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Thread: Croft phono integrated review and scotch

  1. #1
    Join Date: Mar 2016

    Location: Suffolk

    Posts: 151
    I'm Jon.

    Default Croft phono integrated review and scotch

    The two weren’t supposed to go hand in hand, but one thing led to another after a bit of vinyl and far too many cheeky nips of the good stuff

    So, i got to replace my current amp/phono with the Croft today and..

    WOW, and I’m not saying wow because I’m justifying the best £500 i’ve ever spent (I’m lucky to get it that cheap and also the seller was properly good guy couldn’t be more helpful) If i thought it was crap, then i’d say so and move on.
    So, i’ve not really got the audiophile vocabulary to describe what I’m hearing but ill have a go. Please excuse me if what i say sounds ridiculous.
    The vinyl i used to evaluate it was…

    Lou Reed’s Transformer
    Kate Bush The kick inside
    Simon & Garfunkel Bookends
    Sade Best of
    John Mayall The world of

    If I’m honest i could only listen for half hour a time at first because the sheer retrieval of what is on the vinyl kind of blew my mind compared to what i’d heard before with my Arcam & the MF X-150 and properly confused me as to why I’ve not heard it before. Clinical maybe, but in fairness, more honest?
    And by retrieval i mean the instruments are properly separated rather than being slightly muddled and in the distance, whereas now everything seems to be in its place and the sound is almost 3D and like i can almost reach out and touch it if that makes any sense? Also the soundstage was a bit narrow before, but now it fills the room and the sound ceiling is lifted rather a lot.
    The vocals from Kate Bush & Sade actually got me a bit emotional and certainly made the hairs on my arm stand up! Isn’t that the purpose?
    John Mayall’s “sonny boy blow” was as near perfect audio experience as I’ve heard at my budget and made me wonder why i’d never bought any Croft gear before!
    So in summary, for a relatively small amount of pounds i’m rather pleased with the outcome.

    Hic

  2. #2
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,811
    I'm James.

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    Quote Originally Posted by Justjon View Post
    The two weren’t supposed to go hand in hand, but one thing led to another after a bit of vinyl and far too many cheeky nips of the good stuff

    So, i got to replace my current amp/phono with the Croft today and..

    WOW, and I’m not saying wow because I’m justifying the best £500 i’ve ever spent (I’m lucky to get it that cheap and also the seller was properly good guy couldn’t be more helpful) If i thought it was crap, then i’d say so and move on.
    So, i’ve not really got the audiophile vocabulary to describe what I’m hearing but ill have a go. Please excuse me if what i say sounds ridiculous.
    The vinyl i used to evaluate it was…

    Lou Reed’s Transformer
    Kate Bush The kick inside
    Simon & Garfunkel Bookends
    Sade Best of
    John Mayall The world of

    If I’m honest i could only listen for half hour a time at first because the sheer retrieval of what is on the vinyl kind of blew my mind compared to what i’d heard before with my Arcam & the MF X-150 and properly confused me as to why I’ve not heard it before. Clinical maybe, but in fairness, more honest?
    And by retrieval i mean the instruments are properly separated rather than being slightly muddled and in the distance, whereas now everything seems to be in its place and the sound is almost 3D and like i can almost reach out and touch it if that makes any sense? Also the soundstage was a bit narrow before, but now it fills the room and the sound ceiling is lifted rather a lot.
    The vocals from Kate Bush & Sade actually got me a bit emotional and certainly made the hairs on my arm stand up! Isn’t that the purpose?
    John Mayall’s “sonny boy blow” was as near perfect audio experience as I’ve heard at my budget and made me wonder why i’d never bought any Croft gear before!
    So in summary, for a relatively small amount of pounds i’m rather pleased with the outcome.

