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  1. #1
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Spot on, Chris, and very sensible advice indeed!!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  2. #2
    Join Date: May 2012

    Location: Toulouse, France

    Posts: 6,581
    I'm Kevin.

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    There seems very little detail about this fuse on the Synergistic Research web pages.
    Kevin

    Too busy enjoying the music....

    European loan coordinator for Graham Slee HiFi system components..

  3. #3
    Join Date: Mar 2014

    Location: KY - Scotland

    Posts: 5,479
    I'm Mike.

    Default

    Does a short fuse make any difference ?

    😁

  4. #4
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,885
    I'm Adrian.

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    Marco, I pm'd you about something..

    Adey

    In perpetual pursuit.
    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

  5. #5
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 38,124
    I'm Martin.

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    I should be okay. I don't leave the kit powered on when not listening to it and I don't have any insurance to invalidate

    Not sure how an existing fuse can 'deteriorate' though. I mean it is just a piece of wire and it isn't exposed to the elements?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  6. #6
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Macca View Post
    Not sure how an existing fuse can 'deteriorate' though. I mean it is just a piece of wire and it isn't exposed to the elements?
    Well, every time you switch your equipment on and off, it stresses the filament inside the fuse, eventually causing it to sag, and to my ears, the effect of that physical deterioration is audible. This (the sagging) is clearly evident with case fuses constructed from clear glass.

    If you're got some, and compare the old ones in your equipment with new fuses, you should clearly see the difference in the condition of the respective filaments

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #7
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Normally the idiocy from 'over the road' [those in the know will be familiar with what I'm referring to] is ignored here, as the sheer level of nonsense spewed by the resident inmates is such that it doesn't warrant a response. However, the following comments from Mr Qwim are so farcically hypocritical that a response could only be considered as mandatory:

    Quote Originally Posted by Daniel Qwim
    It is telling that none of the major members of AOS are able to sustain a membership at other less gullible forums, this is because AOS is the natural home of uncritical thinking and stupidity .

    After a while , you can pick up points for style and along come flatppoopy with what he thinks is a clever comment. Alas , it is not unusual for flatpoopy to think his comments are clever when they are inane .

    As I have said many times , I care not one jot for who you are I comment only on what you write with the pompous aim of trying to tease out the truth in a world full of bullshit and bollocks . And I said gazgam had lost all credibility upon the basis of what he had written .
    Here we are again, another unqualified, arrogant, self-appointed judge of 'all that's wrong in hi-fi'. Just who do you think *you* are to feel justified in appointing yourself as the definitive arbiter of "bullshit and bollocks'?

    You're a solicitor, FFS, and clearly an illiterate one at that, not a scientist or electronics engineer, so the reality is you're in no position whatsoever to judge anyone on the 'bullshit level' of their forum postings, on the subject of hi-fi, especially when your own output in that area is so frequently full of excrement, and shows scant evidence of acknowledging the hypocrisy of what leaves your keyboard and poses as an intelligent response.

    Hang on, scratch that, you're an expert on changing nappies, so I guess you encounter lots of SHIT on a daily basis! Sorry, I couldn't resist, and after all, it's all that you're really good for...

    In terms of credibility, when it comes to hi-fi, you have NONE, zero, hee-haw.. The King of No Credibility has more credibility than you.

    All you do is copy what your master from NVA tells you to do, much like Jamrag and the rest of the painfully obsequious Disciples of Dunce, resident on HFS, who possess little ability to think for themselves, and need taken by the hand on every stage of their audio journey [excluding the likes of Slinger and Lindsayt, who appear to have resisted the brainwash and possess the ability to think freely as individuals].

    Therefore, criticise Gazjam all you want [I know it will not phase him one iota], but at least he has the confidence and ability to trust his ears, think for himself and build a system based on his own judgement criteria, unlike you. All you can do is copy and follow your 'leader', like a sheep!

    As for Andrew (flatpopely's) highly astute, far from inane, observation below:

    Quote Originally Posted by flatpopely
    Just wonder how the coments against the fuse square with this?

    Welcome to Hi-Fi Subjectivist - a hifi discussion group
    The world of Hi-Fi is plagued by people trying to stop you commenting on what you hear and making decisions from it. This forum is different - here we do not allow people to challenge what people hear, and we can discuss the musical ability of our systems
    ...and your master's ridiculous response, clearly outraged at how Andrew had exposed the sheer hypocrisy of the 'HFS mission statement', where despite claiming you don't challenge what people hear, there you were openly ridiculing Gazjam for that *very thing*, simply because what he's heard (and reported) on AoS trips your blinkered bullshit filter.

    So what does your master do in order to prevent Andrew from further exposing the hypocrisy of the 'HFS mission statement'? He gags him, of course, by banning him, under the guise of making "daft comments" - and this from somewhere that claims to be free from censorship?? Honestly, you couldn't make it up!!

    So, Lindsay, you won't get an answer to the questions you've asked Andrew because your 'boss', in his infinite wisdom, to prevent him being made to look like a tit, has banned him!

    However, it's too late, as Dicky's farcical behaviour has already been 'caught on camera' for all to see and laugh at how, on one hand, others and him refer to AoS as "censorship central", and on the other he's gagging and banning folk for simply telling it as it is!! Free speech on HFS, eh?

    Anyway, Qwim, my thanks to your master and you for providing some hilarity on an otherwise dull day. For the very definition of inane and that which totally lacks any credibility, sweetheart, look in the mirror.

