Analogue resurgence in photography

[Barry]

It’s not just vinyl that is making an analogue comeback, it seems that film photography is also enjoying a resurgence of interest.

Film photography suffered a near total fatality with the introduction, firstly, of affordable digital cameras and then with the introduction of smart phones. This has meant that an industry, which once processed nearly a billion rolls of film a year, now has a turnover of only 2% of what it once was.

However the good news is that Kodak is to start remanufacture of Ektachrome slide film, in both 35mm and 120 formats.

http://www.amateurphotographer.co.uk...comeback-99315


I’m sure this is not news to fellow photography enthusiasts here, but it was new to me.

Now I hope Kodak will consider remanufacture of Kodachrome, but I’m not holding my breath!

[walpurgis]

Hmm. Should I dig out my old Pentax 35mm SLR kit?

[Haselsh1]

Very interesting Barry. I recently moved to a full frame DSLR and can now do things I once could only do with full frame film. Because of this move I have just this week sold off my last SLR camera and motordrive.

[Audio Al]

I Have a lot of film cameras

[Paul-H]

Sold all my Hasselblad gear and Darkroom equipment quite a few years ago when quality digital became available and never looked back, OK if I needed to make 40x60 inch enlargements I would look to MF again but nowadays A3 is the biggest print I need and the low cost of Digital beats the cost of Analog production every time, especially in colour output, I do miss the quality B&W that the wet process produced which ink jets just don't reach yet but don't miss all the hours work in the Darkroom just to produce one masterpiece.

[Haselsh1]

What really pisses me off with digital output is that I almost entirely work in black and white and digital is pink, green or blue. When I say black and white, I bloody well mean black and white. For Christ's sake digital, catch up with reality...!!

Even using a digital print agency such as Redcliffe Imaging the clouds are never quite black and white. This is just not good enough.

[Haselsh1]

Sold all my Hasselblad gear and Darkroom equipment quite a few years ago when quality digital became available and never looked back, OK if I needed to make 40x60 inch enlargements I would look to MF again but nowadays A3 is the biggest print I need and the low cost of Digital beats the cost of Analog production every time, especially in colour output, I do miss the quality B&W that the wet process produced which ink jets just don't reach yet but don't miss all the hours work in the Darkroom just to produce one masterpiece.

I sold off my medium format gear years ago as I found it way too limiting compared to 35mm and its extensive choice of lenses. Now I use full frame digital I have the same choice of lenses with some extreme compositions but with the clarity of digital. I am very happy with things as they are at the moment. Apart from monochrome digital prints.