Originally Posted by
Tolstoi
Hello,
last week my London Decca Super Gold arrived. Yes, I'm fascinated by the sound. Coming from an MC I instantly noticed how loud it is. I had to turn back the volume immediately. After the first two records you could be tempted to think that this cartridge can be too much - too vivid and overwhelming, but that impression gets settled soon and you just enjoy the performance.
The build quality is a little on the DIY side at least visually, but that's quite charming too nowadays, isn't it? The cartridge moves in the Decca Pod if you fiddle with the headshell wires. I expected the pod to be fastened tightly to the cartridge.
The sound is incredible. I've got it set up on a SL-110 with a 12" Jelco. Wide soundstage, details I've never heard before and bass, a lot of it. Double bass sounds fantastic, electric bass too. Drums, snares, high hats - all there. But you also get a smoothness in playback which is really pleasant. Leonard Cohens picking on the guitar is reproduced very detailed. Can't wait to get Nick Drakes Five Leaves Left on vinyl.
One thing I noticed is that I get a slight hum when the cartrige gets nearer to the center of the spindle, but I can live with that. Perhaps someone has a workaround if there is one.
Joerg
Deccas are susceptible to picking up motor hum.
Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702
Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2