged me, knowing I wouldn't spend more than the record-cleaning money. He did like to show off a bit though. Well. if you know him, you'd know lol