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Thread: Power lead

  1. #11
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,811
    I'm James.

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    Quote Originally Posted by ReggieB View Post
    I have to agree with that. I think it's the quality of the shielding. Standard mains leads leak a lot of electrical noise. That's why as a network engineer, we'd avoid running network cables in the same conduits as mains cables. I'm sure that one of the main gains from using good quality leads is the avoidance of electrical noise from one cable, affecting the signal passing along another cable.
    My thoughts exactly Rob!

    Marco now I have kindly been offered a power lead by one of the folk up north, I am happy if this whole post is moved to another part of the forum for power lead discussion as obviously they work for some folk and others are still trying to find meaning!
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  2. #12
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Okay dokes

    Let debate commence.....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #13
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,811
    I'm James.

    Default

    Cheers Marco.

    Personally I would not spend a penny on anything unless I can hear a beneficial effect in my system and as much as I have found significant differences with interconnects, I have found beneficial effects with Mains power leads. At a minimum mine are all screened and as I run a rats nest behind my system this is essential. Interestingly it was only when I had replaced all my leads I heard the biggest effect.

    As a geeky thing to do I actually took all my power leads out one by one and clocked any performance difference, then popped them back in one by one. Normal kettle leads were used in place of the screened cables.

    The difference was not subtle especially when I went from no screened leads to all screened!
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  4. #14
    Join Date: Mar 2013

    Location: nottingham

    Posts: 328
    I'm nigel.

    Default

    ohh, bitch.
    at no point in my post did I suggest electron WRIGGLE from substation, through component and then back to substation....I merely suggested that a couple of extra feet of wire cannot compensate for problems incurred in the MILES of cable back to the source of the "juice".

    my intention was to save a fellow member money....better spent on music perhaps.

    also, may I suggest a component "upset and cranky" from a couple of feet of wire is either defective or poorly designed

    NIGE

  5. #15
    Join Date: Nov 2011

    Location: Wakefield west yorkshire

    Posts: 1,930
    I'm James.

    Default

    Quote Originally Posted by Marco View Post
    Indeed... If either of them do it again, they'll be getting a week's holiday (as per the rules stated), which being established members, they should've read and digested.

    Marco.
    What did I put,can't find it? I never meant any offence I have tried some leads and extension block from Russ Andrews, waste of money for my lugs
    novafidelity x40 music server/pre/dac, Arcam A39, roksan k3 power amp,Monitor Audio Monitor 50, Dali spektor 1, van damme interconnects and speaker cable, roskan k3 CD player

  6. #16
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    S'ok now, James. Just in future remember that threads in the classifieds section (where this one used to be until it was moved) are *solely* for folk buying or selling equipment. They're not places for holding debates or offering views on matters liable to adversely affect the needs of the buyer or seller

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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