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Thread: what is the secret?

  1. #11
    Join Date: Aug 2010

    Location: East Midlands

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    I'm Hugh.

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    Quote Originally Posted by walpurgis View Post
    So many contrary positions. So little time..............
    Indeed. I gave up the will to live halfway through post #9.

  2. #12
    Join Date: Jun 2010

    Location: Liverpool, UK.

    Posts: 1,228
    I'm Geoff.

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    We are a niche market and becoming more so. To protect profitability, margins have to grow as sales decline. This forces up the price.

    This is simplistic but the price of new, quality hifi has risen dramatically in most, but not all cases.

    Sent from my SM-G920F using Tapatalk
    Main system: Sony TTS8000; AT1010; Audio Technica Art1; The Lentek; Cambridge 851n, Yamaha NS1000.
    System 2 - SBT; Technics SH-X1000 DAC; Denon PMA-850

  3. #13
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by walpurgis View Post
    So many contrary positions. So little time..............
    Really? I see more evidence of consensus than contrary positions...

    I think most of us agree that the best equipment from small, specialist companies has the potential to sound better than some significantly more expensive 'big-name' commercial equipment, that badge snobbery exists, and you pay for it, and that out of control box-swapping is both bad for your head and bank balance!

    Not too many contrary positions there, I wouldn't have thought?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #14
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by oldius View Post
    We are a niche market and becoming more so. To protect profitability, margins have to grow as sales decline. This forces up the price.

    This is simplistic but the price of new, quality hifi has risen dramatically in most, but not all cases.
    ...which is why going the quality vintage route makes sense, as that's often where the highest SPPV lies. You know that full well yourself. I also agree with your first sentence, but that doesn't mean we just have to sit back and 'suck it up'!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #15
    Join Date: Sep 2009

    Location: Derbyshire

    Posts: 9,250
    I'm Josie.

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    It gets expensive because generally really expensive equipment becomes more bespoke in design and becomes more artistic and bespoke... but the innards or the internal design are probably nothing new... parts are probably re-cased to make them look pretty and bespoke.

    People who can afford such things buy them because they can, some appreciate it and some do not and buy because they want to have something different to someone else... social climbing leverage?

    This world is now firmly based on snobbery and it's getting worse. I'm old skool... I would question any bit of kit over a certain price. - or is that just the old chestnut called 'common sense'?
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

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  6. #16
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Indeed... With commercially produced 'big name' gear, you might own a £10k or £20k amplifier, for example, but only in terms of the price you've paid. You certainly haven't ended up with £10k or £20k's worth of sound quality [or anything like it], that's for sure!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #17
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 99,005
    I'm Grant.

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    Quote Originally Posted by the_doc735 View Post
    well, john wood & guy sergeant amps have "bespoke heavyweight transformers" and their amps don't cost an arm and a leg and produce a high quality sound.

    " labour, usually in this country eaning higher wages. level of fit n finish, plus the 'addons from all the middlemen" ....all costs dough!
    Yes, but not necessarily higher quality parts or 'better designs' than those found in J.WOOD & Guy Sergeant amps.
    You seem to feel J Wood and Guy Sergeant amps are the pinnacle of amp development and are both big companies
    Regards,
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  8. #18
    Join Date: Mar 2012

    Location: London and Somerset

    Posts: 2,097
    I'm Dave.

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    Quote Originally Posted by Marco View Post
    Indeed... With commercially produced 'big name' gear, you might own a £10k or £20k amplifier, for example, but only in terms of the price you've paid. You certainly haven't ended up with £10k or £20k's worth of sound quality [or anything like it], that's for sure!

    Marco.
    Spot on Marco.
    Kraken, Saturn, Emotion, Flying V Rocket, Planets.

  9. #19
    Join Date: Apr 2008

    Location: Warrington

    Posts: 3,451
    I'm Neil.

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    There are four types of expensive amps: some are just expensive because of the badge & having to recoup huge marketing budgets, others to recoup huge R&D, tooling etc. budgets (I bet Devialet were expensive to develop), some are expensive because of super-expensive casework and transformers, others are expensive to keep demand down. It's that simple really, no secrets.
    Last edited by Yomanze; 29-08-2017 at 08:33.
    Mana Acoustics Racks / Bright Star IsoNodes Decoupling >> Allo DigiOne Player >> Pedja Rogic's Audial Model S DAC + Pioneer PL-71 turntable / Vista Audio phono-1 mk II / Denon PCL-5 headshell / Reson Reca >> LFD DLS >> LFD PA2M (SE) >> Royd RR3s.

  10. #20
    Join Date: Sep 2009

    Location: Derbyshire

    Posts: 9,250
    I'm Josie.

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    Quote Originally Posted by Yomanze View Post
    There are four types of expensive amps: some are just expensive because of the badge & having to recoup huge marketing budgets, others to recoup huge R&D, tooling etc. budgets (I bet Devialet were expensive to develop), some are expensive because of super-expensive casework and transformers, others are expensive to keep demand down. It's that simple really, no secrets.
    ... I wouldn't be so sure of that. Any company would cut costs where they can regardless of how 'exclusive' they are.

    If they can get away with it (which let's be honest they are in the best position to do so) they will because nobody would risk cracking hermetically sealed £10k, £20+ lids of kit to find out.
    Ultrafide U500DC power amplifier - Croft Vitale )highly modified) - TRIO L-07D Turntable - Denon DL103C1 - Funk Firm Houdini - Lentek MC head amp - 15" Tannoy Monitor Gold Loudspeakers in Lockwood Major cabinets (From Trident Studios) - Tannoyista SPEC 3 Custom Crossovers - VanDamme Black Speaker Cable

    Tannoyista.com
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