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Thread: Does Your Stereo Sound Different when others are in the room?

  1. #1
    Join Date: Apr 2015

    Location: Central Virginia

    Posts: 514
    I'm Russell.

    Default Does Your Stereo Sound Different when others are in the room?

    Of course it doesn't, not really. Does it? What I'm talking about is the psychological effect of having someone else in the room listening with you. When I'm home alone, and play an album, I listen deeply, I crank it up to my satisfaction, I don't worry about content or if the bass is too loud.

    But when I'm entertaining, then I'm conscious of what the other person is thinking, is this too loud? Do they like this record? Probably more than anything I am concerned about my selections, and usually try to get them to suggest what they want to hear. In an effort to be a good host. I don't want to just blast away whatever odd music that appeals to me and run them off! Unless, of course, I want to run them off!

    Anyway, it just occurred to me that listening to my stereo alone is quite different from listening with someone else in the room. So is it even more different with more than two in the room? Does it multiply? So I drop back and start playing all my best recorded stuff like I was at an audio show or something? And how does alcohol affect this phenomena?

    Personally I like having others over to listen, to spin records and have a few drinks. It beats watching reruns on tv. But somehow it is a much different activity than listening alone.


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  2. #2
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 34,597
    I'm Grant.

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    Probably sounds worse. Does for me anyway.
    Regards,
    Grant ....
    Sometimes incompetence is useful. It helps you keep an open mind.
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  3. #3
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 17,149
    I'm Martin.

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    In that situation if you ask someone what they want to listen to they always say 'Oh, anything.' So don't bother asking anymore. I figure if they really wanted to hear something in particular they would have brought it with them. I try not to cheat by playing 'audiophile' recordings. Don't have many of them anyway.

    Worst is when you go to some other enthusiast's gaff and it sounds so objectionable that you want to ask them to turn it down but you don't in case it is seen as rude. That's happened to me a couple of times. Not with anyone who is a member here though
    Martin



    Current Lash Up:

    Technics SL1200 with Sumiko h/s & Nagaoka MP50 * Firebottle valve MM phono stage * Parasound CDPi1000 * NVA P90SA passive pre / Krell KSA50S Power amp * JM Lab Electra 926 loudspeakers *



    "I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me." - Hunter S Thompson

  4. #4
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 70,747
    I'm AudioAl'sArbiterForPISHANTO.

    Question Does Your Stereo Sound Different when others are in the room?

    Only if they have BO!

    Marco.
    "A man is a success if he gets up in the morning and gets to bed at night, and in between he does what he wants to do". - Milan Kundera.

    "Your validity or worth are not defined or determined by the views of others with their own superimposed agendas". - Pharos (on AoS)

    My system:

    Modified Technics SL-1210MK5G/Mike New high-precision bearing & baseplate/Mike New ETP platter/Bruil record weight/Nagaoka GL602 crystal T/T mat. Paul Hynes SR7EHD PSU (plus regulator modules)/DCSXL pure-silver DC lead. Ortofon RS-212D tonearm/'Speedy Steve' custom-made Ebony armboard. Yannis Tome 423.5 Phono Silver-Litz tonearm cable, with Furutech CF-DIN(R) and Eichmann silver Bullet Plugs. Cartridges: Denon DL-S1 in AT MG-10 headshell with AT-6106 Quattro Hybrid lead-wire. Denon DL-103C1 in '103U' headshell with AT-609 silver lead-wire. Vintage Denon DL-103AU in AT-Ti15ANV Titanium Headshell. Shure M55E in Denon PCL-300 headshell with 6N silver lead-wire. Shure original USA SC35C. Audiocom-modified Sony X-777ES/DAS-R1 transport/DAC. Raspberry Pi-3 Model B and IQaudio Pi-DAC+/Paul Hynes SR3DR-05 linear PSU/Williams Audio NAS linear PSU. Heavily-modified Croft Charisma-X preamp. Stereo Coffee LDR. Head-amp: Paul Hynes design/SR5 PSU. Also modified Lentek. Tube Distinctions 50W Class A P/P Copper amp with cryo-treated Tung Sol KT150s. Speakers: 'Lockwood Majors', using 15" Tannoy Monitor Golds, modified with bespoke crossovers. Also Celestion Ditton 15XRs. Stands: Mana Acoustics (non-magnetic stainless steel 'clones’). Hi-Fi Racks Podium T/T wall shelf. Sony ST-5055L tuner. Cables: Furukawa EE/F-S 2mm & 2.6mm solid-core mains leads, fitted with Furutech FI-50 IECs and FI-1363Rs. Stereo interconnects: Sommer Carbokab 225 (with silver-plated MS Audio non-metallic POM RCAs). Speaker cable: VDH 'The Wind' Hybrid II. Digital coaxial cable: 1m Trompeter Electronics Triax TRC-75-2, with MS Audio ‘Starline' silver-plated RCAs. Mains block: Mark Grant 6-way, modded with Furutech FP-1363R sockets and Furukawa cable. Tube Distinctions digital noise filter. VPI HW 16.5 record cleaner.

  5. #5
    Join Date: Apr 2011

    Location: London

    Posts: 2,582
    I'm Robert.

    Default

    Only if they wont stop nattering

  6. #6
    Join Date: Apr 2012

    Location: Southall, West London

    Posts: 26,989
    I'm Geoff.

    Default

    Dunno. I normally have headphones on.
    Mr. Tact!

