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Thread: Hi-Fi power supply improvements.

  1. #1
    Join Date: Mar 2009

    Location: Hemel Hempstead

    Posts: 1,074
    I'm Steve.

    Default Hi-Fi power supply improvements.

    Folks.

    My system is now very perminantly located in a house that we're going to own for a LONG time, so I'm now considering doing something to improve the mains supply arrangements.

    At the moment I've got the common multi-way (admittedly a good one) feeding all components from a single wall socket and I'm sure it's really not doing the sound any favours.

    I'm interested in hearing from anyone who's installed a dedecated spur as this is something I could do easily as the main consumer unit is in the same room.

    Would also like to hear suggestions on suitable sockets/cable etc.
    Steve aka 'Twelvebears' (it's a long story)
    System: Technics 1210 Mk5, Jelco 750 arm, AT33EV via MF X-LP2 Phono Stage, Oyaide mat and record clamp. SB Touch via Marantz PM-11S1 amp and Wilson Benesch A.C.T. speakers. Mark Grant cables and PS Audio Power Plant Premier mains regenerator.
    (\__/)
    (='.'=)
    (")_(")

  2. #2
    Join Date: Jan 2009

    Location: Norwich

    Posts: 2,814
    I'm Hugo.

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    My mate Steve (Snoopdog) has just done this in his house, so hopefully he'll chip in with some thoughts.

  3. #3
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

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    A good electrician will advise best legal practise, but I've had good results (on gear that is sensitive to it) having a dedicated 30A ring with a number of unswitched sockets mounted neatly on a suitable board, an isolating switch covering the whole assembly.

    I didn't like a "spur" arrangement, but others have no difficulty at all, so it's up to you..
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  4. #4
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,139
    I'm AMusicFanNotAnAudiophile.


  5. #5
    Join Date: Jan 2008

    Location: Norwich

    Posts: 1,064
    I'm Mike.

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    STEVE

    I would suggest you read that recent thread obligingly linked by Chris above.

    For what it's worth, my contribution is on page 4.

    Seriously, I think you need to very carefully consider what you may need in the future, as it'll be cheaper to get it done at one go.

    Find the route any cables have to take from your meter (or near it) to the hifi area. If this entails going outside the house, you'll need hefty armoured cable (just one!!!)

    10mm twin & earth is considered best otherwise; one for each piece of kit is as good as it gets. Hard-wiring mains leads to patresses near your hifi is, in my opinion, better than sockets, plugs and fuses because you are protected by an RCBO in the consumer unit and the fuse in your kit. Others may disagree that this is enough security, though.

    Your electrician, don't forget, is just that; an electrician. NOT a hifi mains installer, so it's best to know what you want before calling him in.

    Another way is to run one bloody great cable into the hifi area and site your consumer unit there. Still prefer one cable - one mains lead - one piece of kit, though.

  6. #6
    Join Date: Jan 2008

    Location: Winchester, Hampshire

    Posts: 309
    I'm Steve.

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    Quote Originally Posted by Shuggie View Post
    My mate Steve (Snoopdog) has just done this in his house, so hopefully he'll chip in with some thoughts.
    My meter and incoming supply is situated in a cupboard under the stairs and is only a short journey through the wall into my now, dedicated, music room.

    My specification was only for a single socket supply in the listening room, situated by the hi fi equipment stand. I favoured a dual radial supply from a dedicated consumer unit, rather than a spur and this is what I ended up with.

    The components used were a MEM AP4 consumer unit fitted with a single MEM MBH132 B32A MCB with MR30 field fit RCBO kit. There is of course room for three additional MCB/RCBO's if I wished to expand the number of dedicated cale feeds in the future. Anyone considering more spurs/dual radials, should specify a six way or larger consumer unit.

    Instead of heavy guage T&E cable I went with an RS Components twin shielded cable with 20amp rating (identical to that used by MusicWorks for their ReCoil mains power cord. Two identical 1.8M runs originate at the MEM consumer unit and terminate at a rather expensive outlet called 'The Lens' designed by Paul Chand and incorporating high precision ceramic isolation bearings, a floating alluminium alloy front plate and solid PTFE middle and rear section. The idea being to attempt to isolate the socket outlet from vibrations in the wall. The RS cable shield is connected to earth at the CU end only, so acts as a drain rather than a shielded cable.

    If anyone is interested I will post some pictures of the installation.

    The result has been very satisfying with much greater detail retrieval and noise reduction compared to the house ring main.

    I use a Vertex Elbrus mains balanced PSU to supply my hi fi with power from the single wall outlet.

    Steve
    Steve.

