SW1X Audio DesignTM ... Finest Audio Components ... Designed and Handcrafted in England
www.SW1XAD.co.uk
Location: cheltenham
Posts: 746
I'm matt.
Location: cheltenham
Posts: 746
I'm matt.
Location: cheltenham
Posts: 746
I'm matt.
Location: cheltenham
Posts: 746
I'm matt.
I don't claim to be any kind of expert with crossovers, but have designed and built a few over the last forty years or so (probably not great ones ) and the words 'acoustic' and 'electrical' have been interchangeable in my experience in this context.
It is impossible for anything digital to sound analogue, because it isn't analogue!
Location: cheltenham
Posts: 746
I'm matt.
You have a big advantage with that room but the best way to use an open baffle speaker is to have it firing down the length of the room, not across the width.
The big problem with open baffles is bass cancellation. Bass units go in boxes for a reason, because if you don't put the bass in a box you get cancellation from the return wave and.... no bass or heavily curtailed bass. With 30' to play with you can have the bulk of the room behind the speaker, giving the bass wave a chance to dissipate down the length rather than return. Unlike most rooms you should be able to get pretty good bass from an open baffle by setting them up like that. Have 15' to 20' of the room behind the speakers.
In general terms re open baffles, people do claim that bass sounds more natural etc without the box. I'm not so sure. The various monitoring speakers in studios are not open baffles. Recordings tend to be mixed to sound good on these speakers - not on open baffles. If you listen to a lot of music that has a lot of bass energy below 40 Hz (dance music, electronica, organ and so forth) then I wouldn't recommend going for an open baffle. At least not for the bass. The are not intrinsically better, they are, like all speaker designs, just another set of compromises.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.