    Main system: MMs/ADCs/Low output MC's/One rare Japanese SUT/One scarce British phono stage/various tonearms/hefty Japanese DD TT and hefty Japanese BD TT and small British BD TT. 4 CD players/2 jitter buster/2 DACs/Valve buffer. TVC stepped attenuator or valve pre-amp or solid state pre-amp. Current dumping power-amp or either of two Class A SS power-amp or Class A EL34 valve monos or big Japanese (part Class A) integrated. Big dual concentric speakers/Smaller dual concentric speakers/Two way British compacts and full range speakers, amongst others. And too much more to list!

  7. #7
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 70,747
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by RobbieGong View Post
    Only if they wont stop nattering
    Or you invite this guy along:





    Marco.
    "A man is a success if he gets up in the morning and gets to bed at night, and in between he does what he wants to do". - Milan Kundera.

    "Your validity or worth are not defined or determined by the views of others with their own superimposed agendas". - Pharos (on AoS)

    My system:

    Modified Technics SL-1210MK5G/Mike New high-precision bearing & baseplate/Mike New ETP platter/Bruil record weight/Nagaoka GL602 crystal T/T mat. Paul Hynes SR7EHD PSU (plus regulator modules)/DCSXL pure-silver DC lead. Ortofon RS-212D tonearm/'Speedy Steve' custom-made Ebony armboard. Yannis Tome 423.5 Phono Silver-Litz tonearm cable, with Furutech CF-DIN(R) and Eichmann silver Bullet Plugs. Cartridges: Denon DL-S1 in AT MG-10 headshell with AT-6106 Quattro Hybrid lead-wire. Denon DL-103C1 in '103U' headshell with AT-609 silver lead-wire. Vintage Denon DL-103AU in AT-Ti15ANV Titanium Headshell. Shure M55E in Denon PCL-300 headshell with 6N silver lead-wire. Shure original USA SC35C. Audiocom-modified Sony X-777ES/DAS-R1 transport/DAC. Raspberry Pi-3 Model B and IQaudio Pi-DAC+/Paul Hynes SR3DR-05 linear PSU/Williams Audio NAS linear PSU. Heavily-modified Croft Charisma-X preamp. Stereo Coffee LDR. Head-amp: Paul Hynes design/SR5 PSU. Also modified Lentek. Tube Distinctions 50W Class A P/P Copper amp with cryo-treated Tung Sol KT150s. Speakers: 'Lockwood Majors', using 15" Tannoy Monitor Golds, modified with bespoke crossovers. Also Celestion Ditton 15XRs. Stands: Mana Acoustics (non-magnetic stainless steel 'clones’). Hi-Fi Racks Podium T/T wall shelf. Sony ST-5055L tuner. Cables: Furukawa EE/F-S 2mm & 2.6mm solid-core mains leads, fitted with Furutech FI-50 IECs and FI-1363Rs. Stereo interconnects: Sommer Carbokab 225 (with silver-plated MS Audio non-metallic POM RCAs). Speaker cable: VDH 'The Wind' Hybrid II. Digital coaxial cable: 1m Trompeter Electronics Triax TRC-75-2, with MS Audio ‘Starline' silver-plated RCAs. Mains block: Mark Grant 6-way, modded with Furutech FP-1363R sockets and Furukawa cable. Tube Distinctions digital noise filter. VPI HW 16.5 record cleaner.

  8. #8
    Join Date: Dec 2015

    Location: vancouver

    Posts: 642
    I'm danilo.

    Default

    Only when other people mess up the room balance.
    A few moving 200 lb lumps tends to do that
    My audio bits: Thorens / diy phono, CD/dvd player(s), diy pre, F6, Tannoy Golds in my boxes / my xovers, and of course all strung together with basic diy Wires
    Lots of Cd's, yet more audio files, a couple of hundred semi worn Lps.

  9. #9
    Join Date: Apr 2015

    Location: Central Virginia

    Posts: 514
    I'm Russell.

    Default

    Quote Originally Posted by Macca View Post
    In that situation if you ask someone what they want to listen to they always say 'Oh, anything.' So don't bother asking anymore. I figure if they really wanted to hear something in particular they would have brought it with them. I try not to cheat by playing 'audiophile' recordings. Don't have many of them anyway.

    Worst is when you go to some other enthusiast's gaff and it sounds so objectionable that you want to ask them to turn it down but you don't in case it is seen as rude. That's happened to me a couple of times. Not with anyone who is a member here though
    I have been there! Too many times I've been invited to someone else's house to hear their system, and it's terrible! And after torturing me, they look at me with that expression of wanting my approval. To which I usually answer it has potential! And of course the one guy who has all solid state Harman Kardon. So shrill to make the fillings in your teeth rattle! So, after being tortured by this guy, I invite him to my house to hear my stereo, and he refuses, says he already owns the best so no reason for him to hear anything else! What a pompous arse! I wanted to tell him slam off, but held my tongue and laughed to myself. I guess it's easy to own the best stereo in the world with an attitude like that.

    When it comes to entertaining others, if they pick something they want to hear that's good, but some folks just aren't into it. But I've got a few friends that come just to hear the stereo! They feel it is much cheaper to bring beer to my house than to have one of their own. Of course nothing pleases me more than for someone to come to spin records. With these people I worry less about content, and welcome their selections, they will pick something different from my regular rotation. But if I've got 4 people listening, then I feel more pressure to pick some Audiophile grade recordings. Either way, it's always a much different experience from listening by myself. And I do believe the stereo sounds better if I am alone. Much of the listening experience is psychological, we can try to separate ourselves from it, and be logical and objective, but what's the point?


    Sent from my iPad using Tapatalk

  10. #10
    Join Date: Apr 2015

    Location: Central Virginia

    Posts: 514
    I'm Russell.

    Default

    Quote Originally Posted by RobbieGong View Post
    Only if they wont stop nattering
    That's when you crank up the volume until you can't hear them!


    Sent from my iPad using Tapatalk

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