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Thread: Upgrading my hi fi paranoia

  1. #11
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

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    Quote Originally Posted by magiccarpetride View Post

    Question: how can you tell if the component you've heard make a breathtaking improvement in one system is guaranteed to make the improvement in your system? You get a chance to take it home to audition?
    Sometimes that might be possible. My point is it is easy to feel satisfied with what you have if you have not heard better. Whether you buy the specific components that you liked so much is irrelevant. You have found out that another level is possible, so you start looking again at improving what you have.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  2. #12
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Macca View Post
    My point is it is easy to feel satisfied with what you have if you have not heard better.
    Indeed, and which is why, if you really want to own a top-notch system, you need to continually push the boundaries and get out there and hear different set-ups, test your equipment against it and see just how it fares, and also allow others to come and hear your system, and ask them for their honest opinion/constructive criticism.

    I can't abide folk who like to 'hide' and remain stuck inside their cosy comfort zones, where nothing that they think they know is ever challenged. No-one should be 'afraid' of exposing their equipment to such scrutiny, and widening their horizons as to what might be possible, if you truly wish to own a great system, instead of kidding yourself on that what you've got is much better than it actually is!

    That's why meets, such as NEBO, can be so rewarding and often act as a veritable ear-opener.... My advice? Always keep pushing those boundaries and striving for the best, until you reach the stage of having achieved your goals, which after many years of building and tweaking, is the happy place I'm in now with my system

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #13
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

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    Quote Originally Posted by Macca View Post
    Sometimes that might be possible. My point is it is easy to feel satisfied with what you have if you have not heard better. Whether you buy the specific components that you liked so much is irrelevant. You have found out that another level is possible, so you start looking again at improving what you have.
    I understand. I know that another level is always possible, I don't need to actually hear it.
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  4. #14
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

    Default

    Quote Originally Posted by Marco View Post
    Indeed, and which is why, if you really want to own a top-notch system, you need to continually push the boundaries and get out there and hear different set-ups, test your equipment against it and see just how it fares, and also allow others to come and hear your system, and ask them for their honest opinion/constructive criticism.

    I can't abide folk who like to 'hide' and remain stuck inside their cosy comfort zones. No-one should be 'afraid' of exposing their equipment to such scrutiny, and widening their horizons as to what might be possible, if you truly wish to own a great system, instead of kidding yourself on that what you've got is much better than it actually is!

    That's why meets, such as NEBO, can be so rewarding and often act as a veritable ear-opener.... My advice? Always keep pushing those boundaries and striving for the best, until you reach the stage of having achieved your goals, which after many years of building and tweaking, is the happy place I'm in now with my system

    Marco.
    Sounds like you stopped pushing those boundaries. Maybe it's time you start eating your own dog food?
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol... As they say, why 'fix' what ain't broken?

    Of course, anything can always be improved, but there comes a point when the journey has to end [mine has been on-going since 1982 until now, so not exactly a 'quick trip'], and if you got into this game primarily as a music lover, simply seeking to hear your favourite music at its best, not continually dick around with boxes, then when you're in that happy position, it's simply time to kick back and fulfil your system's primary function

    So for those still on their 'journey', continue striving for the best, but *know* when to stop, before your striving takes over your THRIVING...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #16
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

    Default

    Quote Originally Posted by magiccarpetride View Post
    I understand. I know that another level is always possible, I don't need to actually hear it.
    Knowing it in an intellectual sense isn't the same as actually experiencing it, though. Then you get the emotional drive, and there's nothing more effective than that in sparking action.

    When you go back to your system, which previously was fine but now sounds broken by comparison it is pretty hard to carry on sitting still. I know your system is already fairly high end so it isn't going to happen as often for you as it has for me. And if you don't get out much (in a hi-fi sense) then it never will.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  7. #17
    Join Date: Feb 2014

    Location: Huntingdonshire

    Posts: 1,413
    I'm Andrew.

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    Quote Originally Posted by Marco View Post
    Lol... As they say, why 'fix' what ain't broken?

