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Thread: Which country has the best hi fi industry in the world

  1. #61
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    Quote Originally Posted by Arkless Electronics View Post
    Oh there are, at the moment anyway, quite a few people "coming to me"... Business is on the up and up
    That's good Jez. Glad to hear things are improving.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  2. #62
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    Quote Originally Posted by Dynamics View Post
    I look on the shop websites to see what customers say
    User reviews are hopeless and not to be relied on at all. The 'reviews' are the opinions of people who could just be pleased with a new purchase because it seems better than the last piece of junk they bought. Their terms of reference could be anything or nothing.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  3. #63
    Join Date: Oct 2012

    Location: NE England

    Posts: 4,173
    I'm Jez.

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    Quote Originally Posted by walpurgis View Post
    That's good Jez. Glad to hear things are improving.
    Thanks Geoff I'm hoping it's not just a seasonal blip or some such but yep I'm doing ok at the moment.
    Arkless Electronics-Engineered to be better. Tel. 01670 530674 (after 1pm)

    Modded Thorens TD150, Audio Technica AT-1005 MkII, Technics EPC-300MC, Arkless Hybrid MC phono stage, Arkless passive pre, Arkless 50WPC Class A SS power amp, (or) Arkless modded Leak Stereo 20, Modded Kef Reference 105/3's
    ReVox PR99, Studer B62, Ferrograph Series 7, Tandberg TCD440, Hitachi FT-5500MkI, also FT-5500MkII
    Digital: Yamaha CDR-HD1500 (Digital Swiss army knife-CD recorder, player, hard drive, DAC and ADC in one), PC files via 24/96 sound card and SPDIF, modded Philips CD850, modded Philips CD104, modded DPA Little Bit DAC. Sennheiser HD580 cans with Arkless Headphone amp.
    Cables- free interconnects that come with CD players, mains leads from B&Q, dead kettles etc, extension leads from Tesco

  4. #64
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by walpurgis View Post
    User reviews are hopeless and not to be relied on at all. The 'reviews' are the opinions of people who could just be pleased with a new purchase because it seems better than the last piece of junk they bought. Their terms of reference could be anything or nothing.
    Indeed - and that's the whole point!

    Unlike, for example, here, when someone you've met and heard their system (often on numerous occasions), have conversed with on the forum for many months or years, and so have a good understanding of their sonic priorities, and whether they align with yours or not.

    I'm far more likely to listen to them, and perhaps buy something on the strength of their advice, than I would with some 'unknown entity' elsewhere.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #65
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Arkless Electronics View Post
    Thanks Geoff I'm hoping it's not just a seasonal blip or some such but yep I'm doing ok at the moment.
    Nice one, mate. Long may it continue!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #66
    Join Date: Feb 2017

    Location: Sussex

    Posts: 324
    I'm Simon.

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    Quote Originally Posted by walpurgis View Post
    User reviews are hopeless and not to be relied on at all. The 'reviews' are the opinions of people who could just be pleased with a new purchase because it seems better than the last piece of junk they bought. Their terms of reference could be anything or nothing.
    I agree you can't rely on them fully unto themselves as single reviews, but you have to understand that people who have bought the product have tried it and tried others, thought is it worth it for the price etc. You can rely on it if lots buy, as it's very persuasive of quality, just as you'd buy a focus if lots buy and not a Trabant. Or if people are eating the fish in a restaurant if it's just been caught etc. It's not junk either, as pmc or naim is not a junk brand for instance.

    I'd buy if magazines rate it - a number of magazines, if dealers sell a lot, if company websites have customers rating it, and then I go to the shop and I make my own mind up if this is true or not. If it is I buy, if I don't then it isn't in sink with others views. But I certainly wouldn't go to buy 'obscure or relatively unknown electronics' amp because all this information would be less. It's just common sense and within the sphere of audiophile offerings I think most people buy this way. But I somewhat agree you do get some people who go for any old crap.

