Main system: MMs/ADCs/Deccas/Low output MC's/various SUT's/various arms/hefty Japanese DD TT and hefty Japanese BD TT and small British BD TT/Swiss Idler jobs. 4 CD players/2 jitter buster/2 DACs/Valve buffer. TVC, stepped attenuator or valve pre-amp/Class A SS power-amp or Class A EL34 valve monos or big Japanese (part Class A) integrated. Big and smaller dual concentric speakers and full range speakers, amongst others. And too much more to list!
Location: Montreal, Canada
Hi. This is quite an interesting thread.
With all those positive reviews I may try it and so for myself. Obviously at that price point I would change fuses on at the time, so where it would be the more beneficial? Going from the source down to amplification starting from phono stage to preamp followed by amp?
Turntable: SL1200 MK2, Mike New ETP platter, Mike New bearing, Isonoe feet, KAB PSU, Oyaide CF-HS, DL-103R
AMP/PRE: Linar Audio Class A, CD: TEAC VRDS-20, DAC: Pierre Lurné Andromesia, Phono: Simaudio LP5.3, speaker: Lafleur Audio X1
"You have your way. I have my way. As for the right way, the correct way and the only way, it does not exist" - Friedrich Wilhelm Nietzsche.
Modified Technics SL-1210MK5G/Mike New high-precision bearing & baseplate/Mike New ETP platter/Bruil record weight/Nagaoka GL602 crystal T/T mat. Paul Hynes SR7EHD PSU (plus regulator modules)/DCSXL pure-silver DC lead. Ortofon RS-212D tonearm/'Speedy Steve' custom-made Ebony armboard. Yannis Tome 423.5 Phono Silver-Litz tonearm cable, with Furutech CF-DIN(R) and Eichmann silver Bullet Plugs. Cartridges: Denon DL-S1 in AT MG-10 headshell with AT-6106 Quattro Hybrid lead-wire. Denon DL-103C1 in '103U' headshell with AT-609 silver lead-wire. Vintage Denon DL-103AU in AT-Ti15ANV Titanium Headshell. Shure M55E in Denon PCL-300 headshell with 6N silver lead-wire. Shure original USA SC35C. Audiocom-modified Sony X-777ES/DAS-R1 transport/DAC. Raspberry Pi-3 Model B and IQaudio Pi-DAC+/Paul Hynes SR3DR-05 linear PSU. Heavily-modified Croft Charisma-X preamp. Modified Goldpoint SA4M-47 passive preamp. Stereo Coffee LDR. Head-amp: Paul Hynes design/SR5 PSU. Also modified Lentek. Tube Distinctions 50W Class A P/P Copper amp with cryo-treated Tung Sol KT150s. Speakers: 'Lockwood Majors', using 15" Tannoy Monitor Golds, modified with bespoke crossovers. Also Celestion Ditton 15XRs. Stands: Mana Acoustics (non-magnetic stainless steel 'clones’). Hi-Fi Racks Podium T/T wall shelf. Sony ST-5055L tuner. Cables: Furukawa EE/F-S 2mm & 2.6mm solid-core mains leads, fitted with Furutech FI-50 IECs and FI-1363Rs. Stereo interconnects: Sommer Carbokab 225 (with silver-plated MS Audio non-metallic POM RCAs). Speaker cable: VDH 'The Wind' Hybrid II. Digital coaxial cable: 1m Trompeter Electronics Triax TRC-75-2, with MS Audio ‘Starline' silver-plated RCAs. Mains block: Mark Grant 6-way, modded with Furutech FP-1363R sockets and Furukawa cable. Tube Distinctions digital noise filter. VPI HW 16.5 record cleaner.