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Thread: The vinyl illusion ?

  1. #241
    Join Date: Apr 2016

    Location: Gravesend and France

    Posts: 1,498
    I'm paul.

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    As expected this thread has gone from vinyl to the rest of the set up creating the "illusion " so cd and streaming will be no different.
    Bakoon 13r Denon DP80 Stax UA-70 Shure Ultra 500 in a Martin Bastin body with jico stylus, project ds2 digital Rullit aero 8 field coils in tqwt speakers

    Office system, DIY CSS fullrange speakers with aurum cantus G2 ribbons yulong dac Sony STR6055 receiver Jvc QL-A51 direct drive turntable, Leema sub. JVC Z4S cart is in the house

    Garage system another Sony receiver, cassette deck


    System components are subject to change without warning and at the discretion of the owner.

  2. #242
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

    Posts: 4,779
    I'm Shaun.

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    Quote Originally Posted by jandl100 View Post
    Exactly.
    The reality is that we all tune our systems to match as closely as possible our (often evolving) individual preferences.
    Totally agree 100%

  3. #243
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

    Posts: 4,779
    I'm Shaun.

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    Quote Originally Posted by Jimbo View Post
    I try to voice my system to play music as I would like to hear which is as close to a realistic representation
    I do not even attempt to make my system 'realistic' as any hi-fi system is only ever going to be a 'representation' and therefore a facsimile of the real thing.

  4. #244
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Yes, but some undoubtedly make music sound more 'real' than others!

    If you don't at least have that goal in mind, in the first place, then why own proper hi-fi [the key words here] system? At this point, I would remind folks of the definition of 'High-Fidelity':

    "The reproduction of sound with little distortion, giving a result very similar to the original".

    I think some of you have somewhat 'lost focus' on why we do (or should be doing) what we do!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #245
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,882
    I'm Martin.

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    Quote Originally Posted by Haselsh1 View Post
    I do not even attempt to make my system 'realistic' as any hi-fi system is only ever going to be a 'representation' and therefore a facsimile of the real thing.
    A lot of recordings are not 'the real thing' to begin with. The goal is fidelity to the recording, not to the band playing live since they probably were not playing live on the recording.

    You can get a hi-fi that would be indistinguishable from 'the real thing'? Yes. it would cost a few bob and the speakers especially would need to be very good. But you could replicate a jazz quartet or string quartet playing live, assuming the recording didn't miss much. System hidden behind a curtain, you could be fooled. It has been done by QUAD before.

    Claiming there is no point in striving for accuracy so you might as well have colouration in the sound is to throw the baby out with the bathwater.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  6. #246
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,806
    I'm James.

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    Quote Originally Posted by Haselsh1 View Post
    I do not even attempt to make my system 'realistic' as any hi-fi system is only ever going to be a 'representation' and therefore a facsimile of the real thing.
    So you don't want to make your system as realistic as possible? I thought this was the whole idea of an audiophile hifi set up, the goal being to make vocals, instruments and music sound as realistic as possible.

    Just a representation of a vocal, instrument etc is not really what I would be after. I want to be convinced I am listening to a real instrument, that is the benchmark!
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  7. #247
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Macca View Post
    Claiming there is no point in striving for accuracy so you might as well have colouration in the sound is to throw the baby out with the bathwater.
    My point precisely... If that's your mindset, then pack in hi-fi and buy your gear now on from Asda - and save yourself a lot of money!

    Quote Originally Posted by Macca View Post
    The goal is fidelity to the recording, not to the band playing live since they probably were not playing live on the recording.
    Yup, but chances are, if you set out with that goal (and achieve it as closely as possible), then your system will also be capable of making a piano sound like a piano, and a guitar, a guitar, as a worthy by-product! The reverse also applies...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #248
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 99,005
    I'm Grant.

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    Quote Originally Posted by Marco View Post
    My point precisely... If that's your mindset, then pack in hi-fi and buy your gear now on from Asda - and save yourself a lot of money!



    Yup, but chances are, if you set out with that goal (and achieve it as closely as possible), then your system will also be capable of making a piano sound like a piano, and a guitar, a guitar, as a worthy by-product! The reverse also applies...

    Marco.
    Think I might
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  9. #249
    RothwellAudio Guest

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    Quote Originally Posted by Macca View Post
    A lot of recordings are not 'the real thing' to begin with. The goal is fidelity to the recording, not to the band playing live since they probably were not playing live on the recording.

    You can get a hi-fi that would be indistinguishable from 'the real thing'? Yes. it would cost a few bob and the speakers especially would need to be very good. But you could replicate a jazz quartet or string quartet playing live, assuming the recording didn't miss much. System hidden behind a curtain, you could be fooled. It has been done by QUAD before.

    Claiming there is no point in striving for accuracy so you might as well have colouration in the sound is to throw the baby out with the bathwater.
    Yes, I agree. A lot of audiophiles seem to have a naive belief that what they're listening to was performed in the studio as live and captured by a pair of microphones acting like the ears of an observer in front of the band. That may be the case for (some?) classical music, but very very unlikely for anything else.
    Last edited by RothwellAudio; 23-09-2017 at 15:03. Reason: typo

  10. #250
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by struth View Post
    Think I might
    Along with supporting Rangers, lol?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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