    Of course, anything can always be improved, but there comes a point when the journey has to end [mine has been on-going since 1982 until now, so not exactly a 'quick trip'], and if you got into this game primarily as a music lover, simply seeking to hear your favourite music at its best, not continually dick around with boxes, then when you're in that happy position, it's simply time to kick back and fulfil your system's primary function

    So for those still on their 'journey', continue striving for the best, but *know* when to stop, before your striving takes over your THRIVING...

    Marco.
    True. "what a long strange trip it's been".

  8. #18
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

    Default

    Quote Originally Posted by Macca View Post
    Knowing it in an intellectual sense isn't the same as actually experiencing it, though. Then you get the emotional drive, and there's nothing more effective than that in sparking action.

    When you go back to your system, which previously was fine but now sounds broken by comparison it is pretty hard to carry on sitting still. I know your system is already fairly high end so it isn't going to happen as often for you as it has for me. And if you don't get out much (in a hi-fi sense) then it never will.
    No, I know that. Like I said, ignorance is bliss. I am 'fortunate' to be living in the backwaters, so no exposure to awesome stereo systems for me.

    But I am also very curious, so I tend to harass local purveyors of pricey hi fi equipment by bringing along my records and asking for an audition of some of their high end gear. I want to hear something that will make my jaw drop on the floor and say "I wanna!"

    So far, no cigar. All the uppity configuration I've listened to didn't reveal anything that I'm not already hearing on my home stereo. Often times, surprisingly, I find that my home stereo sounds better, more coherent, livelier, with more punch and whomp.

    Overall, I find that the ultra pricey high end hi fi I've listened to so far tends to sound too polite to my taste. The symphony orchestra crescendos never swell so violently the way I hear them in the concert hall or on my home stereo. The heavy rock drums don't crush bones with as much might as they crush bones and skulls on my home stereo.

    Bottom line, I like the sound with a lot of balls, substance, weight, drama and cutting edge presence. I like the sound that's almost impolite, no manners
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  9. #19
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

    Default

    Quote Originally Posted by Marco View Post
    Lol... As they say, why 'fix' what ain't broken?

    Of course, anything can always be improved, but there comes a point when the journey has to end [mine has been on-going since 1982 until now, so not exactly a 'quick trip'], and if you got into this game primarily as a music lover, simply seeking to hear your favourite music at its best, not continually dick around with boxes, then when you're in that happy position, it's simply time to kick back and fulfil your system's primary function

    So for those still on their 'journey', continue striving for the best, but *know* when to stop, before your striving takes over your THRIVING...

    Marco.
    Yes, and that was exactly the point of my original post. Once you reach that plateau, then the race for the best mastering/pressing commences!
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  10. #20
    Join Date: Apr 2016

    Location: Gravesend and France

    Posts: 1,498
    I'm paul.

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    Firstly let me say, expensive kit doesn't always give the best playback.
    I can honestly say I've not heard any kit sound better than my own and I've heard some very exotic, expensive well regarded kit at people's houses and several years at Scalford. Commercial shows have left me cold. There was a period on wigwam when several people, me included, were DIYing front horn set ups, I didn't hear them all but those I did I liked. My mate Jim has oris horns with lowthers and they are very very good. Since I got my Zu's I've been the most settled for many years but then they work much like single driver speakers with a tweeter helper but the bass is way better.
    As I've said before I like single driver speakers but couldn't live long term with their limitations.
    Bakoon 13r Denon DP80 Stax UA-70 Shure Ultra 500 in a Martin Bastin body with jico stylus, project ds2 digital Rullit aero 8 field coils in tqwt speakers

    Office system, DIY CSS fullrange speakers with aurum cantus G2 ribbons yulong dac Sony STR6055 receiver Jvc QL-A51 direct drive turntable, Leema sub. JVC Z4S cart is in the house

    Garage system another Sony receiver, cassette deck


    System components are subject to change without warning and at the discretion of the owner.

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