What ever i know fuck all
Location: Yorks
Posts: 16,643
I'm Nobody.
What ever i know fuck all
Guys,
I'm sure that the QED works well for Andre, so why should he change?
As for the MG Belden 1694A - it is very good (and superb value for money), but I've no reason to think that it would be any better than the QED Andre uses.
If you want the best performance in this application from a Mark Grant cable, and can afford to spend a bit more, then use a G1000HD: http://markgrantcables.co.uk/shop/in...roducts_id=165
It doubles up as a digital cable and uses the exact same Canare plugs as the 1694A!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Marco, for coaxial digital, impedance matching is essential. The use of 75ohms connectors and cable is mandatory if you want to match the digital equipments' designer specifications. And the cable used for digital is not the same for audio: the frequencies involved differ.
G1000HD are 75ohm ? It is not specified...
Andre's cable is very good. I didn't advice him to change, he would gain probably nothing of such a change.
My advice was for the OP.
Dimitri.
In a time of deceit telling the truth is a revolutionary act.
George Orwell
Hi Dimitri,
I'm not doubting what you're saying - it makes perfect sense - but I've got both 1694A and G1000HD, and can say absolutely quite categorically that the G1000HD sounds much superior used either in a digital or analogue context
Look - Mark himself even recommends them here:
http://markgrantcables.co.uk/shop/in...roducts_id=183
The above are miles better than the 1694A as a digital cable - no question
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
if you can make something up yourself, the Aircel 7 wire should be easy to terminate into some decent phono plugs (which I thought were 50 ohm anyway.....). It has a very wide bandwidth and is designed for very long runs with negligible attenuation. Surely more than good enough for the 0's and 1's in a metre or two of digital interconnect.
http://www.diodecomms.co.uk/index.ph...d5deb31c8d55b6
If evrybody used decent connectors designed for a wide bandwidth transmission, there are some chunky looking connectors too.
Bloody phono plugs...................................
P.S. Impedance matching usn't necessarily an issue as many manufacturers used to have their own agendas on this, from Meridian to Linn and back.....
Last edited by DSJR; 07-02-2010 at 15:33.
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Location: Near Saffron Walden, Essex
Posts: 7,090
I'm Dave.
I thought digital incons had to be 75 ohm and that they all sound the same. It's been measured, so it must be true.............
If there is anything overrated it's a digital cable, as long as it's built correctly with true impedance cable it's perfectly fine
A co-ax digital cable is transmitting ones and zeros. Either it gets it right (sounds good) or it gets it wrong (sounds bad). IMO.
S/PDIF was designed to use 75ohm cable and ordinary phono plugs. No need for 75ohm plugs.
I'm waiting for someone to say gold plated Toslink connectors sound better than non gold plated ones . . . .
You'll have a long wait. There are good and bad digital interconnects though. Whatever the reductionist theory you cling to, the process of subjective listening iss not avoidable for digital i/cs.
Dimitri.
In a time of deceit telling the truth is a revolutionary act.
George Orwell