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Thread: Sme headshell :please help me identifying this one

  1. #1
    Join Date: Nov 2013

    Location: Belgium

    Posts: 152
    I'm Chris.

    Default Sme headshell :please help me identifying this one

    Hi

    Does anyone know what model is this one?
    Usually sme headshell are drilled , this one is plain.
    Thanks

  2. #2
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    If I'm correct, that's an early one from the sixties. SME offered the perforated headshell in the pursuit of lower mass, when high compliance MM cartridges appeared, like the Empire, Shure, Ortofon and ADC top of the range models around 1970.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  3. #3
    Join Date: Nov 2013

    Location: Belgium

    Posts: 152
    I'm Chris.

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    Thanks...it looks very neat for a 50 years old lady ..

  4. #4
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,042
    I'm openingabottleofwine.

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    The later perforated headshell is called the S2, however surprisingly the forerunner, the un-perforated headshell depicted is known as the S3. It might be that because the SME arm was developed with the Ortofon SPU in mind and initially sold without a headshell, the first (empty) headshells offered were the 'whale-shaped' Ortofon G-type headshell made for SME by Ortofon, and possibly refered to by SME as the S1

    There are other rare variants of the S2. One has the cartridge fixing holes elongated into slots, and some were specially rebadged for cartridge manufactures: the "Shure SME" for example, and a rare silver-coloured version made for Radford and badged as such, for use with the B&O SP cartridges Radford imported at the time.




    (Note reference to 'a lightweight aluminium shell'.)
    Last edited by Barry; 10-04-2017 at 14:04. Reason: images added
    Barry

  5. #5
    Join Date: Nov 2008

    Location: belgrade serbia

    Posts: 840
    I'm gordan.

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    how do you actually align the cartridge with fixed holes? or you are limited to a particular pickup?

    it would be crazy if you would need to do it with adjusting the pivot but....
    Gordan.
    Speakers: Oris Swing MkII
    Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
    Preamp: Silver AVC by eng. Ferenc Lazar
    Phono Preamp: Shishido LCR by Solaja Audio
    Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
    Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
    Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
    Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
    Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
    Wires: of sufficient length

  6. #6
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,042
    I'm openingabottleofwine.

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    Quote Originally Posted by anubisgrau View Post
    how do you actually align the cartridge with fixed holes? or you are limited to a particular pickup?

    it would be crazy if you would need to do it with adjusting the pivot but....
    They are SME headshells, designed to partner the SME 3000 Series arms, which use a sliding bedplate to achieve the correct overhang.
    Barry

  7. #7
    Join Date: Feb 2013

    Location: W Lothian

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    I'm Grant.

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    Quote Originally Posted by Barry View Post
    They are SME headshells, designed to partner the SME 3000 Series arms, which use a sliding bedplate to achieve the correct overhang.
    Very good system it is too. Makes life easier
    Regards,
    Grant .... ؠ ......Don't be such a big girl's blouse

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  8. #8
    Join Date: Apr 2012

    Location: N E Kent

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    I'm Geoff.

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    Like this.

    It is impossible for anything digital to sound analogue, because it isn't analogue!

  9. #9
    Join Date: Nov 2008

    Location: belgrade serbia

    Posts: 840
    I'm gordan.

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    Quote Originally Posted by struth View Post
    Very good system it is too. Makes life easier

    i would never think so but you are right.
    Gordan.
    Speakers: Oris Swing MkII
    Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
    Preamp: Silver AVC by eng. Ferenc Lazar
    Phono Preamp: Shishido LCR by Solaja Audio
    Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
    Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
    Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
    Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
    Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
    Wires: of sufficient length

  10. #10
    Join Date: Oct 2015

    Location: Woodmancote, West Sussex

    Posts: 1,629
    I'm Ian.

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    I'm using an Ortofon 2M Black in my 3009 S2 and it was so much easier to set up than when I had the same cartridge in a Linn Ittok. I really like the SME, and their factory is just down the road from me so face to face negotiations can be had.
    Turntable
    Toshiba SR-370/Mission 774/Van Damme cable with MS Starline plugs/Ortofon Quintet Black
    CD
    Cambridge CXC transport/modified Musical Fidelity X-DAC/modified Musical Fidelity X-10 V3 tube buffer
    Network Player
    Cambridge NP30
    Amplifier
    Denon HA-500 head amp/Nakamichi CA-5E pre-amp/Chinese passive RVC/Proton AA-1150 DMC power amp
    Speakers
    Mordaunt Short Signifer on original factory stands
    Cables
    Mogami with Rean Neutrik plugs/NVA LS5
    Headphones
    Sennheiser HD600/Sennheiser HD650/Koss Pro4 AA

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