    Oh and FYI, as a statement of fact, a sizeable number of AoS members are also regular contributors on pfm and Wigwam, and they manage to exist there quite happily, unlike your 'leader' who's unwelcome anywhere else other than where he can censor and exercise his control.

    Over and out!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #8
    RothwellAudio Guest

    Default

    Quote Originally Posted by Gazjam View Post
    My point is that (and pardon the phrase, blame Mr Sircom...) Measurebators imo operate under the scope of the limits of a set framework (and no, I'm not talking about the laws of physics, no-one can lay claim to know them cos they havent all been discovered yet!)....its that scientific curiosity vs established thought thing thats the dragging point.
    I think this is interesting and worth a comment. How does it become a "fact" that certain things are inaudible? As far as I know the researchers who established the "facts" asked subjects for their subjective observations. For example, a subject may be asked which is the louder of two test tones at the same frequency but different amplitudes. The subject answers based on their subjective appraisal of the two tones. After testing many subjects the minimum audible change in amplitude is established. Then it becomes a "scientific fact". I would love to know a lot more about the methods used to establish the "facts" about what the human hearing/perception system is capable of, but I've been unsuccessful so far in finding much detail online.
    I remain open minded about what anyone "cannot possibly hear".


    Quote Originally Posted by Arkless Electronics View Post
    Anyhow, at the end of the day it's just a stereo and not worth any falling out or bad blood over it...
    Absolutely. It's only a device for listening to a bit of music after all.


    Quote Originally Posted by Marco View Post
    For me, it's simply about whether I want to 'go there' or not, as that's not where my head is at these days. I've pretty much done all the experimenting/tweaking I want to do in my system, so for me now it's all about the music: it's a contented mindset that takes a while to achieve
    Yes, at some point enough is enough. For many people a cheap piece of crap is good enough and they're happy. I sometimes wonder if they're the ignorant fools or the enlightened ones.

    Quote Originally Posted by Marco View Post
    Oh, and just to get a little bit more 'mentalist', the fuses are directional
    Eh? A fuse passing DC, maybe. What about a fuse passing AC?

  9. #9
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Andrew,

    Quote Originally Posted by RothwellAudio View Post
    I think this is interesting and worth a comment. How does it become a "fact" that certain things are inaudible? As far as I know the researchers who established the "facts" asked subjects for their subjective observations. For example, a subject may be asked which is the louder of two test tones at the same frequency but different amplitudes. The subject answers based on their subjective appraisal of the two tones. After testing many subjects the minimum audible change in amplitude is established. Then it becomes a "scientific fact". I would love to know a lot more about the methods used to establish the "facts" about what the human hearing/perception system is capable of, but I've been unsuccessful so far in finding much detail online.
    I remain open minded about what anyone "cannot possibly hear".
    Exactly!! That's the REAL scientific process outlined in a nutshell.

    The problem is, you're dealing in some cases with years of ingrained dogma and extremely closed minds, and folk (often reductionists) who would no sooner entertain the notion that their deeply-ingrained and absolutist scientific belief system is flawed, than join a society of creationists!

    Yes, at some point enough is enough. For many people a cheap piece of crap is good enough and they're happy. I sometimes wonder if they're the ignorant fools or the enlightened ones.
    Indeed!!

    Eh? A fuse passing DC, maybe. What about a fuse passing AC?
    Dunno, mate. I just listen and observe, as a free-thinker and music lover with an open mind, blissfully unburdened by what is considered as 'correct' or not by established scientific wisdom. It's rather liberating having such an uncomplicated approach to music appreciation and hi-fi!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #10
    Join Date: Oct 2008

    Location: Glasgowshire

    Posts: 9,683
    I'm Gary.

    Default

    Agree with Marco about cleaning up existing fuses and fuse holders, potentially make a good improvement.
    I did that first and noticed the improvement, thats what got me curious about looking into alternative fuses.

    The SR Black kept coming up as the one to get, not cheap but a 30 day trial meant I could take a punt, hear one for myself.
    Not sure about tbe other fuses. but the SR's were a big jump over even cleaned up and Deoxit'd fuses.
    AC POWER
    Hardwired 10kVA balanced mains powering entire system
    AMPS
    Meridian 557 power Amp (Modded) / PS Audio BHK Preamp (Modded)
    SPEAKERS
    Wharfedale Evo 4.4
    DAC
    PS Audio Directstream (Modded)
    TURNTABLE
    Pro-Ject X8 balanced output via XLR / Ortofon Quintet Blue cartridge
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    Pro-Ject DS3 B balanced Input (TT and Phonostage powered by Pro-Ject Power box RS2 linear psu)
    DIGITAL
    OPPO 203 (Modded: Linear PSU, i2s output to Dac) - Roon Endpoint, HDMI input used for all things Streaming/ PS5 /AppleTV ... also good for movies apparently?
    MUSIC PLAYBACK
    Tweaked AP-Linux based Roon Server into Oppo 203 as Roon endpoint
    Ipad Roon Remote.
    Apple Music/ YouTube via AppleTV, fed to Dac via Oppo HDMI input/i2s output to Dac.
    SPEAKER CABLES
    Biwired: Duelund DCA10GA (Bass) Duelund DCA16GA (mid & treble) Duelund 12DCA used as jumpers (On
    "Blackcat Cable" Chris Sommivigo's advice - yup, even with biwire it sounds better - and it does)
    INTERCONNECTS
    All Balanced: Ghost+ recording studio XLR cables

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