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Thread: How nice is this tonearm

  1. #91
    Join Date: Nov 2008

    Location: Belfast/Northern Ireland/UK

    Posts: 15,792
    I'm Neil.

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    Quote Originally Posted by Marco View Post
    No disagreement there - and also far nicer looking/better sounding than any modern SME!

    [Thread closed]

    No, not really......

    Marco.
    Here is the thing back in the day the HR100 S was good, but the SME 4 and 5 were in my opinion better tonearms. I remember it well and the other Alphason arms.... well they were ok, but the 100 was the best they did and sounded good on a Sonata, but off that the SME's in my view were better sounding. I know many folks disagree but I have a pretty good memory and it was an SME I wanted back then not a 100s. I did plenty of listening as well, I was one of the turntable builders and set up guys back then in a shop that sold all of those brands and more, so set them up multiple times.
    Regards Neil

  2. #92
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 70,003
    I'm AudioAl'sArbiterForPISHANTO.

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    Each to his own, muchacho. You obviously dig SMEs, which is cool. I don't like any of their designs featuring the use of magnesium armtubes.

    For me, once you've successfully 'tuned into' their distinctive (over-damped) sonic signature, and dislike it, you can hear it no matter what turntable they're fitted to. SME's J-shaped stainless-steel arms, to my ears, give music more 'life'.

    Therefore, the only arms of theirs I rate are the vintage 3009 and 3012 (preferably with SPUs on the end) and the current M2-9 and 12R. The rest, you can keep!

    Marco.
    "A man is a success if he gets up in the morning and gets to bed at night, and in between he does what he wants to do". - Milan Kundera.

    "Your validity or worth are not defined or determined by the views of others with their own superimposed agendas". - Pharos (on AoS)

    My system:

    Modified Technics SL-1210MK5G/Mike New high-precision bearing & baseplate/Mike New ETP platter/Bruil record weight/Nagaoka GL602 crystal T/T mat. Paul Hynes SR7EHD PSU (plus regulator modules)/DCSXL pure-silver DC lead. Ortofon RS-212D tonearm/'Speedy Steve' custom-made Ebony armboard. Yannis Tome 423.5 Phono Silver-Litz tonearm cable, with Furutech CF-DIN(R) and Eichmann silver Bullet Plugs. Cartridges: Denon DL-S1 in AT MG-10 headshell with AT-6106 Quattro Hybrid lead-wire. Denon DL-103C1 in '103U' headshell with AT-609 silver lead-wire. Vintage Denon DL-103AU in AT-Ti15ANV Titanium Headshell. Shure M55E in Denon PCL-300 headshell with 6N silver lead-wire. Shure original USA SC35C. Audiocom-modified Sony X-777ES/DAS-R1 transport/DAC. Raspberry Pi-3 Model B and IQaudio Pi-DAC+/Paul Hynes SR3DR-05 linear PSU/Williams Audio NAS linear PSU. Heavily-modified Croft Charisma-X preamp. Stereo Coffee LDR. Head-amp: Paul Hynes design/SR5 PSU. Also modified Lentek. Tube Distinctions 50W Class A P/P Copper amp with cryo-treated Tung Sol KT150s. Speakers: 'Lockwood Majors', using 15" Tannoy Monitor Golds, modified with bespoke crossovers. Also Celestion Ditton 15XRs. Stands: Mana Acoustics (non-magnetic stainless steel 'clones’). Hi-Fi Racks Podium T/T wall shelf. Sony ST-5055L tuner. Cables: Furukawa EE/F-S 2mm & 2.6mm solid-core mains leads, fitted with Furutech FI-50 IECs and FI-1363Rs. Stereo interconnects: Sommer Carbokab 225 (with silver-plated MS Audio non-metallic POM RCAs). Speaker cable: VDH 'The Wind' Hybrid II. Digital coaxial cable: 1m Trompeter Electronics Triax TRC-75-2, with MS Audio ‘Starline' silver-plated RCAs. Mains block: Mark Grant 6-way, modded with Furutech FP-1363R sockets and Furukawa cable. Tube Distinctions digital noise filter. VPI HW 16.5 record cleaner.

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