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Thread: Tron Convergence, with Firebottle modifications.

  1. #71
    Join Date: Oct 2012

    Location: NE England

    Posts: 4,173
    I'm Jez.

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    Quote Originally Posted by topoxforddoc View Post
    Wow, the RIAA EQ on the TRON looks a great match to the RIAA standard on the curves. I'm not a designer, so please excuse me if every audio manufacturer gets them this close. Perhaps others on this forum could share their knowledge or even their data, so that we can all see.
    The Tron's not bad but most of my phono stages are considerably more accurate still than that.. +/- 0.05dB in most cases though I normally quote it as +/- 0.1dB

    I'm afraid I'm not about to go through the measurements again to make them into pretty graphs though!

    It needs to be born in mind though that a reverse RIAA eq network must be used to generate an inverse curve against which to measure the RIAA accuracy of a phono stage. this network must itself be very accurate indeed of course. I guess it could be generated digitally nowadays but I'm a traditionalist

    I rather doubt that the tiny inaccuracies of the Tron's eq would be sufficient to have any but a very minor effect on it's ability to reproduce a squarewave. As an aside here, if you pass a squarewave through a reverse RIAA generator (awkward it itself as a certain amount of HF bandwidth restriction must be used otherwise it will try to produce infinite treble boost!) and then feed this through a phono stage under test you should then see a squarewave out... the degree to which it's not square reflects the RIAA accuracy and it's a great quick test that it's in the right ballpark.
    Last edited by Arkless Electronics; 14-05-2017 at 19:34.
    Arkless Electronics-Engineered to be better. Tel. 01670 530674 (after 1pm)

    Modded Thorens TD150, Audio Technica AT-1005 MkII, Technics EPC-300MC, Arkless Hybrid MC phono stage, Arkless passive pre, Arkless 50WPC Class A SS power amp, (or) Arkless modded Leak Stereo 20, Modded Kef Reference 105/3's
    ReVox PR99, Studer B62, Ferrograph Series 7, Tandberg TCD440, Hitachi FT-5500MkI, also FT-5500MkII
    Digital: Yamaha CDR-HD1500 (Digital Swiss army knife-CD recorder, player, hard drive, DAC and ADC in one), PC files via 24/96 sound card and SPDIF, modded Philips CD850, modded Philips CD104, modded DPA Little Bit DAC. Sennheiser HD580 cans with Arkless Headphone amp.
    Cables- free interconnects that come with CD players, mains leads from B&Q, dead kettles etc, extension leads from Tesco

  2. #72
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by struth View Post
    yup they are working now.
    Yup, same here (now)

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #73
    Cityboy Guest

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    The reason for the post was that I've been reading about the Jez, FB and the nva phono stages and was interested to hear the outcome. The Tron has thrown me into further confusion.
    I'm using a fairly hopeless Project box with a 1210 at the moment and really don't want to get on the train of box swapping and the unnecessary expense of it all.
    Also, I don't drive, so any chance of a show is pretty much out of the question.
    So, if nothing else, can someone point me towards the correct thread on here?
    Thanks ��
    Last edited by Marco; 14-05-2017 at 21:16. Reason: Unacceptable comments removed

  4. #74
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    If you don't even know which thread you are referring to, why express an opinion on how the forum is run based on this thread you don't recall?
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  5. #75
    Join Date: Jul 2010

    Location: Cheltenham

    Posts: 982
    I'm Charlie.

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    Quote Originally Posted by Cityboy View Post
    The reason for the post was that I've been reading about the Jez, FB and the nva phono stages and was interested to hear the outcome. The Tron has thrown me into further confusion.
    David,
    It might help if you could let us know a bit more - available budget, cartridge and the rest of the system. Also future plans. Is this a final upgrade or have you been bitten by the hi-fi bug?

  6. #76
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Cityboy View Post
    The reason for the post was that I've been reading about the Jez, FB and the nva phono stages and was interested to hear the outcome. The Tron has thrown me into further confusion.
    I'm using a fairly hopeless Project box with a 1210 at the moment and really don't want to get on the train of box swapping and the unnecessary expense of it all.
    Also, I don't drive, so any chance of a show is pretty much out of the question.
    So, if nothing else, can someone point me towards the correct thread on here?
    Thanks ��
    David,

    Your remarks, dragging previous arguments here from a (now locked) thread elsewhere have been removed, which are both telling and unacceptable. Telling, because it indicates that you have an agenda against how this forum is run (perhaps also those who own or manage it) and thus *appear* to be here as an irritant, and unacceptable, because the thread was locked for good reason.

    As a newbie, I'm giving you the benefit of the doubt for now, for you to prove otherwise, rather than simply ban you outright. A word of advice: if you wish to remain here, then stay out of forum politics that has absolutely nothing to do with you, and concentrate *solely* on posting about hi-fi and music. The latter is the only acceptable reason for your presence.

    Now with that in mind, we'll help as much as we can with any genuine query you have in respect of phono stages, but it's with the understanding that no further reference whatsoever is made to the closed thread in question. Your failure to comply with that request will result in me not giving you the luxury of the benefit of that doubt.

    I trust I've made myself clear? Ok, let's talk about phono stages!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #77
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,321
    I'm Andrew.

    Default

    Quote Originally Posted by Cityboy View Post
    The reason for the post was that I've been reading about the Jez, FB and the nva phono stages and was interested to hear the outcome. The Tron has thrown me into further confusion.
    I'm using a fairly hopeless Project box with a 1210 at the moment and really don't want to get on the train of box swapping and the unnecessary expense of it all.
    Also, I don't drive, so any chance of a show is pretty much out of the question.
    So, if nothing else, can someone point me towards the correct thread on here?
    Thanks ��
    wtf?
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



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