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Thread: Reel to Reel Prices - are people just greeding about now??

  1. #11
    Join Date: Apr 2015

    Location: Central Virginia

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    I'm Russell.

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    Quote Originally Posted by topoxforddoc View Post
    There is a limited supply of high end studio machines as most were chucked in skips 20 years ago. So with supply and demand economics, prices are just going up.

    There are now over 500 legit titles available on 15 IPS 2 track 1/4 inch tape. The Tape Project will even do you a 30 IPS 1/2 inch copy if you are well heeled. Chad Kassam in the USA is now re-releasing a number of classic albums and is planning to continue this programme over time. In the USA and the Far East, there are plenty of people who will buy high quality tape at USD 300-450 a title. Before people choke at this cost just think how much some collectors will pay for a first pressing of a classic album in good nick - now that is truly crazy.

    So maybe, people in the UK may not spark off a R2R revival, but I think it is burning slowly elsewhere and catching on. I, for one, am completely hooked. I haven't spun my Platine Verdier for 2 months now.Much more exciting things to do, like check my recently arrived copy of Doors-LA Woman and Dylan's Blonde on Blonde

    Charlie
    Well that is interesting, I had no idea anyone was producing reel to reel recordings. But I can't say I'm surprised, if there is a demand, someone will want to fill it. Especially at those prices!


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  2. #12
    Join Date: Nov 2016

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    I'm Chris.

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    I recall seeing a reel to reel enthusiast that when asked what he puts onto tape his answer was CDs
    because once put onto tape they sound better.
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  3. #13
    Join Date: Sep 2013

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    Quote Originally Posted by Cas View Post
    I recall seeing a reel to reel enthusiast that when asked what he puts onto tape his answer was CDs
    because once put onto tape they sound better.
    Highly likely he is using DBX Type 1 to do so , or Dolby A
    Companding at work,simply doing what it is designed to do, which is to improve
    the ability to record, and the ability of playback.

    Cheers / Chris

  4. #14
    Join Date: Dec 2011

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    Quote Originally Posted by Light Dependant Resistor View Post
    Highly likely he is using DBX Type 1 to do so , or Dolby A
    Companding at work,simply doing what it is designed to do, which is to improve
    the ability to record, and the ability of playback.

    Cheers / Chris
    Why do you keep spouting this [ADMIN REMOVED], in this case you have no idea who the person is or what the record playback chain is. The only reason people ever tried DBx as a N/R system was it was cheaper than Dolby A or the technically superior Dolby SR. As for helping SQ on CD playback, this is just [ADMIN REMOVED].
    Last edited by PaulStewart; 01-05-2017 at 18:58. Reason: sorry, Paul, we don't allow that sort of confrontational language here

  5. #15
    Join Date: Sep 2013

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    Because its true, applying to Type 1 DBX and Dolby A, and it works in the case of Type 1 to improve CD playback as well
    If you give it a go, you will then appreciate what I am saying,

    Stereo Separation and bass reproduction in particular, but a far more analog presentation to CD is its benefit,

    Cheers / Chris
    Last edited by struth; 02-05-2017 at 11:38. Reason: Removed quote

  6. #16
    Join Date: Oct 2012

    Location: NE England

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    I'm Jez.

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    Quote Originally Posted by PaulStewart View Post
    Why do you keep spouting this in this case you have no idea who the person is or what the record playback chain is. The only reason people ever tried DBx as a N/R system was it was cheaper than Dolby A or the technically superior Dolby C. As for helping SQ on CD playback, .
    I'm afraid Chris has a habit of spouting [ADMIN REMOVED]... I believe a random technical sounding word generator virus has infected his PC.
    Last edited by struth; 02-05-2017 at 11:38. Reason: Sorry, Jez, you know the rules regarding such remarks. You can disagree or challenge someone without insulting them!
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  7. #17
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    Cut out the personal insults folks.
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  8. #18
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    Yes, you can argue a point perfectly well, without resorting to the use of such confrontational language.

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  9. #19
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    For those interested in The Tape Project:

    http://tapeproject.com/
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  10. #20
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    And a few more

    ABC Records (Jazz/Classical/Other) http://www.abcrecord.com
    Acoustic Sounds: www.acousticsounds.com
    Analog Mastering Services (Jazz/Rock/Classical) http://www.analogmaster.net
    *Analogy Records (Jazz/Rock/Classical/Other) www.analogyrecords.org
    Brilliance Music and Studios (in US, Contact Gary Koh at Genesis Advanced Technologies)
    *Dangerous Analog (Jazz/Classical) www.dangerousanalog.com
    Fone (Classical) see Elusive Disc
    Groove Note (Jazz/Classical/Other) see Elusive Disc
    Hemioliarecords.com http://www.hemioliarecords.com/index.php
    Horch House (Jazz/Classical) http://www.analogarts.net
    International Phonograph (Jazz) http://www.internationalphonographinc.com
    Lutz Precision/MPS-Music (Jazz/Rock/Classical/Other) www.mps-music.com
    MA Recordings ((in US, Contact Gary Koh at Genesis Advanced Technologies)
    Master Tape Sound (Jazz/Rock/Classical/Other) http://www.unitedhomeaudio.com
    Open Reel Records (Jazz/Rock/Classical/Other) www.openreelrecords.com
    **Opus 3 (Jazz/Rock/Classical/Other) see Elusive Disc (http://www.opus3records.com)
    Quinton Records (Jazz /Classical) http://www.quintonrecords.com
    STS-digitalshop (Jazz/Classical/Rock) http://www.sts-digitalshop.nl/
    The Tape Project (Jazz/Rock/Classical/Other) http://www.tapeproject.com
    Tone-Pearl Records (Classical) http://www.tonepearls.com
    Yarlung Records (Jazz /Classical/Other) www.yarlungrecords.com
    Ultraanalogue Records (Classical) http://ultraanaloguerecordings.com
    Patricia Barber (special order) Jazz) http://www.premonitionrecords.com
    Turntable - Garrard 401/Jelco 750L/Ortofon Kontrapunkt B, Pioneer PLC 590, Micro Sieki MA505 , Denon DL103R - DIY Paradise Phono stage - Reel 2 Reel Studer A810, Otari MX55,Tascam BR20, Revox A77, B77, PR99, TEAC X1000 & 3440, Digital HTPC / Young Dac - Preamp - DIY B4, 821, Power Amp's DIY Avondale NCC300 Mono Block, Speakers Wilmslow Kit Volt BM220.8 / Scanspeak D2905/9500

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