This ^^^
This ^^^
Would it be true to say, then, that the phono stage can never be too good for the cartridge? Even if the cart is a budget MM?
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.
It can be overkill, and in some cases possibly not as good. Some fancy ones like the whest i had was poor on say an at95. It was an expensive unit but i thought it nothing special personally and wouldnt have one in a gift
Last edited by struth; 05-02-2017 at 16:59.
Regards,
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Pretty much yes. The only caveat would be that some budget cartridges (and a few expensive ones!) with a raggedy top end to them may sound better balanced with a dull sounding phono stage...there again some budget cartridges are dull as ditch water... So yes generally the phono stage can never be too good for the cartridge.
With one of the better budget MM's such as the AT95E you will notice huge benefits with a decent phono stage.
Arkless Electronics-Engineered to be better. Tel. 01670 530674 (after 1pm)
Modded Thorens TD150, Audio Technica AT-1005 MkII, Technics EPC-300MC, Arkless Hybrid MC phono stage, Arkless passive pre, Arkless 50WPC Class A SS power amp, (or) Arkless modded Leak Stereo 20, Modded Kef Reference 105/3's
ReVox PR99, Studer B62, Ferrograph Series 7, Tandberg TCD440, Hitachi FT-5500MkI, also FT-5500MkII
Digital: Yamaha CDR-HD1500 (Digital Swiss army knife-CD recorder, player, hard drive, DAC and ADC in one), PC files via 24/96 sound card and SPDIF, modded Philips CD850, modded Philips CD104, modded DPA Little Bit DAC. Sennheiser HD580 cans with Arkless Headphone amp.
Cables- free interconnects that come with CD players, mains leads from B&Q, dead kettles etc, extension leads from Tesco
Arkless Electronics-Engineered to be better. Tel. 01670 530674 (after 1pm)
Modded Thorens TD150, Audio Technica AT-1005 MkII, Technics EPC-300MC, Arkless Hybrid MC phono stage, Arkless passive pre, Arkless 50WPC Class A SS power amp, (or) Arkless modded Leak Stereo 20, Modded Kef Reference 105/3's
ReVox PR99, Studer B62, Ferrograph Series 7, Tandberg TCD440, Hitachi FT-5500MkI, also FT-5500MkII
Digital: Yamaha CDR-HD1500 (Digital Swiss army knife-CD recorder, player, hard drive, DAC and ADC in one), PC files via 24/96 sound card and SPDIF, modded Philips CD850, modded Philips CD104, modded DPA Little Bit DAC. Sennheiser HD580 cans with Arkless Headphone amp.
Cables- free interconnects that come with CD players, mains leads from B&Q, dead kettles etc, extension leads from Tesco
It is impossible for anything digital to sound analogue, because it isn't analogue!
well guys
thanks for all the views,advice and ideas....im certainly not stuck for choice am i
as ive been on a bit of a spending spree of late buying amplifiers/dacs im gonna have to take things slowly till i recoup finance wise
but at least i have a general idea of the caliber of phono stage i should aim for.....which seems to be the most expensive i can afford
at present it looks like im aiming for a schiit mani as its cheap,gets great reviews and will get me up and running again until i have some more coin in my pocket to get something a lot more worth while
once again i appreciate all the help and advice and experience shared,i shall also keep some diy valve stage options open to,as im quite partial to a bit of diy and glowing valves....sometimes it can be a nightmare having to much choice
regards
smithie
There is no direct link between sound quality and cost.
Try some of the demo units available from different manufacturers and see which you prefer.
Kevin
Too busy enjoying the music....
European loan coordinator for Graham Slee HiFi system components..
Something else to consider. I think that it's important to be able to easily alter the gain and loading on a phonostage, as, inevitably, you'll end up with different cartridges and amplifiers/speakers in the future. Phonostages that have a single 'set' gain and loading shouldn't be considered imo.