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Thread: Describe differences in LP playback vs CD playback

  1. #61
    Audio Al is offline Pishanto Specialist & Super-Daftee
    Join Date: May 2012

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    I'm Allen.

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    Quote Originally Posted by Marco View Post
    Then you have a shit CD player, daftee, sorry (and same applies to anyone else who thinks the same)!

    Marco.


    I have several good quality CD units Including a ex BBC radio 2 Technics and several stable platter pioneers / Sony and Marantz
    [

  2. #62
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

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    I'm Shaun.

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    Quote Originally Posted by Marco View Post
    Hi Shaun,

    Fancy having a go at this:







    Marco.
    OK, one has more depth to the bass and goes lower but one has more slam and solidity. One shows much more micro detail, one doesn't. One has a gloriously deep and wide midrange whereas the other produces a more detailed midrange. The high frequencies of one are very precise without offending but the other is way more realistic. In fact, one has an outstanding sense of realism whilst the other does not. If I had to force a choice between them my choice would be vinyl, then again...

  3. #63
    Join Date: Dec 2008

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    I'm Shaun.

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    To reply to the comparison between motorcycles, I have owned around six different Ducati's over the years and I would agree with the statement made. If there ever could be a comparison it would be with digital sound

  4. #64
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Audio Al View Post


    I have several good quality CD units Including a ex BBC radio 2 Technics and several stable platter pioneers / Sony and Marantz
    Ok, let me rephrase that: then either they're broken, or yer lugs are!

    Why? Because none of those (rather excellent) players you've mentioned make CD sound "thin and lifeless" [your words earlier].

    I think you should just say that you prefer vinyl, which is cool, and leave it at that, rather than make gross statements of pishanto, which only serve to confirm your status as a super-daftee!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #65
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Haselsh1 View Post
    OK, one has more depth to the bass and goes lower but one has more slam and solidity. One shows much more micro detail, one doesn't. One has a gloriously deep and wide midrange whereas the other produces a more detailed midrange. The high frequencies of one are very precise without offending but the other is way more realistic. In fact, one has an outstanding sense of realism whilst the other does not. If I had to force a choice between them my choice would be vinyl, then again...
    Interesting, and I agree with much of that

    However, what I wanted you to consider, after making your comment about them being quite different, is that as you improve either your CD player or turntable, and bring the performance of both closer together, the differences you've highlighted become much less apparent, until you get to the stage where, quite honestly, it's difficult to tell them apart, and without looking, you can forget if you're listening to a record or a CD....

    That's where others and I are at, and what I discovered during my 'journey' to get there.

    So what's my point? Well... Perhaps some of the areas you mentioned, where you claimed that CD or LP was superior to the other, may not be inherent in the format itself, but rather instead due to the present limitations of your respective playback equipment.

    Just something for you to ponder, which you may discover for yourself on your own 'hi-fi journey', when over the course of time, improving both your CD and vinyl sources

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #66
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

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    A lot of CD players are not very good but even a budget one should sound pretty capable. Not equal to a quality turntable set up but still good enough that you can listen to it for hours without any issues. The problem is that a lot of pre-amps are also not very good and kill the benefits of CD by adding noise and distortion to the signal. Obviously a better pre-amp will improve your vinyl sound too, but a weakness in the pre-amp will not render vinyl unlistenable in the way it does with CD.

    That my experience, anyway.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  7. #67
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Yeah sure, that can definitely be a contributory factor.

    My belief too, is that much [but not all] of what many like about LP playback (vinyl) replay, which creates its, shall we say, 'easy-going sound', is down to established euphonic distortions, but which are gradually ameliorated as one improves a vinyl front end, to the point that it brings it closer to the sound of a well-sorted, quality CD player.

    After which you're left with the areas where there *are* indeed advantages with both (analogue or digital), in terms of how embedded musical information is retrieved from their respective formats, but whilst significant, those are much more subtle, hence why the very best CD players and turntables can sound remarkably similar.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #68
    Join Date: Dec 2008

    Location: East Riding of Yorkshire these days

    Posts: 4,779
    I'm Shaun.

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    Quote Originally Posted by Marco View Post
    So what's my point? Well... Perhaps some of the areas you mentioned, where you claimed that CD or LP was superior to the other, may not be inherent in the format itself, but rather instead due to the present limitations of your respective playback equipment.

    Marco.
    What I certainly do think is that the differences I can clearly hear are due to the inherent characteristics of either my turntable or my DAC. My equipment is limited in the same way that everyone else's is limited so I think it is down to characteristics.

  9. #69
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I absolutely agree, but my point is when you get further up the ladder (both in terms of CD players and T/Ts), and those limitations are minimised, so are the differences between good CD and good vinyl

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #70
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

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    Quote Originally Posted by Marco View Post
    I absolutely agree, but my point is when you get further up the ladder (both in terms of CD players and T/Ts), and those limitations are minimised, so are the differences between good CD and good vinyl

    Marco.
    I'd say that would depend on the recording. Some recordings sound almost indistinguishable on a good TT/digital transport. Others sound very different when played back on the exact same configurations. Interesting conundrum.
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

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