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Thread: Playing with RCA vs Balanced in my setup

  1. #91
    Join Date: May 2016

    Location: Much Wenlock

    Posts: 1,523
    I'm Gary.

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    Quote Originally Posted by JohnJo View Post
    Quote Originally Posted by Paul Stewart
    "When I was doing research into "Infra bass and perceptions of reality in sound staging", which followed on from something Graham Holiman started. We found that a lot of what we did was indeed measurable, but a lot of what the large group of test subjects perceived was not, both they and us the crew could hear the effect, without going into the full details of something thing that is a large corporations Intellectual property, I will say it took almost three years to work out what was actually going on.

    So when someone says they can hear what I can't measure, or I can hear it myself, my approach is to accept that people very probably, can detect the effect, then look for a new way in which this can be measured. That for me is proper exploring science. The closed minded "if I can't measure it, it isn't there" approach is not the attitude that made scientific advances, it's what has held science back."

    That's a cracking post from Paul. It has always seemed to me that different people *must* have different perceptions. If some say they can't hear differences in cables I believe them. But, for me, I can't help but hear differences. In fact I've never heard two cables that sound the same so there's something going on whether people quote science at me or not and I agree that keeping an open mind to these phenomena is imperative to aiding our understanding of what's going on here.
    Totally agree!

  2. #92
    RothwellAudio Guest

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    Quote Originally Posted by Marco View Post
    However, I simply don't buy the notion that it's *automatically* the case EVERY TIME someone hears something, which apparently contradicts the 'facts' contained inside some engineer's favourite text books [read as self-appointed 'indisputable fact bibles']!
    Neither do I. I thought I'd made that clear.

    Quote Originally Posted by Marco View Post
    And when that's the case, we need to delve into the matter further, with sufficient RIGOUR, and apply some lateral thinking, rather than simply dismissing it out of hand as 'imagined', due to expectation bias, placebo or whatever. That is fundamentally NOT the way for us to genuinely learn.
    I agree entirely. I thought I'd made that clear too.


    Quote Originally Posted by Marco View Post
    Furthermore, how "rigorous" should folk be on a hi-fi forum, when simply relating their SUBJECTIVE experiences, for the consideration of others?
    Maybe about as rigorous as you're suggesting in the quote above?

    I have no idea what we're disagreeing about

  3. #93
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol - who says we're necessarily disagreeing? All I see is the sharing of confidently expressed opinions!

    In terms of the 'rigorous' bit though, what I'm getting at there is that *no-one* is duty bound to 'prove' anything that they've merely reported as a subjective experience. Only stuff being portrayed as FACT needs 'proving'.

    Otherwise one simply shares views and experiences, informally, for others to consider or dismiss as they see fit. There's no onus on people to do otherwise, as indeed some wrongly insist upon on, on other forums.

    Level-matched, double-blind testing, before anything heard is considered as real, is NOT the norm, and simply the domain of obsessive 'measurists', keen to skew otherwise potentially valid observations to conform with their belief system.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #94
    RothwellAudio Guest

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    Quote Originally Posted by Marco View Post
    In terms of the 'rigorous' bit though, what I'm getting at there is that *no-one* is duty bound to 'prove' anything that they've merely reported as a subjective experience. Only stuff being portrayed as FACT needs 'proving'.
    Fair enough - I won't disagree with that

  5. #95
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Cheers

    Now, I'm off to do some work for a change! L8trs

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #96
    Join Date: Jan 2013

    Location: Carlisle - UK

    Posts: 1,982
    I'm Ken.

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    Quote Originally Posted by Barry View Post
    Not a noticable improvement as such. I just like the idea of balanced circuitry and thus balanced-line interconnects; so it is a satisfying completion of an ambition.

    It is my aim to have my system completely balanced from source to speaker. At the moment my CD player has balanced outputs, and my pre- has balanced inputs as well as outputs, as do my monoblock power amps. Since pick-up cartridge are essentially balanced components, I'm looking for a balanced phonostage.
    The Pro-Ject Phono Box RS has both XLR and Phono inputs/outputs for convenience, but is a full dual differential circuit and works best on the balanced XLR's.
    It has lots of adjustment, including on the fly cartridge loading from 10 to 1200 ohm, plus multiple gain settings, so will work with virtually any cartridge from MM to LOMC.

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