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  1. #1
    Join Date: Feb 2017

    Location: Balsall Common

    Posts: 117
    I'm David.

    Default Boards Of Canada

    Any Boards Of Canada fans here?

    For those who aren't familiar, they're a Scottish electronic duo who are pretty much hermits - they hardly ever tour, don't promote themselves, don't do social media, rarely do interviews, and yet are slowly building up a cult following.

    Much of their music is reminiscent of the 70s, and in particular those long sunny summer holidays off school when you were a kid. You only have to look at the album cover for Music Has The Right To Children (MHTRTC) and you'll see what I mean. Some of it is quite "dreamy", and no doubt probably mind blowing if you're into certain substances! (I'm not, so I'm just guessing).

    They use vintage keyboards from around that period (like a Yamaha CS70) to produce a vintage/retro sort of analogue sound. Their record label is called Music70, and one album contains the track Sixty Ten (70). Yes, they have something about the number 70. A lot of their music revolves around colours/numbers/geometry/shapes, and using soundbites from, amongst others, Sesame Street!

    Initially their music sounds quite repetitive, but the more you listen to it, you start hearing new details and layers you never heard before, and despite the production not being pristine, the better the system, the more and more it reveals. Some of the theories are interesting, and some are just downright crazy! Many seem to think their second album, Geogaddi, has deeply satanic themes running through it. The following link is to a page about the supposed themes of the album, and if you click on the individual tracks, it goes into more depth about each. The more you learn, the more you become intrigued. The last time I read those pages, I was researching for a week! Even though Geogaddi followed MHTRTC, they're quite different albums, partly due to 9/11 happening during the making of Geogaddi. It became a darker album, but was still similar in many ways, with most of the tracks seamlessly linked by vignettes. One of the tracks was used in the recent horror film Sinister.

    http://bocpages.org/wiki/Geogaddi

    There's a website that delves deep into their music, listing the samples and soundbites they use, and also the meaning of them within each track. Their first full album, Music Has The Right To Children, is the perfect example of these multitudes of layered detail. A track called Aquarius from this album was found be part of a very small collection of John Peel's favourite tracks.

    You can read more on their Wikipedia and associated pages: https://en.m.wikipedia.org/wiki/Boards_of_Canada

    If you're not familiar with them and you're into electronic music, give them a try. They're not your typical electronic music though, which is one reason why they've become one of my favourite artists since their first full length album in 1998. They've influenced many artists, such as Radiohead, and were themselves influenced by artists such as The Beatles. If you don't get it, you'll hate it. But if you do, you won't be able to live without it.

  2. #2
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,089
    I'm Alan.

    Default Far out man ...

    Thanks for the heads up, I shall be investigating.

    I love Hendrix for so many reasons. He was so much more than just a blues guitarist - he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar - he played music. - Stevie Ray Vaughan

  3. #3
    Join Date: Feb 2017

    Location: Balsall Common

    Posts: 117
    I'm David.

    Default

    Quote Originally Posted by Firebottle View Post
    Thanks for the heads up, I shall be investigating.

    Just bear in mind that one listen, whilst it might captivate some, just isn't enough. They can take time to get into. I prefer lights off, darkness, and get lost in their three dimensional world...

  4. #4
    Join Date: May 2016

    Location: Notts

    Posts: 2,754
    I'm Geoff.

    Default

    Quote Originally Posted by the little audio company View Post
    Just bear in mind that one listen, whilst it might captivate some, just isn't enough. They can take time to get into. I prefer lights off, darkness, and get lost in their three dimensional world...
    Sorry,

    after 15 minutes on Spotify I've decided I prefer the lights on and sound off!

  5. #5
    Join Date: Feb 2017

    Location: Balsall Common

    Posts: 117
    I'm David.

    Default



    Although, as I say, it's not one of those that are instantly likeable - it takes a few listens.

  6. #6
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Nice one, David. B.o.C are cool! What other ambient music are you into?

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  7. #7
    lordmortlock Guest

    Default

    One of my very favourite artists. Music has the right to children is one of the most important electronic albums of all time, and a personal top ten. Might have to take you to task over 'slowly building up a cult following' though. They've been huge since Roygbiv in '96! Half my life ago now, wow

  8. #8
    Join Date: Feb 2017

    Location: Balsall Common

    Posts: 117
    I'm David.

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    Quote Originally Posted by lordmortlock View Post
    One of my very favourite artists. Music has the right to children is one of the most important electronic albums of all time, and a personal top ten. Might have to take you to task over 'slowly building up a cult following' though. They've been huge since Roygbiv in '96! Half my life ago now, wow
    MHTRTC is definitely in my top 5 albums, although Geodaggi isn't far behind it! Take your point on being massive, but not massive as in the sort of artist who gets constant airtime on Radio 1. Almost like the film Clerks - their following has been built up by word of mouth and through friends, not through radio/TV/billboard ads etc. I'd love to see them live, but at the same time I'd be scared of the possibility of being disappointed.

  9. #9
    Join Date: Feb 2017

    Location: Balsall Common

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    I'm David.

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    BoC's albums never fail to amaze me. I've heard them God knows how many times, and although most of it is background listening, even when you're playing at decent volumes, I never fail to hear something I've never heard before. Listened to MHTRTC and Geogaddi yesterday afternoon, and Campfire Headphase when I got home. I forget what track it was now but I heard something I'd never noticed before. I don't think it is necessarily a case of being played on a better system, it's just that there's so much going on in some tracks that what's going on in the foreground sometimes takes your concentration away from "the little things".

    Now to settle down for Tomorrow's Harvest...
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  10. #10
    Join Date: May 2015

    Location: St Leonard's on Sea

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    I'm Loz.

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    Quote Originally Posted by the little audio company View Post
    BoC's albums never fail to amaze me. I've heard them God knows how many times, and although most of it is background listening, even when you're playing at decent volumes, I never fail to hear something I've never heard before. Listened to MHTRTC and Geogaddi yesterday afternoon, and Campfire Headphase when I got home. I forget what track it was now but I heard something I'd never noticed before. I don't think it is necessarily a case of being played on a better system, it's just that there's so much going on in some tracks that what's going on in the foreground sometimes takes your concentration away from "the little things".

    Now to settle down for Tomorrow's Harvest...
    I'm listening to Tomorrow's Harvest on the back of this thread. Reach For The Dead sounds monumental. David, i can recommend Stars of the Lid. Might be up your street. Their sound really does reveal lots going on with attentive and repeated listening. They've been one of favourites for a number of years now. 'The Tired Sounds Of Stars Of The Lid' is as good a place as any to dip your toe in.

    Cheers

    Loz

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