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Thread: WTD: Hadcock tonearm

  1. #11
    Join Date: Nov 2013

    Location: HAMPSTEAD

    Posts: 1,156
    I'm brian.

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    The best sounding tonearm with a decca cart in 35 years of listening according to someone on this forum was with a mayware unipivital.
    I never forgot reading that and recently bought one of Paul (Monty) to go with my decca s.gold and the results have been stunning, the old adage
    of a veil being lifted from the music certainly applies here. Best £170 spent on hifi me thinks, and thy do come up on ebay for around 200 from time to
    as well. Would recommend a think on that Andy. best wishes

  2. #12
    Join Date: Jul 2010

    Location: Cheltenham

    Posts: 982
    I'm Charlie.

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    Brian,

    That's an interesting observation about the Mayware Formula IV. I remember these back in the late 70s/80s, as they were an exact contemporary of the Hadcock - better built, but perhaps a little less rigid, if my memory serves me correctly. Looked nicer too - very much like a modern Nima. The Hi Fi press at that time preferred the Hadcock to the Mayware for Deccas, but I'm sure that it would be an excellent match. Hard to find nowadays though.

    Charlie

  3. #13
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by topoxforddoc View Post
    The Hadcock isn't that difficult to sort out to be honest.
    No, but it is rather fiddly...

    When I had a (cryo'd) G242 Integra, it sounded great when it was (painstakingly) properly set up, but I couldn't get on with how when adjusting VTF, using the rear counterweights, it would inevitably knock out headshell azimuth, then when you got that right, VTF would be a little out again, and so forth...

    It's a recipe for neurosis, especially for an anal tweaker/set up perfectionist like me, and so one can spend more time fiddling than listening to music!

    Good shout on the Mayware, Brian.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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