what is the best shape, and type of room for audio reproduction?
ie, long, narrow,high cielings, window, bay windows, etc.
describe your own, and what seems to work in your house.
what is the best shape, and type of room for audio reproduction?
ie, long, narrow,high cielings, window, bay windows, etc.
describe your own, and what seems to work in your house.
one I can have to myself, at least some of the time, I'll work with any problems it has.
sod the hi-fi, listen to the music
Given recent input from certain parties, how about a padded cell?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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Well, you don't want to duplicate the dimensions. The length vs the width vs the height should all be different. Most people put their speakers in front of a short wall. Some people will tell you a long wall is better. Those that do must have very large rooms cause in most rooms you'd be sitting awfully close to your speakers or with little room behind them or behind you, maybe both, and that's not good. Your speakers should be out from the corners and away from the walls but not by the same distance. You should sit between them at the apex of an equilateral or equidistant triangle with the speakers toed in more or less. Toe in is subjective. But, you were asking about the room. Besides, you probably already know that stuff. I say a rectangular room is best with speakers in front of a short wall and as little bulky furnishings in your listening space as is possible. That's my story and I'm sticking to it.
Hear your music, not your speakers
A spherical room would easily be the best, however in real life terms it's almost impossible to achieve. As Jim said, any room with unique measurements per dimension, non-parallel walls are ideal (My lounge has four non-parallel walls) and carpet rather than hard floors, several surfaces, plenty of soft furnishings and somewhere to sit.
Ben Duncan mains conditioner
2022 MacBook Pro 14" M1 Pro 10/16/16/16
Samsung QE75Q90T 75" QLED TV
XMOS DSD Async USB to Coax converter
RME Audio ADI-2 FS (AK4493) DAC
Chord Clearway XLR interconnects
Audioquest Crimson USB interconnect
QED Quartz Reference optical interconnect
Edifier S3000 Pro active speakers
Atacama SE24 stands
I'm surprised at Jim's recommendations for speaker placement. There cannot be a general rule as there are too many different types.
Back-to-the-wall Briks, SBLs & Saras
Rear ported well away from rear wall.
Front ported less fussy
Corner horns !!!!!!
Each manufacturer of each type has their own recommendation; then there's size to take into account; etcetera, ad nauseum.
I read once that the ideal listening room doesn't have any parallel sides; not something found (or even redesigned to be) in your average dwelling.
This philosophy holds water when you condider the adverse effects of standing waves.
Ceilings? My 10 foot high Victorian ones a few years ago were excellent with Briks, SBLs. Epos, Rogers and ProAc.
Anything less that your customary 8' 1'' starts to get tricky with anything but bookshelf type speakers, I feel
It wasn't evident that I was refering to front firing box speakers. My bad. But the rule, and it didn't originate with me, DOES generally apply other than for corner speakers and room nodes and wall and boundary reinforcement is the reason. Some older speakers are designed to be placed with their backs on the wall. I wouldn't be talking about those either.
Last edited by jimdgoulding; 29-04-2008 at 23:00.
Hear your music, not your speakers
Guitar shaped tables, guitar shaped plug block... I think a guitar shaped room is the next logical creation for Music Works.
Come the ReVolution...
This sounds like a room that could have been created by Anton Gaudí.
http://www.red2000.com/spain/barcelon/phgau.html
Guitar-shaped room, eh? Saw one of these in a vile inn once (terrible place!)
Not too difficult to acquire if you pull a few strings! AND get a bridging loan!