Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: gone
Posts: 11,519
I'm gone.
Perhaps weirdly I prefer CD to vinyl. I do think it is much easier to get a non-fatiguing sound from LP, warts and all, but when you get digital right, it wins for me. Lower noise, better channel separation, more dynamic range, better slam and bass, but as mentioned difficult to get the beguiling dynamic contrast, 3D soundstage, and natural midrange / top end / harmonics of a good record player.
...the bigger issue IMHO is down to mastering, especially digital remasters. They often sound far too "hot" and fizzy (compressed) on CD, which gives the LP an unfair advantage.
Mana Acoustics Racks / Bright Star IsoNodes Decoupling >> Allo DigiOne Player >> Pedja Rogic's Audial Model S DAC + Pioneer PL-71 turntable / Vista Audio phono-1 mk II / Denon PCL-5 headshell / Reson Reca >> LFD DLS >> LFD PA2M (SE) >> Royd RR3s.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Here is an interesting 'experiment' in which a select group of testers were subjected to the blindfold test to ascertain which digital format is preferred -- lossless or lossy. Surprisingly, lossy format won:
http://archimago.blogspot.ca/2013/02...lind-test.html
Don't you just hate it when you cannot detect where the post ends and a signature line begins?
Alex.
Location: Stäfa (near Zürich), Switzerland
Posts: 308
I'm Richard.
Of the material I have in both formats, which sounds best depends on the mastering I think. Both can sound fantastic, but in general a high quality vinyl replay system costs more than a similar quality cd replay system. However,a Lenco L70 I recently bought for chf70 and threw a dl-110 into is challenging even this statement currently
Vinyl is technically worse. Therefore it sounds better.
Just taking the piss a bit.
However, there is a mass of truth in that piss taking statement.
Sound quality isn't related to technical prowess in all circumstances by any means. Some tracks love complementary distortion. Only problem is the same distortion traits won't work across the board.
I don't use technically accurate digital because I like messing around with distortion injection via valve rolling.
Choose your poison based on what you have learned to like.
In fact, choose your distortion. I like the distortion inherent in valves and vinyl even though I know they are technically wrong. Music played through this medium stimulates my soul and heart and my brain forgets everything else.
When I listen to digital in its purest form I find it stimulates my brain but leaves my soul cold.
We live in a distorted world and we somehow feel more comfortable with this than cold clinical technically perfect digital.
I would rather wonder through the magic mushroom forest of valve induced euphoria rather than the cold steel city of digital perfection.
I better stop taking this stuff.....
Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702
Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2
Fuck off Jim how much is it and can you get me some?
Just winding up the politicians you understand