    My System:- dCS Vivaldi Transport + dCS Vivaldi Apex DAC + dCS Vivaldi Master Word Clock + dCS Vivaldi Upsampler Plus, Aurender N20 Music Server/Streamer, TW Raven One tt/Graham Phantom II/Transfiguration Orpheus L & Audio Technica ART20 mc's, Whest Titan Pro, D'Agostino Momentum HD pre/S250 MxV power amp, TAD CR-1 MKII loudspeakers, REL Gibraltar G2 subs, Coherent Systems BD Mains, interconnects & speaker cables, Sablon Audo EVO USB cable, Tellurium Q Ultra Silver power cords, Ziro Disclosure & Vertex Roraima Hi-Rez power cords + Furutech FI connectors, Stillpoints ESS racks/component stands, Vertex Aletheia PSU2 balanced power supply, Coherent Systems RTZ3 ground box + CR/BD cables, Acoustica Applicata DaaD room treatment, Mutec Ref10 SE-120.

  7. #7
    Join Date: Jan 2008

    Location: Norwich

    Posts: 1,064
    I'm Mike.

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    Quote Originally Posted by Snoopdog View Post

    My specification was only for a single socket supply in the listening room, situated by the hi fi equipment stand. I favoured a dual radial supply from a dedicated consumer unit, rather than a spur and this is what I ended up with.

    Instead of heavy guage T&E cable I went with an RS Components twin shielded cable with 20amp rating (identical to that used by MusicWorks for their ReCoil mains power cord. Two identical 1.8M runs originate at the MEM consumer unit and terminate at a rather expensive outlet called 'The Lens' designed by Paul Chand and incorporating high precision ceramic isolation bearings, a floating alluminium alloy front plate and solid PTFE middle and rear section.

    The idea being to attempt to isolate the socket outlet from vibrations in the wall.

    The RS cable shield is connected to earth at the CU end only, so acts as a drain rather than a shielded cable.


    Steve
    This one baffles me, I'm afraid, Steve.

    Firstly, do you live on a tectonic plate fault line, or even have heavy lorries rumble past, shaking your house? I can't imagine ordinary unswitched sockets, plugs and fuses interrupting the flow much in a 'trembling' wall. If this is indeed possible, then more's the case for hard-wiring, surely, or maybe a 'floating' socket (not attached to the wall).

    Secondly, you mention 'dual radial' supply as opposed to 'spur', whereas it's evident that you only have ONE radial circuit (though I may have got the wrong end of the stick here). A SPUR is an offshoot from an established ring main, I believe (although the word is commonly misused).

    Thirdly, as I (and most people who have installed a la Roy Riches' philosophy) have 32 amp RCBOs in my C U, I imagine you must have a much lower specified breaker/RCD (20 amp?) to match your lower specified cable.

    I must admit, Steve, that I've not come across this method for dedicated mains before (not that I'm an expert in any sense). That your installation shows marked improvement on your previous ring mains connection, however, surely evidences the benefits of ANY approach to isolating one's hifi from the domestic supply.

  8. #8
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 13,696
    I'm inthescottishmafia.

    Default

    Yes,generally,a spur is a single cable to a socket tapped off an existing
    ring circuit.A radial circuit is a socket run from a cable direct from your consumer unit.

  9. #9
    Join Date: Mar 2009

    Location: Hemel Hempstead

    Posts: 1,074
    I'm Steve.

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    Quote Originally Posted by Ali Tait View Post
    Yes,generally,a spur is a single cable to a socket tapped off an existing
    ring circuit.A radial circuit is a socket run from a cable direct from your consumer unit.
    Thanks Ali, that explains the difference nicely and a radial circuit is what I'll be going for.
    Steve aka 'Twelvebears' (it's a long story)
    System: Technics 1210 Mk5, Jelco 750 arm, AT33EV via MF X-LP2 Phono Stage, Oyaide mat and record clamp. SB Touch via Marantz PM-11S1 amp and Wilson Benesch A.C.T. speakers. Mark Grant cables and PS Audio Power Plant Premier mains regenerator.
    (\__/)
    (='.'=)
    (")_(")

  10. #10
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Ali Tait View Post
    Yes,generally,a spur is a single cable to a socket tapped off an existing
    ring circuit.A radial circuit is a socket run from a cable direct from your consumer unit.
    Mmm...... Thanks, Ali. I'll need to remember that. Whenever I refer to my dedicated mains set-up as a "separate spur", what I really mean is a radial circuit!

    The only difference is, my 'radial circuit' is a 16mm armoured cable direct from my incoming mains supply straight into a dedicated CU for my system, which all the mains leads for my components are then hard-wired into with individual 63A MCBs - there ain't no 'socket run'

    Marco.

    P.S Steve, mate, got your PM - been busy, but will reply later!
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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