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Thread: Waiting for the Truth

  1. #181
    Join Date: Feb 2014

    Location: Indianapolis, Indiana USA

    Posts: 779
    I'm Timothy.

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    God, I would hate to invision what the inside of my skull would look like, probably similar to Homer Simpson's, a lot of air and a little mush....
    Holbo TT-Nag 110-Croft phono/Innuos Zen MK2/LinnenberG Telemann DAC-Preamp/LinnenberG Allegro monoblocs/Duevel Venus/LinnenberG Maestro SE-Senn. 660S DH Labs cabling

    Croft Series 7 amps, WLM La Scala, Naim Uniti1, Naim Nait XS3, Naim ND5XS2, Guru Junior

  2. #182
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Marco View Post
    And furthermore, I believe that the electronics engineers/audio designers most afflicted by that condition have been singlehandedly responsible for holding back progress in the field of recorded music reproduction more than any inventors of 'subjectivist foo'!

    Why?

    They think that all there is to know is already known (and proven by measurements), so they don't push boundaries far enough [often also dismissing out of hand that which doesn't 'fit' with their world view], in order to make new discoveries and thus allow proper progress to happen!!

    Outside of computer audio, why else do you think that so little REAL progress has been made in the field of audio design, since the heyday of the 50s and 60s, and in terms of loudspeaker design, even earlier? The obsessive 'measurists' and rigid-thinking 'objectivists' in the industry have stifled real progress!

    There's one for you to ponder, while I go out for my daily 5-mile power walk.........
    I'm surprised that there has been no input or reaction to this post - too close for comfort, to a 'home truth' for some, perhaps?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #183
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,885
    I'm Adrian.

    Default

    After you being controversial Marco..... Lol
    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

  4. #184
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol... Well, it's something that I truly do believe. Don't get me wrong, when designing equipment, technical measurements are vitally important and 100% necessary (to those who fully understand and know how to utilise them), but they're *not* the be-all-and-end-all, and don't always tell the full story...

    It's my view that if a higher percentage of audio designers/electronics engineers trusted their ears and gut instincts more, and were more naturally inquisitive [practiced more lateral thinking], delving deeper into things that aren't explained by currently accepted wisdom, relying less on the contents of established textbooks, then more progress would've been made in the development and production of high-end audio equipment than so far has been the case.

    Let's PUSH THOSE BOUNDARIES more and set higher standards!!

    However, I also think that part of the problem is the fault of consumers for not being discerning enough and swallowing the notion that 'newest is always best', rather than challenging that conception and driving up standards, so that said ADs and EEs were forced to up their game accordingly and produce kit that genuinely excels, rather than is merely adequate or 'fit for purpose'!

    It should of course be taken for granted that I'm not talking about any builders or designers here.

    Anyway, let's have more *truly great* equipment produced, designed to be the BEST it possibly can, at a given price point, rather than simply of the 'meh' variety - and then just maybe some REAL progress will be made in today's audio industry.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #185
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,885
    I'm Adrian.

    Default

    I agree completely.
    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

  6. #186
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    We need more audio equipment designed for the *right reasons* (rather than simply boxes produced to fill a product range), with a passion and desire to create something truly special, at an affordable price, and where the money has been spent on where it matters most, 'under the hood', and not on superfluous frippery!

    At the moment, most of the design focus is on 'meh' entry-level gear, or blinged-up 'badge-fi' only a Russian oligarch could afford... We need more equipment designed to satisfy the middle ground, aimed at *genuine enthusiasts*, which both truly provides an open window onto the music and is a pleasure to own.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #187
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,885
    I'm Adrian.

    Default

    Ok so a few more words about the Truth.

    Steve at Magna is going to make me a nice oiled walnut sleeve for it so it should then look presentable.

    First the good - im still astonished by this thing - it passes on information that I never knew existed on my albums and surprises me with every listening. It's neither sterile nor coloured - it just not audible, not there.

    It has a quirk - although it's permanently powered it genuinely improves over an hour or so of listening - though I can't explain in what way - it just does, maybe it's fluidity. And I realise this contradicts my 'not there' statement above.

    Bad? I really would like a fixed balance point to know that my cart is aligned right, antiskate, azimuth all effect channel balance and without a perfect reference point it's difficult for someone anal like me to feel confident that the cart is operating at optimum. Saying that it all sounds superb and I'm finding it difficult to switch off the music after work and actually eat! That hasn't happened in a long time - putting on the stereo the moment I get in from work.
    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

  8. #188
    Join Date: Jan 2015

    Location: Leeds

    Posts: 164
    I'm Dave.

    Default

    Quote Originally Posted by Marco View Post
    We need more audio equipment designed for the *right reasons* (rather than simply boxes produced to fill a product range), with a passion and desire to create something truly special, at an affordable price, and where the money has been spent on where it matters most, 'under the hood', and not on superfluous frippery!

    At the moment, most of the design focus is on 'meh' entry-level gear, or blinged-up 'badge-fi' only a Russian oligarch could afford... We need more equipment designed to satisfy the middle ground, aimed at *genuine enthusiasts*, which both truly provides an open window onto the music and is a pleasure to own.

    Marco.
    The Truth looks pretty flakey to me.
    It might have been designed "for the right reasons", but its specification and claims don't seem to have much foundation.

  9. #189
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I was making a general point, Dave, not necessarily one about 'The Truth' (which I haven't heard)

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #190
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,885
    I'm Adrian.

    Default

    The maker has divulged something of how it works to me but I'm keeping quiet about it. However, there are sound principles in the design.

    Whilst I agree that ergonomically it isn't that great, and that even though I'm having it pimped up visually build quality isn't exactly in the same league as the rest of my gear and doesn't inspire confidence - however, the sonics justify any claims the maker makes about it.

    Please understand that if you haven't heard it you can't understand what it does and what you are in fact missing from vinyl - it breathes music, data retrieval - if it was cut in the lacquer, no matter how subtle, you will hear it (depending in the quality of your amps). There is no blurring, no softened dynamics - but it isn't analytical.

    I don't like the product - but the sound is addictive.
    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

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