    Hic
    Nice one Jon. Croft equipment does seem to get to the heart and soul of a recording and reveal details in vinyl you are not always aware of. Most of all Croft amps are very musical and make you want to listen to more and more music!
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  3. #3
    Join Date: Oct 2012

    Location: The Black Country

    Posts: 6,089
    I'm Alan.

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    That's what valves do for you

    Glad you are enjoying it Jon

  4. #4
    Join Date: Feb 2014

    Location: Indianapolis, Indiana USA

    Posts: 779
    I'm Timothy.

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    Have fun with the Croft Jon! Great sounding little boxes for sure.
    Holbo TT-Nag 110-Croft phono/Innuos Zen MK2/LinnenberG Telemann DAC-Preamp/LinnenberG Allegro monoblocs/Duevel Venus/LinnenberG Maestro SE-Senn. 660S DH Labs cabling

    Croft Series 7 amps, WLM La Scala, Naim Uniti1, Naim Nait XS3, Naim ND5XS2, Guru Junior

  5. #5
    Join Date: May 2015

    Location: Greece

    Posts: 249
    I'm Panos.

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    Quote Originally Posted by Justjon View Post
    ...The vinyl i used to evaluate it was…

    Lou Reed’s Transformer
    Kate Bush The kick inside
    Simon & Garfunkel Bookends
    Sade Best of
    John Mayall The world of

    If I’m honest i could only listen for half hour a time at first because the sheer retrieval of what is on the vinyl kind of blew my mind compared to what i’d heard before with my Arcam & the MF X-150 and properly confused me as to why I’ve not heard it before. Clinical maybe, but in fairness, more honest?
    And by retrieval i mean the instruments are properly separated rather than being slightly muddled and in the distance, whereas now everything seems to be in its place and the sound is almost 3D and like i can almost reach out and touch it if that makes any sense? Also the soundstage was a bit narrow before, but now it fills the room and the sound ceiling is lifted rather a lot.
    The vocals from Kate Bush & Sade actually got me a bit emotional and certainly made the hairs on my arm stand up! Isn’t that the purpose?
    John Mayall’s “sonny boy blow” was as near perfect audio experience as I’ve heard at my budget and made me wonder why i’d never bought any Croft gear before!
    So in summary, for a relatively small amount of pounds i’m rather pleased with the outcome.

    Hic
    Jon,

    if you can devote a little extra budget for some NOS valves, you will be surprised with how much better your Croft can sound in comparison with the stock JJ valves, than Glenn uses.

    You might want to try the brilliant Tesla E83CC in the phono stage. And secondly you could also try a Mullard CV492 or ECC83 in the line stage.

    Expect to be amazed with how much potential is still locked in your Croft amp... -)
    System1: Lenco L75 with custom plinth, SLAT, sph bearing, SG4 external power supply + Alfred Bokrand AB-309 tonearm + Denon DL103R (aluminum body) + Well Tempered 12" tonearm clone + Denon DL103R (wooden body), ASR Mini Basis Exclusive HV, Marantz CD6005, LAB12 DAC1 SE+, Hattor BIG passive + active pre, Lab12 Suono power amp, Falcon LS3/5a Gold Badge, LAB12 Gordian, Belden 8428, Black Cat Red Level Triode, LAB12 Knack MkII

    System 2: Roksan Xerxes original (HiFi Inspire plinth) with Maxon ReMax motor + Audiomods Series6 + Ortofon Cadenza Black microridge retipped, ASR Mini Basis Exclusive, Marantz CD6003, Croft Micro25R + Series7R monoblocks (110W/ea), Harbeth SHL5 Plus 40th Anniv.

    System 3: Marantz CD6003, Croft SuperMicroII ('R' spec by Croft, Tesla E83CC in phono)+ Series7, Snell Type EII (with bypass caps, new internal wiring, WBT nextgen 0703Cu), Mark Grant HDX1, Atlas Hyper 3.0

  6. #6
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

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    Early Cat Stevens albums sound great through the Croft integrated too - grin...
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

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