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Thread: Why vinyl took the nose dive in the late 1980s - early 1990?

  1. #71
    Join Date: May 2010

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    Quote Originally Posted by Marco View Post
    [...] simply because as humans, when we're exposed to it, analogue sound has something intrinsically 'right' about it that digital simply doesn't deliver.
    OK, you have to set your story straight, man. In some other threads you are raving about how a properly set digital chain sounds literally indistinguishable from a properly set analogue chain (and vice versa). You seem to swear by that paradigm. But now we hear you claiming that 'analogue sound has something intrinsically 'right' about it that digital simply doesn't deliver'. So which is it -- are the two formats equal, or is one superior to the other? (you know my answer to that, but I'd like to hear your honest answer)
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

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  2. #72
    Join Date: Jan 2008

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    Quote Originally Posted by magiccarpetride View Post
    OK, you have to set your story straight, man. In some other threads you are raving about how a properly set digital chain sounds literally indistinguishable from a properly set analogue chain (and vice versa). You seem to swear by that paradigm. But now we hear you claiming that 'analogue sound has something intrinsically 'right' about it that digital simply doesn't deliver'. So which is it -- are the two formats equal, or is one superior to the other? (you know my answer to that, but I'd like to hear your honest answer)
    Lol... I never said "literally indistinguishable". Now you're putting words in my mouth. What I said in other threads was that when the quality of vinyl and digital playback equipment is equalised, the differences in sound between both formats is small, to the point that sometimes you can forget whether you're listening to a record or CD.

    However, differences still exist, and I'm on record here as ultimately preferring vinyl because, to my ears, there *is* something more 'intrinsically right' with how it treats recorded music, compared with CD. Therefore, my overall preference is still for analogue sound, at its best!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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  3. #73
    Join Date: Aug 2009

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    I'm not meaning to sound snobbish about it. The important thing is that people listen to music and get off on it. Even if the delivery mechanism is the equivalent of chicken ding. The day no-one is into music anymore will be the last day.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  4. #74
    Join Date: May 2010

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    I'm Alex.

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    Quote Originally Posted by Marco View Post
    Lol... I never said "literally indistinguishable". Now you're putting words in my mouth. What I said in other threads was that when the quality of vinyl and digital playback equipment is equalised, the differences in sound between both formats is small, to the point that sometimes you can forget whether you're listening to a record or CD.

    However, differences still exist, and I'm on record here as ultimately preferring vinyl because, to my ears, there *is* something more 'intrinsically right' with how it treats recorded music, compared with CD. Therefore, my overall preference is still for analogue sound, at its best!

    Marco.
    Thanks for the clarification. I now realize I misread those posts. I have yet to experience this equalized situation, where I'm not sure whether it's analog or digital playing, but I'll take your word for it. (maybe if I'm listening from a different room, but if I'm sitting in a sweet spot, there's no way that I won't be aware of what's playing; and I'm not referring to surface noise or absence of it thereof!)
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  5. #75
    Join Date: May 2010

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    Quote Originally Posted by Macca View Post
    I'm not meaning to sound snobbish about it. The important thing is that people listen to music and get off on it. Even if the delivery mechanism is the equivalent of chicken ding. The day no-one is into music anymore will be the last day.

    When I was a tiny-weeny little kid, I heard, for the first time ever, the Beatles "A Hard Day's Night" song on my grandma's crappy kitchen radio. I remember distinctly how transfixed my entire little body was upon hearing that sound.

    I honestly doubt that I'd be as equally (or even as marginally) transfixed if, by some fucked up back-to-the-future freak accident my grandma was listening to the Beatles on her iPhone back then.
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  6. #76
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Quote Originally Posted by Macca View Post
    I'm not meaning to sound snobbish about it. The important thing is that people listen to music and get off on it. Even if the delivery mechanism is the equivalent of chicken ding. The day no-one is into music anymore will be the last day.
    I agree, but it would be interesting to show those folk how their music could sound when reproduced by better equipment, which needn't necessarily be expensive, and if done, I suspect that their changed perspectives would for some alter how they chose to listen to music in future.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #77
    Join Date: Jan 2013

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    Vinyl must always be kept alive to show other generations what true audiophile sound quality is. It is the benchmark for ALL music reproduction.
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  8. #78
    Join Date: Apr 2012

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    Quote Originally Posted by Jimbo View Post
    Vinyl must always be kept alive to show other generations what true audiophile sound quality is. It is the benchmark for ALL music reproduction.
    Trouble is, most folk wouldn't give a toss about "audiophile sound quality". In fact I reckon the majority don't know what it means and probably have never heard the term. Many people not even knowing that there are 'different grades' of sound quality. Cynical maybe, but reality I think.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  9. #79
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    Quote Originally Posted by Marco View Post
    I agree, but it would be interesting to show those folk how their music could sound when reproduced by better equipment, which needn't necessarily be expensive, and if done, I suspect that their changed perspectives would for some alter how they chose to listen to music in future.

    Marco.
    But that is the point. CD and now other digital media is doing just that.

  10. #80
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    Quote Originally Posted by walpurgis View Post
    Trouble is, most folk wouldn't give a toss about "audiophile sound quality". In fact I reckon the majority don't know what it means and probably have never heard the term. Many people not even knowing that there are 'different grades' of sound quality. Cynical maybe, but reality I think.
    most dont seem to care too much. and by that i mean everyone. we are the oddities
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