  7. #67
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    Quote Originally Posted by Dynamics View Post
    You can rely on it if lots buy, as it's very persuasive of quality
    Lots buy Bose and swear it's the best. I don't think I'd be persuaded by that.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  8. #68
    Join Date: Feb 2017

    Location: Sussex

    Posts: 324
    I'm Simon.

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    Quote Originally Posted by Marco View Post
    With respect, Simon, that smacks of a sheep-like mentality (simply follow the herd, as they must know best), whilst applying zero lateral thinking, or indeed much thinking at all of your own, and it's the complete OPPOSITE of the approach we champion here on AoS.

    Who knows, the Lithuanian car in question might be great (just like Skoda are now, compared with what they were once like)? You simply don't know until you try (drive) the car in question for yourself, and exactly as it is with hi-fi, that's the *only* way you'll ever be sure that it's right for YOU, using your judgement criteria, not someone else's.

    Also, if all you want to know about is the likes of Linn, Naim or PMC, or whatever else dealers are 'shifting lots of', then I suspect you've joined the wrong forum. I'll get to your other post later, as right now I'm rather busy.

    Marco.
    No I know best, as I make the purchase decision, because I'd go and listen to the rated ones i mention and those that aren't as well, in the sphere of shop offerings, but what I can't do is drive to every unknown manufacturer or dealer with these unknowns because they will be few and far between and some way away and their distribution won't be so good. If they all did free trials or a nominal fee in postage costs, I'm right with them, but sadly I don't see many doing this. I go to audio t instead and trace out dealers of products being raved about by a decent number of people.

    Absolutely you are right the Lithuanian car may be better. But I'm not going to drive to Scotland or milies elsewhere to find the one dealer who sells them, and then go to another dealer who sells an obscure make miles away too. I'd check out my local garages, then I might go and pick up from them or a dealer nationwide.

    I'm happy to chat to people on this forum, but I do find this kind of obscurism shall I call it, rather odd. As by your own assertion its a person judgement, it's not about what is good, but different to the norm, so you cast out pmc etc because they sell a lot. That seems counter to your own position and shouldn't hi fi be non exclusive, that you say it's down to individual judgement. If the obscure is good buy it, if the common stuff is, buy it too. I'm just explaining the reality of what's possible with these products.

  9. #69
    Join Date: Feb 2017

    Location: Sussex

    Posts: 324
    I'm Simon.

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    Quote Originally Posted by walpurgis View Post
    Lots buy Bose and swear it's the best. I don't think I'd be persuaded by that.

    I'd agree but I'm not talking about Bose which are crap relatively speaking to audiophile brands - I'm talking about brands like pmc, harbeth, atc, spendor, naim, musical fidelity, etc. All very decent. I don't know what a lot of the brands in signatures are. But I could also say Bose are good for what they do, but most people on this forum have spent considerably more than a £1k Bose soundplayer on their hi fi.

  10. #70
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Dynamics View Post
    As by your own assertion its a person judgement, it's not about what is good, but different to the norm, so you cast out pmc etc because they sell a lot.
    I'm not 'casting out' anything. I happen to rate some of PMCs speakers. However, if a talented DIY-er, or small-time specialist speaker manufacturer, produced a design that to my ears was better (and worked better with my equipment), than the PMCs in question, then that's what I'd buy, and I'd care not a jot about who had the 'best established reputation', or how 'well reviewed' their equipment was.

    As for your comments about "obscurism", if you've read Our Ethos and followed the discussions here from regulars, you'll know that on AoS we champion the 'little guy', and also the weird and the obscure, simply because that's often where one finds truly great products. It's got to be *really* good though, not just simply obscure for the sake of it!

    Also, some of us (me included), providing it sounds superb and ticks all the right boxes, really enjoy owning bespoke-made equipment, designed and/or modified for us, thus making it unique, than something commercially produced in its 100s or 1000s. Almost every part of my system is like that, and that provides me with almost as much satisfaction than the fact that to my ears, it bests everything else I've heard so far, at a price I'm willing to spend.

    In fact, I actively go out of my way to BE DIFFERENT from the majority of people, as I hate having the same stuff as everyone else!!

    Anyway, I'm dodging between jobs at the moment, so will tackle some of your other points later.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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