Forgot to mention, no problems with clipping or power. I Drive these Speakers with a McIntosh MA 2275., more available power than a formula one GP Motor
Location: Melksham, Wiltshire
Posts: 731
I'm Peter.
Forgot to mention, no problems with clipping or power. I Drive these Speakers with a McIntosh MA 2275., more available power than a formula one GP Motor
Location: Melksham, Wiltshire
Posts: 731
I'm Peter.
Hi Jez,
Torsion bars are very tight and so are the plastic port inserts. I can only describe the bass a being extremely low or virtually non existented, which omits a sort of fart occasionally (sorry didn't mean to rude) but it's the only way to explain.
Regards
Peter
If, as you say the cone surrounds have been replaced, could it be that a cone is slightly misaligned and allowing the voice coil and former to bind within the magnet gap?
Actually, I don't remember these speakers having foam cone surrounds, but perhaps I'm wrong.
It is impossible for anything digital to sound analogue, because it isn't analogue!
It could indeed be something as simple as a dry joint...
The front baffles are indeed held on only by the hex bolts but the gasket may be "gluing" it down and a bit of leverage may be required...
There are two crossover boards per speaker but you probably already know that.
As an aside, the bass system is two infinite baffle enclosures (one at the top and one at the bottom) driving a central cavity. This has a very wide (5" or so) port and the idea is that a "plug" of compressed air forms in the port and this acts as the actual "driver".. IIRC from a long while ago when I read up on KEF's coupled cavity bass loading technique. I once spoke on the phone to a KEF design engineer who told me that they stopped using the system partially due to expense but mainly, bizarrely, because they had complaints from customers that "my mates aren't impressed enough at the bass drivers 'cos they can't see them as they're inside"!
The two 8" bass units per side (equivalent in cone area to a single 12" driver) have foam surrounds whilst the mid drivers don't...
They have KEF's conjugate load matching technique (the last model to have it AFAIK and due to cost, again according to the KEF engineer I spoke to) which theoretically makes them a perfect resistive load, 4 Ohm in the case of the 105.3.
I have often seen remarks along the lines of "they take a lot of current and need a meaty amp to drive them"... in my experience this is total rot!
They are 93dB/W efficient IIRC and I can personally attest to the fact that even my Leak Stereo 20 drives them really well and to amazing volumes for a 10WPC amp... The lack of any "awkwardness" to the load, due to the conjugate load matching technique, no doubt helps here.
Arkless Electronics-Engineered to be better. Tel. 01670 530674 (after 1pm)
Modded Thorens TD150, Audio Technica AT-1005 MkII, Technics EPC-300MC, Arkless Hybrid MC phono stage, Arkless passive pre, Arkless 50WPC Class A SS power amp, (or) Arkless modded Leak Stereo 20, Modded Kef Reference 105/3's
ReVox PR99, Studer B62, Ferrograph Series 7, Tandberg TCD440, Hitachi FT-5500MkI, also FT-5500MkII
Digital: Yamaha CDR-HD1500 (Digital Swiss army knife-CD recorder, player, hard drive, DAC and ADC in one), PC files via 24/96 sound card and SPDIF, modded Philips CD850, modded Philips CD104, modded DPA Little Bit DAC. Sennheiser HD580 cans with Arkless Headphone amp.
Cables- free interconnects that come with CD players, mains leads from B&Q, dead kettles etc, extension leads from Tesco
Location: Melksham, Wiltshire
Posts: 731
I'm Peter.
Hi Jez,
Many thanks for that information. I did removed the Hex Bolts but didn't use any exsisve force to detach the Pod if fear of damage, that I might live to regret.
Reffc ( Paul) has offered to sort this issue out and the speaker will be with him on Monday Week. Nedless to say, I am delighted .
Many thanks to you good self and all the members for there valued comments.
Regards
Peter
Mine need re-foaming....If only I was brave enough!!
Paul.
Location: North Island New Zealand
Posts: 1,757
I'm Chris.
Not usually recommended because it will change compliance, mechanical Qms and therefore free air resonance and hence tuning. Whilst this may not be much of an issue in some designs, it will be in others, especially at crossover where natural slopes from smooth roll-off transition are often used for woofers (ie it will shift crossover point and create phase inaccuracy problems).