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  1. #1
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,885
    I'm Adrian.

    Default My new Little Fwend

    I saw this marvel of Norwegian engineering mentioned in a post a while back - the Little Fwend tonearm lifter, and it got my attention.

    I hate worrying about being there to raise the arm at the end of a side, it complicates things when you're working while listening or lost in a reverie. So I ordered one.

    It arrived yesterday in the most functionally perfect packaging I've ever seen - suspended in a crafted H frame wooden case. The lifter is beautifully made and oozes care and attention to functionality with style. Fitting it to the deck was a doddle, and as I waited for the first side of an album to finish I watched, expecting done mishap. But no - as the stylus moved towards the label it rose as if by magic without a sound or wobble.

    I then continued to enjoy my new found freedom - getting on with paperwork at my desk knowing the little fwend would take care of things.

    Yes, it's expensive at €200 - but for peace of mind it's worth it.

    Here's a pic from the net - will post one of it on my deck later.


    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

  2. #2
    Join Date: May 2010

    Location: Worcestershire, UK

    Posts: 1,101
    I'm Rob.

    Default

    The epitome of "almost too expensive".
    Rob.
    Powered by crossed fingers and clenched buttocks

  3. #3
    Join Date: Apr 2015

    Location: Southampton, United Kingdom

    Posts: 619
    I'm Paul.

    Default

    "too expensive"
    Linn Sondek LP12, Ittok, AT-F7
    Schiit Mani MK1 Phono Pre-Amp
    Nobsound NS-08P Bluetooth pre-amp
    Marantz CD5004 CD Player
    Pure DAB tuner
    2 x Meridian 205 monoblock power amps
    Tannoy T225 "Mayfair" speakers
    www.paulridgeblog.com

  4. #4
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

    Default

    Quote Originally Posted by ReggieB View Post
    The epitome of "almost too expensive".
    Nah, the name itself is worth the price of the admission.
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  5. #5
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,885
    I'm Adrian.

    Default

    At 5% the cost of my cart and the protection it offers it I think it's worth it.
    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

  6. #6
    Join Date: Nov 2008

    Location: belgrade serbia

    Posts: 840
    I'm gordan.

    Default

    Quote Originally Posted by farflungstar View Post
    At 5% the cost of my cart and the protection it offers it I think it's worth it.
    absolutely, not once i forgot to lift the arm to find that out only an hour or so later...
    Gordan.
    Speakers: Oris Swing MkII
    Amps: Thomas Mayer 300b/ Hiraga La Maison de L'Audiophile 20
    Preamp: Silver AVC by eng. Ferenc Lazar
    Phono Preamp: Shishido LCR by Solaja Audio
    Decks: Garrard 301 Martin Bastin reworked/plinthed with Fidelity Research FR64fx
    Garrard 401 in eng Ferenc Lazar solid wenge plinth with SME 3012/2
    Cartridges: SPU Spirit/ Koetsu Black revisited by eng. Salai/ Miyajima Shilabe
    Step Up Transformers: Tango MCT 999/ Ortofon T-5000/ Lumiere SUT
    Digital: Shigaclone by eng. Ferenc Lazar with Lampizator Amber II
    Wires: of sufficient length

  7. #7
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

    Default

    Quote Originally Posted by anubisgrau View Post
    absolutely, not once i forgot to lift the arm to find that out only an hour or so later...
    The run out groove of a record has no modulations, so imposes little wear on a stylus.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  8. #8
    Join Date: May 2010

    Location: Worcestershire, UK

    Posts: 1,101
    I'm Rob.

    Default

    "almost"
    Rob.
    Powered by crossed fingers and clenched buttocks

  9. #9
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,885
    I'm Adrian.

    Default

    I have a couple of records that have a soft click or some other noise in the final groove - I've never forgotten to lift the arm but the relief of not having to worry about it is great.
    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

  10. #10
    Join Date: Feb 2008

    Location: Sunny (occasionally) Devon

    Posts: 1,716
    I'm Shane.

    Default

    A gentleman I once worked for who ran a well known Hot record store in Plymouth once went on holiday for a fortnight leaving a TD150/Shure M75ED running in the runout groove of a record. The record was visibly worn, but the stylus was fine.
    Time flies like an arrow.
    Fruit flies like a banana.

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