Don't you just hate it when you cannot detect where the post ends and a signature line begins?
Alex.
Far out!!
It is impossible for anything digital to sound analogue, because it isn't analogue!
Location: gone away
Posts: 4,870
I'm joe.
What was the quote from Nietzsche you recently had as your signature? Ah, yes: “You have your way. I have my way. As for the right way, the correct way, and the only way, it does not exist.”
And the long list of equipment that follows your signature might lead some to wonder to what extent your own 'purist' ideas are borne out by your choice of kit!
Joe, my previous signature isn't relevant here, as its message only applies where there exists a degree of ambiguity, and in the example I've given, there is none. When black is black, it's black, and when white is white, it's white.
As far as my 'long list of equipment' goes, I've no idea what relevance that has to your comment. It's simply (for reference purposes) a detailed list of everything I've got that *sometimes* is in use - it's not all used at once!
More importantly, your penchant for popping up now and then, simply to have a dig, is becoming a little wearing, so give it a rest.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
The issue with CD is the fact the master has to be rendered and dithered to 16 bits. All DAW's work at 32 bits internally and most audio at 24 bit. When this 24 bit master is put on LP it translates well since it does not need bit reduction and it seems to keep its open richer sound. Only issue with LP is running time. The album needs to be 45 mins max. CD holds more audio but the 24 bit has to be dithered and then it can sound restrained and lacking dynamics. Also using compressors to make it 'hot' does not help re the loudness wars. Louder with compressors always sounds better at first until you hear all the dynamics have been squashed but 99% of people dont care about that on their smart phone ear buds.
Last edited by swampy; 29-03-2017 at 10:33.
David.